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Pellón not only developed close relationships with the surrealists, but
also with the CoBrA movement, the postwar European avant-garde
group whose name derived from Copenhagen, Brussels, and
Amsterdam. She befriended Asger Jorn, Karel Appel, and Guillaume
Corneille, and shared their interest in spontaneity and expressive
color. She exhibited alongside the group, and her work attracted
audiences in northern Europe. These affinities informed her practice,
but Pellón reimagined the artistic currents around her into a
language grounded in female presence and her own experiences
of displacement and belonging.
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