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Amelia Peláez (1896 - 1968)
Fruit Bowl
(Frutero), 1947
oil on canvas
48 x 48 inches
Private Collection, Miami, FL.
Provenance:
Cernuda Family Collection,
Coral Gables, Florida;
Miguel González Collection,
Key Biscayne, Florida.
Exhibited in Latin America Treasures
from Miami's Private Colletions,
Center for the Fine Arts, Miami,
Oct. 8 – Nov. 8, 1987, and illustrated
in the corresponding catalog.
Exhibited in Amelia Peláez, A
Retrospective, 1896 – 1968, Cuban
Museum of Arts and Culture, Miami, FL,
July - August 1988, and illustrated
in the corresponding catalog, page 88
and cover page.
Second venue, Museo de Arte
Latinoamericano de la O.E.A.,
Washington, D.C. Sep. 14 to Oct. 29,
1988.
Exhibited in, Wifredo Lam and his
Contemporaries, The Studio Museum
in Harlem, New York, December 6, 1992,
Lot# 99, and illustrated in the
corresponding catalog, page 135.
Exhibited in Cuban Artists of the
Twentieth-Century, Museum of Art Fort
Lauderdale, Florida, October, 1993, and
illustrated in the corresponding catalog,
page 8, listed on page 37.
Exhibited in Tarsila, Frida, Amelia:
Tarsila do Amaral, Frida Kahlo, Amelia
Peláez, Fundación "La Caixa", Madrid,
Spain, February 12 - April 27, 1997, and
illustrated in the corresponding catalog,
page 168, listed on page 181, number 73.
Second venue, Exhibited in Barcelona,
May 14 to July 27, 1997.
Exhibited in Latin American Still Life:
Reflections of Time and Place, Katonah
Museum of Art, Katonah, New York,
October 17, 1999 to January 2, 2000;
Second venue, El Museo del Barrio,
New York, February 10 - May 21, 2000.
Illustrated in the book The Lost
Generation: Women Ceramicists and the
Cuban Avant-Garde | La Generación Perdida:
Mujeres Ceramistas y La Vanguardia Cubana,
curated by Dr. Elizabeth Thompson
Goizueta, ed, McMullen Museum of Art,
Boston College, Boston, 2023, page 138.
Illustrated in the book Modern Art
in 1940s Cuba: Havana's Artists,
Critics, and Exhibitions, by Professor
Alejandro Anreus, Ph.D., University of
Florida Press, 2025, page 125.
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