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For Pellón, exile was a moral commitment as much as a personal circumstance. She was a steadfast advocate for the democratization
of Cuba and was dedicated to the freedom of political prisoners and the defense of human rights. As an artist who understood the price
of freedom firsthand, her illustrations for Amnesty International gave visual form to these convictions. In her canvases, exile is almost never illustrated, but always embodied. Her figures rarely settle within the frame, and in this way she anticipated by decades conversations about diaspora and identity that occupy art today.
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