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Search:  A Selection of Artworks for Art Miami New York 2015 ART MIAMI NEW YORK, THE INTERNATIONAL CONTEMPORARY AND MODERN ART FAIR WILL PREMIERE MAY 14-17, 2015 AT THE WORLD RENOWNED PIER 94. Art Miami New York will host 100 leading international contemporary galleries providing a fresh opportunity to acquire important never before exhibited works from both the primary and secondary markets in an intimate light. The fair will cater to both seasoned and new art collectors who are looking to experience the best of what the global contemporary art market has to offer in New York City. CERNUDA ARTE, BOOTH C-10 LOCATION Pier 94 12th Avenue at 55th Street New York, NY 10019 HOURS VIP PREVIEW Thursday May 14 : 2pm-5pm (By invitation only) FAIR HOURS Thursday May 14 : 5pm-9pm Friday May 15 : 12pm-8pm Saturday May 16 : 12pm-8pm Sunday May 17 : 12pm-6pm Special Moments Photos Tomás Sánchez A la Orilla (By the Shore), 1996 acrylic on canvas 30 x 40 1/4 inches Illustrations: Illustrated in Important Cuban Artworks, Volume Ten, Cernuda Arte, Coral Gables, Florida, December 2012, page 94. Wifredo Lam Tótem (Totem), 1951 oil on canvas 35 3/4 x 23 3/4 inches Provenance: Galleria Ferrari, Treviglio, Italy. C. Bruni, Roma. Exhibitions: This painting was exhibited in Wifredo Lam in North America at the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, October 11, 2007 to January 21, 2008; was then exhibited at Miami Art Museum, Miami, Florida, Februrary 8, 2008 to May 18, 2008; exhibited at Museum of Latin American Art, Long Beach, California, June 12 to August 31, 2008, and exhibited at Salvador Dali Museum, St. Petersburg, Florida, October 2, 2008 to January 10, 2009. Illustrations: This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 441, no. 51.15. This painting is also illustrated in Wifredo Lam in North America, with essays by Curtis L. Carter, Lowery Stokes Sims, Dawn Ades, Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam, published by Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, page 126, no.52. Also illustrated in Important Cuban Artworks, Volume Ten, Cernuda Arte, Coral Gables, Florida, December 2012, page 28. This artwork will be illustrated in the upcoming, Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida. Wifredo Lam Sin Título [Femme Cheval] (Untitled [Mujer Caballo]), ca 1951 oil on canvas 30 3/4 x 23 3/4 inches Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 437, no. 51.02. Also illustrated in Wifredo Lam, en las colecciones cubanas, José Manuel Noceda, Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba, page 151, no. 161. This artwork will be illustrated in the upcoming, Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida. This painting is accompanied by a certificate of authenticity signed by Lou Laurin Lam, Paris, March 28, 1996, no. 96-10. Amelia Peláez Still Life with Stained Glass Naturaleza Muerta con Vitral, 1960 oil on board 38 ⅝ x 30 ¼ inches Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 21. We are grateful to Ramón Vázquez Díaz for confirming the authenticity of this work and its certification. Wifredo Lam En el Aire (Up in the Air), 1962 oil on canvas 51 1/2 x 38 1/4 inches Provenance: Albert Loeb Gallery, New York, New York; Private Collection, Paris, France; Private Collection, Paris, France; Private Collection, Switzerland. Exhibitions: This painting was exhibited in Lam, Paintings from 1938 to 1962, Albert Loeb Gallery, New York, NY, 1962. Also exhibited in Wifredo Lam, Galleria Arte Borgogna, Milan, Italy, 1970, and illustrated in the exhibition catalog. Exhibited in Wifredo Lam, Gimpel Fils Gallery, London, England, and Gimpel Gallery, New York, NY, Gimpel and Hanover Galerie, Zurich, Switzerland, 1970-1971. Exhibited in Der Geist des Surrealismus, Albin Brunovski, Gemälde, Druckgraphik, Wifredo Lam, Oelbilder, Baukunst Galerie, Köln, Germany, 1971-1972. Exhibited in Wifredo Lam, Galeria Arte Borgogna, Milan, Italy, 1991, and illustrated in the exhibition catalog, page 33. Illustrations: Illustrated in Wifredo Lam et le 'Bestiaire Ambigu, XX siècle, C. Tarnaud, no. 21, Paris, May 1963, p. 41. Illustrated in Wifredo Lam, Max-Pol Fouchet, First Edition, 1976, page 240, no. 492, and in Wifredo Lam, Max-Pol Fouchet, Second Edition, 1989, page 260, no. 524. Also illustrated twice in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, on page 26, and again on page 263, no. 62.29. Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 41. This painting is accompanied by a photo-certificate of authenticity signed and dated by Madame Lou Laurin Lam, Paris, May 27, 2011, no. 11-14. Mario Carreño Bodegón con Pescado (Still Life with Fish), 1945 oil on canvas board 19 7/8 x 23 3/4 inches Exhibitions: Exhibited in Carreño, Pan American Union, Washington, D.C., 1947, and illustrated in the exhibition catalog, num. 13. Also exhibited in Carreño, Perls Galleries, New York, N.Y., Nov. 1945. Illustrations: This artwork will be illustrated in the upcoming, Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida. Wifredo Lam Realidad de Los Pájaros (Reality of The Birds),1970 oil on canvas 29 3/4 x 36 1/2 inches This painting is signed and dated on the lower right. Provenance: Galerie Jan Krugier, Geneva, Switzerland. Exhibitions: This painting was exhibited in Wifredo Lam, Galerie Jan Kruger, Geneva, Switzerland, 1970, and illustrated in the exhibition catalogue, page 39, no. 28. Also exhibited in Wifredo Lam, Galleria Arte Borgogna, Milan, Italy, 1970. Exhibited in Wifredo Lam, Gimpel Fils Gallery, London, England, and Gimpel Gallery, New York, NY, Zurich Gimpel and Hanover Galerie, Zurich, Switzerland, 1970-1971. Also exhibited in Der Geist des Surrealismus, Albin Brunovski, Gemälde, Druckgraphik, Wifredo Lam, Oelbilder, Baukunst Galerie, Köln, Germany, 1971-1972. Illustrations: This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, on page 340, no. 70.77. Illustrated in A. Jouffroy, Lam, Paris, Éditions Georges Fall, Bibli-Opus, 1972, p.56. Illustrated in M.P. Fouchet, Wifredo Lam, 1st ed., Barcelona/Paris, Poligrafia/Cercle d’Art, 1976, p. 134, no. 162. Illustrated in M.P. Fouchet, Wifredo Lam, 2nd ed., Barcelona/Paris, Poligrafia/Cercle D’Art, 1989, p. 138, no. 162. This artwork is accompanied by a photo-certificate of authenticity signed by Lou Laurin Lam, dated 24 September 2009, no. 09-16. Wifredo Lam Sin Título [Amigos de la Tierra] (Untitled [Friends of the Land]), 1964 oil on canvas 19 3/4 x 27 5/8 inches Provenance: Private Collection, France. Private Collection, Switzerland. Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 278, no. 64.14 This artwork will be illustrated in the upcoming, Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida. This painting is accompanied by a certificate of authenticity signed by Lou Laurin- Lam, dated December 19, 1989, no. 89-77. Carlos Enriquez Mulata a la Luz de la Luna (Mulatto Woman Under the Moonlight), 1952 oil on canvas 29 ¼ x 24 inches Exhibitions: This painting was exhibited at Christie’s Latin American Art auction, November 21, 1995, and illustrated in the corresponding catalog, No. 208. Illustrations: Illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, page 222. Illustrated in Important Cuban Artworks, Volume Ten, Cernuda Arte, Coral Gables, Florida, December 2012, page. 42. Mario Carreño Paisaje de Viñales (Viñales Landscape), 1941 mixed media on canvas 30 1/4 x 24 inches Illustrations: This painting was exhibited in Christie’s New York Latin American Sale, Important Collection, June 1, 2000, lot no. 70, and illustrated twice in the corresponding exhibition catalogue, inside cover and page 27. Illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte, Coral Gables, Florida, December 2013, page 29. Wifredo Lam Los Ojos Abiertos (The Opened Eyes), 1972 oil on canvas 19 1/2 x 26 1/2 inches Illustrations: Illustrated in Wifredo Lam, Max-Pol Fouchet, First Edition, 1976, page 173, no. 218, and in Wifredo Lam, Max-Pol Fouchet, Second Edition, 1989, page 177, no. 218. This painting is illustrated twice in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 357, and again on page 374, no. 72.88. Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 42. Exhibitions: This painting was exhibited in Lam, Galleria Gissi, Torino, Italy, 1978, and illustrated in the catalog, no. 19. Also exhibited in Wifredo Lam in North America at the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, October 11, 2007 to January 21, 2008. This exhibition later traveled to Miami Art Museum, Miami, Florida, February 8 - May 18, 2008; Museum of Latin American Art (MOLAA), Long Beach, California, June 12 - August 31, 2008; and to the Dalí Museum, St. Petersburg, Florida, October 2, 2008 - January 10, 2009. This artwork was illustrated in the museum catalog, Wifredo Lam in North America, with essays by Curtis L. Carter, Lowery Stokes Sims, Dawn Ades, Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam, published by the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, page 136, no. 62. This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated December 15, 1999, no. 99-59. Wifredo Lam Sin Título [Personaje con Pájaros] (Untitled [Personage with Birds]), 1970 oil on canvas 19 3/4 x 15 3/4 inches This painting is signed and dated on the reverse. Provenance: Private Collection, Turin, Italy. Acquired directly from the above by the previous owner in 2003 Illustrations: This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 488, no. 70.109. This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated June 10, 2002, no. 02-30. Víctor Manuel García Muchacha en Verde (Young Lady in Green), 1958 oil on canvas 27 x 22 inches Provenance: Private Collection, Coconut Grove, Florida. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 37. Carlos Enríquez Retrato de Joven (Portrait of Young Lady), 1938-39 oil on canvas 29 x 24 inches Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 16. Also illustrated in the book Carlos Enríquez, The Painter of Cuban Ballads, by Professor Juan Martínez, Cernuda Arte, page 161. Tomás Sánchez Isla (Island), 1996 acrylic on canvas 42 3/4 x 58 inches Illustrations: Illustrated in Important Cuban Artworks, Volume Eight, Cernuda Arte, Coral Gables, Florida, November 2009, page 82. Tomás Sánchez Atardecer Dorado (Golden Sunset), 1986 acrylic on canvas 30 x 47 1/2 inches Exhibitions: This painting was exhibited in Tomás Sánchez, Galería Jairo Quintero, 1986, Barranquilla, Colombia. On the reverse, the Galería Quintero label is found. Illustrations: This painting is illustrated in the book, Tomás Sánchez, Pintura, published by Pallete Publications, pg. 45. Illustrated in the book, Tomás Sánchez, published by SKIRA Editore, Milan, Italy, 2003, with essays by Gabriel García Márquez and Dr. Edward Sullivan, pg. 104. Also illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte, Coral Gables, Florida, December 2013, page 111. Cundo Bermúdez Mujer con Piña (Woman with Pineapple), 1968 mixed media on heavy paper 29 3/8 x 21 1/8 inches Provenance: Private Collections, Miami, Florida. Illustrations: Illustrated (erroneously identified as an oil on canvas) in the book, Cundo Bermúdez, Cuban American Endowment for the Arts, Miami, Florida, 2000, page 185. Also illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 25. René Portocarrero Catedral en Dorado (Cathedral in Gold Background), 1959 mixed media on board laid down on canvas 20 x 13 inches Provenance: Felipe Cossío del Pomar Collection, and then acquired by the Carlos Alberto Montaner Collection, Miami, Florida. Manuel Mendive Ile Nigbe (Ile Nigbe), 2007 acrylic on canvas 66 1/2 x 95 1/4 inches Provenance: Acquired directly from the artist. Exhibitions: Exhibited in Manuel Mendive, at Palmbeach3, Palm Beach Convention Center, January 2009. This artwork is accompanied by a certificate of authenticity signed by the artist. René Portocarrero Ciudad Flotante (Floating City), 1952 mixed media on heavy paper laid down on board 11 x 13 3/4 inches Provenance: Arq. Marcelo Narbona Collection, Panamá City, Panamá; Joseph Cantor Collection, New York. Exhibitions: Exhibited at Sotheby’s Important American Paintings, New York, May 29- 30, 1984. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 30. Eduardo Abela Muchacha Sonrojada (Blushing Young Lady), ca 1957 oil on wood 7 1/4 x 9 7/8 inches Provenance: Private Collection, Miami, Florida. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 2. Eduardo Abela Twins (Gemelas), ca. 1960 oil on canvas 5 ½ x 10 ½ inches Provenance: Hosanna Abela; Private Collection, Miami, Florida. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 66. This painting is accompanied by a photo-certificate of authenticity signed by Hosanna Abela. Roberto Fabelo Gran Pájaro (Grand Bird) , 2014 acrylic on silk, 93 x 48 1/2 inches Provenance: Acquired directly from the artist. Manuel Mendive Oshun (Oshun), 1989 polychromed concrete sculpture 35 1/4 x 16 x 14 1/4 in. Provenance: Private Collection, Padua, Italy. Exhibitions: Exhibited in Nature and our Body. Week of Cuban Culture, Cuba in 30, August 1989, Shibuya, Tokyo, Japan. Gina Pellón Sinfonía de Colores (Symphony of Colors), 2013 mixed media on canvas 45 1/2 x 34 3/4 inches Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, December 2013, page. 107. Gina Pellón Serenata Bajo Tu Ventana (Serenade Under Your Window), 2010 mixed media on canvas 76 ¾ x 51 inches Exhibitions: Exhibited in Gina Pellón - Still Going Strong, Cernuda Arte, November – December 2010, and illustrated in its corresponding catalog on page 35. Angel Acosta León Reloj (Clock), ca 1960 oil on plywood 39 1/4 x 32 inches Provenance: Private Collection, Miami, Florida. Exhibitions: Exhibited in Sotheby’s Latin Art Auction, New York, NY, May 27, 2004, lot no. 156, and illustrated in the catalog, page 191. Illustrations: Illustrated in Important Cuban Artworks, Volume Three, Cernuda Arte, Coral Gables, Florida, December 2004, page 42. Also illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 95. Wifredo Lam Sin Título [Personaje al Atardecer] (Untitled [Personnage at Dusk]), 1970 pastel on heavy paper laid down on board 26 3/8 x 39 1/4 inches Provenance: Romano Lorenzin Collection, Italy; Gianni Donati Collection, Italy. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 50. This artwork is accompanied by a photo-certificate of authenticity signed by Monsieur Eskil Lam, dated January 8, 2014, no. 14-01. Angel Acosta León Cafetera Rodante (Coffepot of Wheels), 1963 mixed media on paper laid down on board 5 1/2 x 4 inches Provenance: Estate of Angel Acosta León. This artwork belonged to Eugenia Antonia Acosta León, sister of the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 92. Also illustrated in the book, Angel Acosta León and His Magic, by Dr. Rosa A. Chediak, page 22. This artwork is accompanied by a photo-certificate of authenticity signed by Eugenia Antonia Acosta León. Angel Acosta León Guarapera (Sugar Cane Juice Machine), 1964 mixed media on paper laid down on board 5 3/8 x 4 1/8 inches Provenance: Estate of Angel Acosta León. This artwork belonged to Eugenia Antonia Acosta León, sister of the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 92. Also illustrated in the book, Angel Acosta León and His Magic, by Dr. Rosa A. Chediak, page 169. This artwork is accompanied by a photo-certificate of authenticity signed by Eugenia Antonia Acosta León. Angel Acosta León La Cafetera Secreta (The Secret Coffeepot), ca 1960 mixed media on paper laid down on board 10 1/2 x 8 inches Provenance: Estate of Angel Acosta León. This artwork belonged to Eugenia Antonia Acosta León, sister of the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 88. Illustrated in the book, Angel Acosta León and His Magic, by Dr. Rosa A. Chediak, page 166. This artwork is accompanied by a photo-certificate of authenticity signed by Eugenia Antonia Acosta León. Angel Acosta León La Torre Eiffel - Pirulí (The Eiffel Tower - Pirulí Candy), ca 1963 ink on paper laid down on board 8 1/4 x 5 1/4 inches Provenance: Estate of Angel Acosta León. This artwork belonged to Eugenia Antonia Acosta León, sister of the artist. This artwork is accompanied by a photo-certificate of authenticity signed by Eugenia Antonia Acosta León. Angel Acosta León Títere de Muelle (Spring Puppet), ca 1963 mixed media on heavy paper laid down on board 10 5/8 x 8 1/4 inches Provenance: Estate of Angel Acosta León. This artwork belonged to Eugenia Antonia Acosta León, sister of the artist. Illustrations: Illustrated in the book, Angel Acosta León and His Magic, by Dr. Rosa A. Chediak, page 42. This artwork is accompanied by a photo-certificate of authenticity signed by Eugenia Antonia Acosta León. Angel Acosta León Nave (Vessel), ca 1962 mixed media on paper laid down on board 5 1/4 x 8 1/4 inches Provenance: Estate of Angel Acosta León. This artwork belonged to Eugenia Antonia Acosta León, sister of the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 90. Also illustrated in the book, Angel Acosta León and His Magic, by Dr. Rosa A. Chediak, page 26. This artwork is accompanied by a photo-certificate of authenticity signed by Eugenia Antonia Acosta León. Dayron González Anciano II (Old Man II), 2015 oil on canvas 66 x 71 inches Provenance: Acquired directly from the artist. Dayron González Instante de Primavera (An Instant of Spring), 2015 oil on canvas 53 3/4 x 55 Provenance: Acquired directly from the artist. Dayron González Caravana 2 (Caravan 2), 2015 oil on canvas 20 ¾ x 51 inches Provenance: Acquired directly from the artist. Dayron González Auditorio Uno y Dos (Auditorium One and Two), 2015 oil on canvas diptych 13 ¾ x 19 inches Provenance: Acquired directly from the artist. Joel Besmar Descenso (Descent), 2013 oil on canvas 78 3/4 x 57 3/4 inches Provenance: Acquired directly from the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 141. Joel Besmar El Templo Vivo (The Living Temple), 2014 oil on canvas 51 1/4 x 55 1/8 inches Provenance: Acquired directly from the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 140. Miguel Florido Tú (You), 2013 mixed media on linen 70 1/2 x 50 3/4 inches Provenance: Acquired directly from the artist. Miguel Florido Lost Without you (Perdido Sin Ti), 2013-14 acrylic on canvas 55 x 55 ¾ inches Provenance: Acquired directly from the artist. Illustrations: Illustrated in Important Cuban Artworks, Volume Twelve, Cernuda Arte, Coral Gables, Florida, November 2014, page 137. Roberto Fabelo Cielo, Tierra, y Mar I (Sky, Land, and Sea I), 2015 crayon on heavy paper 43 1/4 x 29 1/2 Roberto Fabelo Cielo, Tierra, y Mar II (Sky, Land, and Sea II), 2015 crayon on heavy paper 43 1/4 x 29 1/2 Irina Elén González Soltando Ataduras (Letting Go), 2011 acrylic on canvas 38 1/4 x 31 1/2 inches Provenance: Acquired directly from the artist.

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