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Dallas Art Fair - April 2016
A selection of works to be exhibited in the upcoming Dallas Art Fair April of 2016.
Cernuda Arte is pleased to announce its participation in the eigth edition of the Dallas Art Fair 2016. We are delighted to take part, once again, in this prestigious international art show. This will be our fifth participation in this exciting event. Throughout these years, the art community in Texas has been enthusiastically supportive of Cuban art and our connoisseurship.
Cernuda Arte will be showcasing magnificent renditions by Modern and Contemporary Cuban artists who work in different mediums, including painting and sculpture. (See below a selection of artworks to be featured in our space).
We look forward to greeting and welcoming our friends. The Dallas Art Fair is at FIG (Fashion Industry Gallery) 1807 Ross Avenue, Dallas, TX 75201
Please join us at Booth G7.
SHOW HOURS
Friday, April 15, 2016
11:00 AM to 7:00 PM
Saturday, April 16, 2016
11:00 AM to 7:00 PM
Sunday, April 17, 2016
12:00 PM to 6:00 PM
For more information, please contact Sergio Cernuda at 305-987-5642 /Luisa Lignarolo at 305-775-9221
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WIFREDO LAM
Aurora
(Aurora), 1950
oil on canvas
28 1/8 x 22 1/8 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 18.
Provenance:
Elsa Orcout Castillo, niece of the artist; Masoud & María
Shojaee Collection, Miami, Florida;
Private Collection, New York, New York.
Exhibitions:
Exhibited in Lam, Obras Recientes 1950, Parque Central,
Havana, Cuba, 1950.
Illustrations:
Illustrated in Wifredo Lam: Catalogue Raisonné of the
Painted Work, Volume I, 1923-1960,
Project Director: Eskil Lam, Acatos 1996, page 427,
no. 50.25.
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![WIFREDO LAM<br>
Untitled [New Presence]</br>
<i>(Sin Título [Nueva Presencia])</i>, 1974<br>
oil on canvas</br>
23 1/2 x 19 3/4 inches<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.<br><br>
<i>Exhibitions:<i><br>
Exhibited in <i>Lam<i>, Gissi Gallery, Turin, Italy, 1978, no. 18.<br><br>
<i>Illustrations:<i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the<i><br>
<i>Painted Work, Volume II, 1961-1982,<i> Project Director:<br>
Eskil Lam, Acatos 2002, page 461, no. 74.109. <br><br>
This painting is accompanied by a photo-certificate of <br>
authenticity signed by the artist, dated 1977.](/uploads/special_event_images/thumbnails/248.jpg) |
WIFREDO LAM
Untitled [New Presence]
(Sin Título [Nueva Presencia]), 1974
oil on canvas
23 1/2 x 19 3/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.
Exhibitions:
Exhibited in Lam, Gissi Gallery, Turin, Italy, 1978, no. 18.
Illustrations:
Illustrated in Wifredo Lam: Catalogue Raisonné of the
Painted Work, Volume II, 1961-1982, Project Director:
Eskil Lam, Acatos 2002, page 461, no. 74.109.
This painting is accompanied by a photo-certificate of
authenticity signed by the artist, dated 1977.
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![WIFREDO LAM<br>
Untitled (Figure on the Balcony)</br>
<i>[Sin Título(Figura en el Balcón)]</i>, ca.1942<br>
mixed media on heavy paper laid down on board</br>
39 3/4 x 31 1/2 inches<br><br>
<br>
<i>Provenance:</i>
Private Collection, Havana, Cuba.
Galleria Ferrari Collection, Treviglio, Italy.
<br>
<i>Exhibitions:</i>
Exhibited in Wifredo Lam ou l’Éloge du Métissage, Villa Medicis, Rome, Italy, 1992, and illustrated in the exhibition catalog, page 75. Also exhibited at the Palazzo della Permanente, Milan, Italy, 1993.
<br>
Exhibited in Wifredo Lam, l’oiseau du possible, oeuvres de 1930 à 1978,
Galerie Boulakia, May – July 2004, Paris, France, and illustrated in the
exhibition catalog, pages 40-41.
<br>
Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I,
1923-1960, page 308, no. 42.66.](/uploads/special_event_images/thumbnails/296.jpg) |
WIFREDO LAM
Untitled (Figure on the Balcony)
[Sin Título(Figura en el Balcón)], ca.1942
mixed media on heavy paper laid down on board
39 3/4 x 31 1/2 inches
Provenance:
Private Collection, Havana, Cuba.
Galleria Ferrari Collection, Treviglio, Italy.
Exhibitions:
Exhibited in Wifredo Lam ou l’Éloge du Métissage, Villa Medicis, Rome, Italy, 1992, and illustrated in the exhibition catalog, page 75. Also exhibited at the Palazzo della Permanente, Milan, Italy, 1993.
Exhibited in Wifredo Lam, l’oiseau du possible, oeuvres de 1930 à 1978,
Galerie Boulakia, May – July 2004, Paris, France, and illustrated in the
exhibition catalog, pages 40-41.
Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I,
1923-1960, page 308, no. 42.66.
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WIFREDO LAM
Reality of the Birds
(La Realidad de los Pájaros), 1970
oil on canvas
29 3/4 x 36 1/2 inches
This painting is signed and dated on the lower right.
Provenance:
Galerie Jan Krugier, Geneva, Switzerland.
Exhibitions:
This painting was exhibited in Wifredo Lam, Galerie Jan Kruger, Geneva, Switzerland, 1970, and illustrated in the exhibition catalogue, page 39, no. 28.
Also exhibited in Wifredo Lam, Galleria Arte Borgogna, Milan, Italy, 1970.
Exhibited in Wifredo Lam, Gimpel Fils Gallery, London, England, and Gimpel Gallery, New York, NY, Zurich Gimpel and Hanover Galerie, Zurich, Switzerland, 1970-1971.
Also exhibited in Der Geist des Surrealismus, Albin Brunovski, Gemälde, Druckgraphik, Wifredo Lam, Oelbilder, Baukunst Galerie, Köln, Germany, 1971-1972.
Illustrations:
This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, on page 340, no. 70.77.
Illustrated in A. Jouffroy, Lam, Paris, Éditions Georges Fall, Bibli-Opus, 1972, p.56.
Illustrated in M.P. Fouchet, Wifredo Lam, 1st ed., Barcelona/Paris, Poligrafia/Cercle d’Art, 1976, p. 134, no. 162.
Illustrated in M.P. Fouchet, Wifredo Lam, 2nd ed., Barcelona/Paris, Poligrafia/Cercle D’Art, 1989, p. 138, no. 162.
This artwork is accompanied by a photo-certificate of authenticity signed by Lou Laurin Lam, dated 24 September 2009, no. 09-16.
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WIFREDO LAM
Untitled (Bird)
Sin Título (Pájaro), 1964
pastel on heavy paper laid down on canvas
19 x 25 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 52.
This painting is accompanied by a photo-certificate
of authenticity signed by Madame Lou Laurin Lam,
dated September 22, 2011.
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![WIFREDO LAM<br>
Untitled (Bird of the Sun)</br>
<i>[Sin Título (Pájaro de Sol)]</i>, 1977<br>
one-of-a-kind ceramic plate</br>
20 1/4 inches in diameter<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen</i>, page 31.<br><br>
Signed and dated on the front; <br>
On the back, <i>“Ceramiche S. Giorgio, Albisola”.</i><br><br>
<i>Provenance:</i><br>
Picona Galleria, Savona, Italy;<br>
Private Collection, Genoa, Italy; <br>
Cernuda Arte, Coral Gables, Florida.<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Wifredo Lam, Cuba-Italia, Un Percorso,</i> Gallerie<br> Gruppo Credito Valtellinese, Milan, Italy; also shown at Palazzo<br> Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari,<br> Sondrio, Italy, November 2002-January 2003. Illustrated on page<br> 158 of the corresponding catalog. <br><br>
This work is registered in the Archives Wifredo Lam, Paris, France.](/uploads/special_event_images/thumbnails/310.jpg) |
WIFREDO LAM
Untitled (Bird of the Sun)
[Sin Título (Pájaro de Sol)], 1977
one-of-a-kind ceramic plate
20 1/4 inches in diameter
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 31.
Signed and dated on the front;
On the back, “Ceramiche S. Giorgio, Albisola”.
Provenance:
Picona Galleria, Savona, Italy;
Private Collection, Genoa, Italy;
Cernuda Arte, Coral Gables, Florida.
Exhibitions:
Exhibited in Wifredo Lam, Cuba-Italia, Un Percorso, Gallerie Gruppo Credito Valtellinese, Milan, Italy; also shown at Palazzo Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari, Sondrio, Italy, November 2002-January 2003. Illustrated on page 158 of the corresponding catalog.
This work is registered in the Archives Wifredo Lam, Paris, France.
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RENÉ PORTOCARRERO
Cathedral in Sienna
(Catedral en Siena), 1961
oil on canvas
31 1/8 x 23 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 63.
Exhibtions:
Exhibited in René Portocarrero, Exposición
Retrospectiva, National Museum of Fine Arts,
Havana, Cuba, July 19, 1967, and listed in
the accompanying catalog, no.174. A partial
exhibition label for this show can be found
on the reverse of the painting.
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RENÉ PORTOCARRERO
Lady with Hat in Gray-Pink Background
(Dama con Sombrero en Fondo Gris Rojo), 1975
mixed media on heavy paper laid down on canvas
29 x 20 inches
SOLD
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 61.
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RENÉ PORTOCARRERO
Cathedral in Gold Background
(Catedral en Dorado), 1959
mixed media on board laid down on canvas
20 x 13 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen,
page 62.
Provenance:
Felipe Cossío del Pomar Collection, Madrid, Spain, and then acquired by the Carlos Alberto Montaner Collection, Miami, Florida.
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RENÉ PORTOCARRERO
Flowers
(Flores), 1969
oil on canvas
16 3/4 x 12 7/8 inches
Provenance:
Private Collection, Spain
Accompanied by a certificate of authenticity by
Ramón Vázquez Díaz
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RENÉ PORTOCARRERO
Dancers
(Bailarines), 1947
mixed media on heavy paper laid down on board
14 x 18 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 56.
Provenance:
Collection, Rome, Italy.
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RENÉ PORTOCARRERO
Second Portrait of Flora
(Segundo Retrato De Flora), 1965
oil on canvas
33 x 26 inches
Exhibited:
René Portocarrero, Museo de Arte Moderno, Mexico City, 1965,
and listed as number 15 in the exhibition catalog.
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GINA PELLÓN
Cuban Finch
(El Tomeguín), 2010
mixed media on canvas
39 1/2 x 32 inches
Provenance:
Estate of the artist
Exhibited in Gina Pellón – Still Going Strong,
November – December 2010, and illustrated in the exhibition catalog, page 15.
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 108.
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GINA PELLÓN
Story for a Dance
(Cuento para Bailar), 2013
mixed media on canvas
39 x 31 3/4 inches
Provenance:
Estate of the artist.
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 105.
This work is part of the most recent series of artworks executed by Gina Pellón in2012 and 2013, and inspired in the Venice Carnivals.
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GINA PELLÓN
The Hen
(La Gallina), 2011
mixed media on canvas
75 3/4 x 50 1/2 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 107.
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JOEL BESMAR
The Voice of Silence
(La Voz del Silencio), 2010
oil on canvas
19 3/4 x 28 3/4 inches
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JOEL BESMAR
Utopia
(Utopía), 2015
oil on canvas
35 3/8 x 38 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.
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JOEL BESMAR
Oneiric Science
(La Ciencia Onírica), 2015
oil on canvas
23 3/4 x 29 3/8 inches
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JOEL BESMAR
The World Tree
(Arbol del Mundo), 2016
oil on canvas
78 3/4 x 48 1/2 inches
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GIOSVANY ECHEVARRÍA
Chants of the Land
(Cantos de la Tierra), 2003
oil on canvas
27 1/2 x 43 inches
SOLD
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 155.
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GIOSVANY ECHEVARRÍA
Early Morning Light
(Temprana Luz de la Mañana), 2014
oil on canvas
9 3/4 x 13 3/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.
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GIOSVANY ECHEVARRÍA
Habitual Beauty
(Belleza Habitual), 2015
oil on canvas
15 3/4 x 23 1/2 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 155.
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GIOSVANY ECHEVARRÍA
The Golden Hours
(Las Horas Doradas), 2015
oil on canvas
9 3/4 x 13 3/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.
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GIOSVANY ECHEVARRIA
Ecstasy at Daytime
(Extasis Diurno), 2015
oil on canvas
9 3/4 x 13 3/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.
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MIGUEL FLORIDO
Loving You So Much
(De Quererte Tanto), 2015
oil on canvas
9 3/4 x 13 3/4 inches
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
If I Gave You Everything
(Si Todo te Di), 2014
oil on canvas
13 3/4 x 9 3/4 inches
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
Eternal Love
(Amor Eterno), 2015
acrylic on canvas
56 x 55 inches
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
Renewal
(Renovación), 2015
oil on canvas
55 x 56 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
The Collector of Flowers
(El Colector de Flores), 2015
oil on canvas
17 x 28 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Chameleon II
(Camaleón II), 2016
oil on canvas
76 x 66 1/8 inches
SOLD
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Moment of Clarity
(Instante de Lucidez), 2015
oil on canvas
72 x 64 inches
SOLD
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
The Stigma of Memory I
(Estigma de la Memoria I), 2016
oil on canvas
20 x 16 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
The Cult of Image
(Culto a la Imagen), 2016
oil on canvas
20 x 16 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Project for Leadership
(Proyecto para Liderazgo), 2015
oil on canvas
80 x 60 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Group
(Grupo), 2015
oil on canvas
9 1/2 x 35 inches
Provenance:
Acquired directly from the artist.
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VICTOR MANUEL GARCIA
Stroll in the Park
(Paseo por el Parque), 1954
oil on canvas
20 1/4 x 16 inches
Exhibitions:
Exhibited in the 6th Latin American Art Auction, Miami,
Florida, January 10, 1999,and illustrated as number 1 in
the corresponding catalog.
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 2.
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VICTOR MANUEL GARCÍA
Countryside Landscape
(Paisaje de Campo), ca. 1950
gouache on paper
21 1/2 x 17 3/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 71.
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![VÍCTOR MANUEL GARCÍA<br>
Young Lady and Flower<br>
<i>(Muchacha con Flor)</i>, ca.1950<br>
gouache on heavy paper laid down on board<br>
21 x 14 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, <br>
Volume Eleven,</i> page 70<br><br>
<i>Provenance:<br>
Time, Dimension and Color Gallery, Coral Gables, Florida.<br><br>
“With the Italian masters of the Quattrocento, [Víctor Manuel]<br>
assimilated a gentle Renaissance atmosphere. The lessons of <br>
subtle luminous volumes, deprived of the burdensome <br>
chiaroscuro and the elegant simplicity of the discreetly curious<br>
contours, he learned from the Japonisme of Monet and the <br>
French post impressionists. From Modigliani, he took the <br>
juxtaposition of the tonal contrast, the sustained neatness of<br>
the harmonious facial features and the preferred taste for the<br>
Asian eyes. But all of these ingredients are transformed by <br>
Víctor Manuel in the elaboration of his unique, totally personal<br>
form of expression.”</i> <br><br>
<i>Marcelo Pogolotti, Víctor Manuel<br>
Dirección General de Cultura, Ministerio de Educación,<br>Cuba, 1959, page 26.</i>](/uploads/special_event_images/thumbnails/283.jpg) |
VÍCTOR MANUEL GARCÍA
Young Lady and Flower
(Muchacha con Flor), ca.1950
gouache on heavy paper laid down on board
21 x 14 inches
Illustrated in IMPORTANT CUBAN ARTWORKS,
Volume Eleven, page 70
Provenance:
Time, Dimension and Color Gallery, Coral Gables, Florida.
“With the Italian masters of the Quattrocento, [Víctor Manuel]
assimilated a gentle Renaissance atmosphere. The lessons of
subtle luminous volumes, deprived of the burdensome
chiaroscuro and the elegant simplicity of the discreetly curious
contours, he learned from the Japonisme of Monet and the
French post impressionists. From Modigliani, he took the
juxtaposition of the tonal contrast, the sustained neatness of
the harmonious facial features and the preferred taste for the
Asian eyes. But all of these ingredients are transformed by
Víctor Manuel in the elaboration of his unique, totally personal
form of expression.”
Marcelo Pogolotti, Víctor Manuel
Dirección General de Cultura, Ministerio de Educación, Cuba, 1959, page 26.
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VÍCTOR MANUEL GARCÍA
Peasant
(Campesino), ca.1938
mixed media on heavy paper laid down on board
17 1/4 x 12 1/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 19.
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MANUEL MENDIVE
This Sacred Place
(Este Lugar Sagrado), 2009
acrylic on canvas
38 3/4 x 32 1/2 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 131.
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MANUEL MENDIVE
Opening Paths
(Abriendo Caminos), 2005
acrylic on canvas
33 1/2 x 39 1/2 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.
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JUAN ROBERTO DIAGO
The Skin that Speaks No.I
(La Piel Que Habla No.I), 2014
mixed media on canvas
31 1/2 x 23 5/8 inches
Provenance:
Acquired directly from the artist.
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JUAN ROBERTO DIAGO
The Skin that Speaks No.II
(La Piel Que Habla No.II), 2014
mixed media on canvas
31 1/2 x 23 5/8 inches
Provenance:
Acquired directly from the artist.
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JUAN ROBERTO DIAGO
Always at Your Side
(Siempre a Tu Lado), 2009
mixed media on canvas
78 3/4 x 59 inches
Provenance:
Acquired directly from the artist.
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ROBERTO FABELO
Green Tear
(Lágrima Verde), 2015
oil on canvas
91 1/4 x 78 3/4 inches
Provenance:
Acquired directly from the artist.
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ROBERTO FABELO
Crazy for Suyu
(Locos por Suyu), 2010
oil on canvas
62 x 46 1/2 inches
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ROBERTO FABELO
The Heart of Illusions
(El Corazón de las Ilusiones), 1994
mixed media on heavy paper laid down on board
38 1/2 x 26 1/2 inches
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ROBERTO FABELO
Enriquito
(Enriquito), 1991
oil and crayon on paper laid down on board
52 1/2 x 36 inches
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ALFREDO SOSABRAVO
Domino Players
(Jugadores de Dominó), 2015
oil and collage on canvas
55 x 37 1/2 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 133.
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ALFREDO SOSABRAVO
Entering the Carnival
(Entrando al Carnaval), 2012
oil and collage on canvas
63 x 38 3/8 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 133.
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VICENTE HERNANDEZ
The Flight of the Angel
(El Vuelo del Angel), 2011
mixed media on canvas
27 1/2 x 35 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 166.
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VICENTE HERNÁNDEZ
Un Nido en el Sombrero, 2006
oil on canvas
31 1/2 x 23 1/2 inches
Exhibitions:
Vicente Hernández – From a Strange Town,
Cernuda Arte, August – September 2009, and
illustrated in the exhibition catalog, page 27.
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VICENTE HERNÁNDEZ
Defeated
(Vencidos), 2011
oil on canvas
31 1/2 x 78 3/4 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 167.
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AGUSTÍN CÁRDENAS
Rhythmical Moment
(Momento Rítmico), ca.1975
bronze sculpture (6 of 6)
15 x 5 x 6 1/2 inches
This artwork is stamped with the seal of Fonderia Mariani, Pietrasanta, Italy.
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 89.
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FLORA FONG
Glamour Night
(Glamour de Una Noche), 2014
mixed media on canvas
51 1/4 x 43 1/4 inches
Provenance:
Acquired directly from the artist.
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FLORA FONG
Sunflower
(Girasol), 2010
mixed media on canvas
17 3/4 x 13 3/4 inches
Provenance:
Acquired directly from the artist.
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FLORA FONG
Caribbean 3:00 PM
(Caribe 3:00 PM), 2010
mixed media on canvas
23 1/2 x 19 3/4 inches
Provenance:
Acquired directly from the artist.
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Copyright 2002-2025, Cernuda Arte. All Rights Reserved |
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