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Dallas Art Fair - April 2016



A selection of works to be exhibited in the upcoming Dallas Art Fair April of 2016.

Cernuda Arte is pleased to announce its participation in the eigth edition of the Dallas Art Fair 2016. We are delighted to take part, once again, in this prestigious international art show. This will be our fifth participation in this exciting event. Throughout these years, the art community in Texas has been enthusiastically supportive of Cuban art and our connoisseurship.

Cernuda Arte will be showcasing magnificent renditions by Modern and Contemporary Cuban artists who work in different mediums, including painting and sculpture. (See below a selection of artworks to be featured in our space).

We look forward to greeting and welcoming our friends. The Dallas Art Fair is at FIG (Fashion Industry Gallery) 1807 Ross Avenue, Dallas, TX 75201

Please join us at Booth G7.

SHOW HOURS

Friday, April 15, 2016 11:00 AM to 7:00 PM

Saturday, April 16, 2016 11:00 AM to 7:00 PM

Sunday, April 17, 2016 12:00 PM to 6:00 PM

For more information, please contact Sergio Cernuda at 305-987-5642 /Luisa Lignarolo at 305-775-9221




 
  • Special Moments Photos

  • WIFREDO LAM<br>
Aurora</br>
<i>(Aurora)</i>, 1950<br>
oil on canvas</br>
28 1/8 x 22 1/8 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 18.<br><br>

<i>Provenance:<i> <br>
Elsa Orcout Castillo, niece of the artist; Masoud & María<br> 
Shojaee Collection, Miami, Florida; <br>
Private Collection, New York, New York.<br><br> 

<i>Exhibitions:<i><br>
Exhibited in <i>Lam, Obras Recientes 1950,<i> Parque Central,<br> 
Havana, Cuba, 1950. <br><br>

<i>Illustrations:<i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the<i><br>
<i>Painted Work, Volume I, 1923-1960, <i><br>
Project Director: Eskil Lam, Acatos 1996, page 427,<br>
no. 50.25.<br><br>
    WIFREDO LAM
    Aurora
    (Aurora), 1950
    oil on canvas
    28 1/8 x 22 1/8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 18.

    Provenance:
    Elsa Orcout Castillo, niece of the artist; Masoud & María
    Shojaee Collection, Miami, Florida;
    Private Collection, New York, New York.

    Exhibitions:
    Exhibited in Lam, Obras Recientes 1950, Parque Central,
    Havana, Cuba, 1950.

    Illustrations:
    Illustrated in Wifredo Lam: Catalogue Raisonné of the
    Painted Work, Volume I, 1923-1960,
    Project Director: Eskil Lam, Acatos 1996, page 427,
    no. 50.25.


    WIFREDO LAM<br>
Untitled [New Presence]</br>
<i>(Sin Título [Nueva Presencia])</i>, 1974<br>
oil on canvas</br>
23 1/2 x 19 3/4 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.<br><br>

<i>Exhibitions:<i><br>
Exhibited in <i>Lam<i>, Gissi Gallery, Turin, Italy, 1978, no. 18.<br><br> 

<i>Illustrations:<i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the<i><br> 
<i>Painted Work, Volume II, 1961-1982,<i> Project Director:<br> 
Eskil Lam, Acatos 2002, page 461, no. 74.109. <br><br>

This painting is accompanied by a photo-certificate of <br>
authenticity signed by the artist, dated 1977.
    WIFREDO LAM
    Untitled [New Presence]
    (Sin Título [Nueva Presencia]), 1974
    oil on canvas
    23 1/2 x 19 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.

    Exhibitions:
    Exhibited in Lam, Gissi Gallery, Turin, Italy, 1978, no. 18.

    Illustrations:
    Illustrated in Wifredo Lam: Catalogue Raisonné of the
    Painted Work, Volume II, 1961-1982, Project Director:
    Eskil Lam, Acatos 2002, page 461, no. 74.109.

    This painting is accompanied by a photo-certificate of
    authenticity signed by the artist, dated 1977.

    WIFREDO LAM<br>
Untitled (Figure on the Balcony)</br>
<i>[Sin Título(Figura en el Balcón)]</i>, ca.1942<br>
mixed media on heavy paper laid down on board</br>
39 3/4 x 31 1/2 inches<br><br>
<br>
<i>Provenance:</i>
Private Collection, Havana, Cuba.
Galleria Ferrari Collection, Treviglio, Italy.
<br>
<i>Exhibitions:</i>
Exhibited in Wifredo Lam ou l’Éloge du Métissage, Villa Medicis, Rome, Italy, 1992, and illustrated in the exhibition catalog, page 75.  Also exhibited at the Palazzo della Permanente, Milan, Italy, 1993.   
<br>
Exhibited in Wifredo Lam, l’oiseau du possible, oeuvres de 1930 à 1978, 
Galerie Boulakia, May – July 2004, Paris, France, and illustrated in the 
exhibition catalog, pages 40-41. 
<br>
Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 
1923-1960, page 308, no. 42.66.
    WIFREDO LAM
    Untitled (Figure on the Balcony)
    [Sin Título(Figura en el Balcón)], ca.1942
    mixed media on heavy paper laid down on board
    39 3/4 x 31 1/2 inches


    Provenance: Private Collection, Havana, Cuba. Galleria Ferrari Collection, Treviglio, Italy.
    Exhibitions: Exhibited in Wifredo Lam ou l’Éloge du Métissage, Villa Medicis, Rome, Italy, 1992, and illustrated in the exhibition catalog, page 75. Also exhibited at the Palazzo della Permanente, Milan, Italy, 1993.
    Exhibited in Wifredo Lam, l’oiseau du possible, oeuvres de 1930 à 1978, Galerie Boulakia, May – July 2004, Paris, France, and illustrated in the exhibition catalog, pages 40-41.
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, page 308, no. 42.66.

    WIFREDO LAM<br>
Reality of the Birds</br>
<i>(La Realidad de los Pájaros)</i>, 1970<br>
oil on canvas</br>
29 3/4 x 36 1/2 inches<br><br>

This painting is signed and dated on the lower right. <br><br>

<i>Provenance:</i><br>
Galerie Jan Krugier, Geneva, Switzerland.<br><br>

<i>Exhibitions: </i><br>
This painting was exhibited in <i>Wifredo Lam</i>, Galerie Jan Kruger,<br> Geneva, Switzerland, 1970, and illustrated in the exhibition<br> catalogue, page 39, no. 28.<br>

Also exhibited in <i>Wifredo Lam</i>, Galleria Arte Borgogna, Milan, Italy, 1970.<br>

Exhibited in <i>Wifredo Lam</i>, Gimpel Fils Gallery, London, England, and<br> Gimpel Gallery, New York, NY, Zurich Gimpel and Hanover Galerie, Zurich,<br> Switzerland, 1970-1971.<br>

Also exhibited in <i>Der Geist des Surrealismus, Albin Brunovski, Gemälde,<br> Druckgraphik, Wifredo Lam, Oelbilder,</i> Baukunst Galerie, Köln, Germany,<br> 1971-1972.<br>

<i>Illustrations:</i><br>
This painting is illustrated in <i>Wifredo Lam: Catalogue Raisonné of the<br> Painted Work, Volume II, 1961-1982</i>, Project Director: Eskil Lam,<br> Acatos 2002, on page 340, no. 70.77.<br>

Illustrated in A. Jouffroy, <i>Lam,</i> Paris, Éditions Georges Fall, Bibli-Opus,<br> 1972, p.56.
<br>
Illustrated in M.P. Fouchet, <i>Wifredo Lam</i>, 1st ed., Barcelona/Paris,<br> Poligrafia/Cercle d’Art, 1976, p. 134, no. 162.<br>

Illustrated in M.P. Fouchet, <i>Wifredo Lam</i>, 2nd ed., Barcelona/Paris,<br> Poligrafia/Cercle D’Art, 1989, p. 138, no. 162.<br><br>

This artwork is accompanied by a photo-certificate of authenticity<br> signed by Lou Laurin Lam, dated 24 September 2009, no. 09-16. WIFREDO LAM
    Reality of the Birds
    (La Realidad de los Pájaros), 1970
    oil on canvas
    29 3/4 x 36 1/2 inches

    This painting is signed and dated on the lower right.

    Provenance:
    Galerie Jan Krugier, Geneva, Switzerland.

    Exhibitions:
    This painting was exhibited in Wifredo Lam, Galerie Jan Kruger,
    Geneva, Switzerland, 1970, and illustrated in the exhibition
    catalogue, page 39, no. 28.
    Also exhibited in Wifredo Lam, Galleria Arte Borgogna, Milan, Italy, 1970.
    Exhibited in Wifredo Lam, Gimpel Fils Gallery, London, England, and
    Gimpel Gallery, New York, NY, Zurich Gimpel and Hanover Galerie, Zurich,
    Switzerland, 1970-1971.
    Also exhibited in Der Geist des Surrealismus, Albin Brunovski, Gemälde,
    Druckgraphik, Wifredo Lam, Oelbilder,
    Baukunst Galerie, Köln, Germany,
    1971-1972.
    Illustrations:
    This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the
    Painted Work, Volume II, 1961-1982
    , Project Director: Eskil Lam,
    Acatos 2002, on page 340, no. 70.77.
    Illustrated in A. Jouffroy, Lam, Paris, Éditions Georges Fall, Bibli-Opus,
    1972, p.56.
    Illustrated in M.P. Fouchet, Wifredo Lam, 1st ed., Barcelona/Paris,
    Poligrafia/Cercle d’Art, 1976, p. 134, no. 162.
    Illustrated in M.P. Fouchet, Wifredo Lam, 2nd ed., Barcelona/Paris,
    Poligrafia/Cercle D’Art, 1989, p. 138, no. 162.

    This artwork is accompanied by a photo-certificate of authenticity
    signed by Lou Laurin Lam, dated 24 September 2009, no. 09-16.

    WIFREDO LAM<br>
Untitled (Bird)</br>
<i>Sin Título (Pájaro)</i>, 1964<br>
pastel on heavy paper laid down on canvas</br>
19 x 25 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 52.<br>

This painting is accompanied by a photo-certificate<br>
of authenticity signed by Madame Lou Laurin Lam, <br>
dated September 22, 2011.
WIFREDO LAM
    Untitled (Bird)
    Sin Título (Pájaro), 1964
    pastel on heavy paper laid down on canvas
    19 x 25 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 52.
    This painting is accompanied by a photo-certificate
    of authenticity signed by Madame Lou Laurin Lam,
    dated September 22, 2011.

    WIFREDO LAM<br>
Untitled (Bird of the Sun)</br>
<i>[Sin Título (Pájaro de Sol)]</i>, 1977<br>
one-of-a-kind ceramic plate</br>
20 1/4 inches in diameter<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen</i>, page 31.<br><br>
Signed and dated on the front; <br>
On the back, <i>“Ceramiche S. Giorgio, Albisola”.</i><br><br>
<i>Provenance:</i><br> 
Picona Galleria, Savona, Italy;<br> 
Private Collection, Genoa, Italy; <br>
Cernuda Arte, Coral Gables, Florida.<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Wifredo Lam, Cuba-Italia, Un Percorso,</i> Gallerie<br> Gruppo Credito Valtellinese, Milan, Italy; also shown at Palazzo<br> Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari,<br> Sondrio, Italy, November 2002-January 2003. Illustrated on page<br> 158 of the corresponding catalog. <br><br>
This work is registered in the Archives Wifredo Lam, Paris, France.
    WIFREDO LAM
    Untitled (Bird of the Sun)
    [Sin Título (Pájaro de Sol)], 1977
    one-of-a-kind ceramic plate
    20 1/4 inches in diameter

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 31.

    Signed and dated on the front;
    On the back, “Ceramiche S. Giorgio, Albisola”.

    Provenance:
    Picona Galleria, Savona, Italy;
    Private Collection, Genoa, Italy;
    Cernuda Arte, Coral Gables, Florida.

    Exhibitions:
    Exhibited in Wifredo Lam, Cuba-Italia, Un Percorso, Gallerie
    Gruppo Credito Valtellinese, Milan, Italy; also shown at Palazzo
    Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari,
    Sondrio, Italy, November 2002-January 2003. Illustrated on page
    158 of the corresponding catalog.

    This work is registered in the Archives Wifredo Lam, Paris, France.

    RENÉ PORTOCARRERO<br>
Cathedral in Sienna</br>
<i>(Catedral en Siena)</i>, 1961<br>
oil on canvas</br>
31 1/8 x 23 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 63.<br><br>

<i>Exhibtions:<i><br>
Exhibited in <i>René Portocarrero, Exposición<i><br> 
<i>Retrospectiva,<i> National Museum of Fine Arts,<br> 
Havana, Cuba, July 19, 1967, and listed in <br>
the accompanying catalog, no.174. A partial <br>
exhibition label for this show can be found <br>
on the reverse of the painting.<br>
    RENÉ PORTOCARRERO
    Cathedral in Sienna
    (Catedral en Siena), 1961
    oil on canvas
    31 1/8 x 23 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 63.

    Exhibtions:
    Exhibited in René Portocarrero, Exposición
    Retrospectiva, National Museum of Fine Arts,
    Havana, Cuba, July 19, 1967, and listed in
    the accompanying catalog, no.174. A partial
    exhibition label for this show can be found
    on the reverse of the painting.

    RENÉ PORTOCARRERO<br>
Lady with Hat in Gray-Pink Background</br>
<i>(Dama con Sombrero en Fondo Gris Rojo)</i>, 1975<br>
mixed media on heavy paper laid down on canvas</br>
29 x 20 inches<br><br>
<b><FONT COLOR=red>SOLD</FONT></b>
<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 61.<br><br>
    RENÉ PORTOCARRERO
    Lady with Hat in Gray-Pink Background
    (Dama con Sombrero en Fondo Gris Rojo), 1975
    mixed media on heavy paper laid down on canvas
    29 x 20 inches

    SOLD

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 61.


    RENÉ PORTOCARRERO<br>
Cathedral in Gold Background</br>
<i>(Catedral en Dorado)</i>, 1959<br>
mixed media on board laid down on canvas</br>
20 x 13 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen,</i><br> 
page 62.<br><br>

<i>Provenance:</i><br>
Felipe Cossío del Pomar Collection, Madrid, Spain, and then<br> acquired by the Carlos Alberto Montaner Collection,<br> Miami, Florida.
    RENÉ PORTOCARRERO
    Cathedral in Gold Background
    (Catedral en Dorado), 1959
    mixed media on board laid down on canvas
    20 x 13 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen,
    page 62.

    Provenance:
    Felipe Cossío del Pomar Collection, Madrid, Spain, and then
    acquired by the Carlos Alberto Montaner Collection,
    Miami, Florida.

    RENÉ PORTOCARRERO<br>
Flowers</br>
<i>(Flores)</i>, 1969<br>
oil on canvas</br>
16 3/4 x 12 7/8 inches<br><br>

<i>Provenance:</i>
Private Collection, Spain<br><br>

Accompanied by a certificate of authenticity by
Ramón Vázquez Díaz<br><br>
    RENÉ PORTOCARRERO
    Flowers
    (Flores), 1969
    oil on canvas
    16 3/4 x 12 7/8 inches

    Provenance: Private Collection, Spain

    Accompanied by a certificate of authenticity by Ramón Vázquez Díaz


    RENÉ PORTOCARRERO<br>
Dancers</br>
<i>(Bailarines)</i>, 1947<br>
mixed media on heavy paper laid down on board</br>
14 x 18 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 56.<br><br>

<i>Provenance:<i><br> 
Collection, Rome, Italy.
    RENÉ PORTOCARRERO
    Dancers
    (Bailarines), 1947
    mixed media on heavy paper laid down on board
    14 x 18 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 56.

    Provenance:
    Collection, Rome, Italy.

    RENÉ PORTOCARRERO<br>
Second Portrait of Flora</br>
<i>(Segundo Retrato De Flora)</i>, 1965<br>
oil on canvas</br>
33 x 26 inches<br><br>

<i>Exhibited:</i>
René Portocarrero, Museo de Arte Moderno, Mexico City, 1965, 
and listed as number 15 in the exhibition catalog.<br><br>
    RENÉ PORTOCARRERO
    Second Portrait of Flora
    (Segundo Retrato De Flora), 1965
    oil on canvas
    33 x 26 inches

    Exhibited: René Portocarrero, Museo de Arte Moderno, Mexico City, 1965, and listed as number 15 in the exhibition catalog.


    GINA PELLÓN<br>
Cuban Finch</br>
<i>(El Tomeguín)</i>, 2010<br>
mixed media on canvas</br>
39 1/2 x 32 inches<br><br>

<i>Provenance:</i>
Estate of the artist
<br><br>
Exhibited in <i>Gina Pellón – Still Going Strong</i>, 
November – December 2010, and illustrated in the exhibition catalog, page 15.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 108.<br><br>
    GINA PELLÓN
    Cuban Finch
    (El Tomeguín), 2010
    mixed media on canvas
    39 1/2 x 32 inches

    Provenance: Estate of the artist

    Exhibited in Gina Pellón – Still Going Strong, November – December 2010, and illustrated in the exhibition catalog, page 15.

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 108.


    GINA PELLÓN<br>
Story for a Dance</br>
<i>(Cuento para Bailar)</i>, 2013<br>
mixed media on canvas</br>
39 x 31 3/4 inches<br><br>

<i>Provenance:</i>
Estate of the artist.
<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Eleven,</i><br> page 105.<br><br>

<i>This work is part of the most recent series of artworks<br> executed by Gina Pellón in<i><i>2012 and 2013, and inspired<br> in the Venice Carnivals.<i> 
<br><br>
    GINA PELLÓN
    Story for a Dance
    (Cuento para Bailar), 2013
    mixed media on canvas
    39 x 31 3/4 inches

    Provenance: Estate of the artist.

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven,
    page 105.

    This work is part of the most recent series of artworks
    executed by Gina Pellón in2012 and 2013, and inspired
    in the Venice Carnivals.


    GINA PELLÓN<br>
The Hen</br>
<i>(La Gallina)</i>, 2011<br>
mixed media on canvas</br>
75 3/4 x 50 1/2 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen,</i><br> page 107.
GINA PELLÓN
    The Hen
    (La Gallina), 2011
    mixed media on canvas
    75 3/4 x 50 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen,
    page 107.

    JOEL BESMAR<br>
The Voice of Silence</br>
<i>(La Voz del Silencio)</i>, 2010<br>
oil on canvas</br>
19 3/4 x 28 3/4 inches<br><br>
    JOEL BESMAR
    The Voice of Silence
    (La Voz del Silencio), 2010
    oil on canvas
    19 3/4 x 28 3/4 inches


    JOEL BESMAR<br>
Utopia</br>
<i>(Utopía)</i>, 2015<br>
oil on canvas</br>
35 3/8 x 38 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.
    JOEL BESMAR
    Utopia
    (Utopía), 2015
    oil on canvas
    35 3/8 x 38 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.

    JOEL BESMAR<br>
Oneiric Science</br>
<i>(La Ciencia Onírica)</i>, 2015<br>
oil on canvas</br>
23 3/4 x 29 3/8 inches
    JOEL BESMAR
    Oneiric Science
    (La Ciencia Onírica), 2015
    oil on canvas
    23 3/4 x 29 3/8 inches

    JOEL BESMAR<br>
The World Tree</br>
<i>(Arbol del Mundo)</i>, 2016<br>
oil on canvas</br>
78 3/4 x 48 1/2 inches<br><br>
    JOEL BESMAR
    The World Tree
    (Arbol del Mundo), 2016
    oil on canvas
    78 3/4 x 48 1/2 inches


    GIOSVANY ECHEVARRÍA<br>
Chants of the Land</br>
<i>(Cantos de la Tierra)</i>, 2003<br>
oil on canvas</br>
27 1/2 x 43 inches<br><br>
<b><FONT COLOR=red>SOLD</font></b>
<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 155.
    GIOSVANY ECHEVARRÍA
    Chants of the Land
    (Cantos de la Tierra), 2003
    oil on canvas
    27 1/2 x 43 inches

    SOLD

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 155.

    GIOSVANY ECHEVARRÍA<br>
Early Morning Light</br>
<i>(Temprana Luz de la Mañana)</i>, 2014<br>
oil on canvas</br>
9 3/4 x 13 3/4 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.
GIOSVANY ECHEVARRÍA
    Early Morning Light
    (Temprana Luz de la Mañana), 2014
    oil on canvas
    9 3/4 x 13 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.

    GIOSVANY ECHEVARRÍA<br>
Habitual Beauty</br>
<i>(Belleza Habitual)</i>, 2015<br>
oil on canvas</br>
15 3/4 x 23 1/2 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 155.
    GIOSVANY ECHEVARRÍA
    Habitual Beauty
    (Belleza Habitual), 2015
    oil on canvas
    15 3/4 x 23 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 155.

    GIOSVANY ECHEVARRÍA<br>
The Golden Hours</br>
<i>(Las Horas Doradas)</i>, 2015<br>
oil on canvas</br>
9 3/4 x 13 3/4 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.
    GIOSVANY ECHEVARRÍA
    The Golden Hours
    (Las Horas Doradas), 2015
    oil on canvas
    9 3/4 x 13 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.

    GIOSVANY ECHEVARRIA<br>
Ecstasy at Daytime</br>
<i>(Extasis Diurno)</i>, 2015<br>
oil on canvas</br>
9 3/4 x 13 3/4 inches<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.
GIOSVANY ECHEVARRIA
    Ecstasy at Daytime
    (Extasis Diurno), 2015
    oil on canvas
    9 3/4 x 13 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 153.

    MIGUEL FLORIDO<br>
Loving You So Much</br>
<i>(De Quererte Tanto)</i>, 2015<br>
oil on canvas</br>
9 3/4 x 13 3/4 inches

<i>Provenance:</i>
Acquired directly from the artist.
    MIGUEL FLORIDO
    Loving You So Much
    (De Quererte Tanto), 2015
    oil on canvas
    9 3/4 x 13 3/4 inches Provenance: Acquired directly from the artist.

    MIGUEL FLORIDO<br>
If I Gave You Everything</br>
<i>(Si Todo te Di)</i>, 2014<br>
oil on canvas</br>
13 3/4 x 9 3/4 inches

<i>Provenance:</i>
Acquired directly from the artist.
    MIGUEL FLORIDO
    If I Gave You Everything
    (Si Todo te Di), 2014
    oil on canvas
    13 3/4 x 9 3/4 inches Provenance: Acquired directly from the artist.

    MIGUEL FLORIDO<br>
Eternal Love</br>
<i>(Amor Eterno)</i>, 2015<br>
acrylic on canvas</br>
56 x 55 inches
<br><br>
<i>Provenance:</i>
Acquired directly from the artist. 
<br><br>
MIGUEL FLORIDO
    Eternal Love
    (Amor Eterno), 2015
    acrylic on canvas
    56 x 55 inches

    Provenance: Acquired directly from the artist.


    MIGUEL FLORIDO<br>
Renewal</br>
<i>(Renovación)</i>, 2015<br>
oil on canvas</br>
55 x 56 inches
<br><br>
<i>Provenance:</i>
Acquired directly from the artist.<br><br>
    MIGUEL FLORIDO
    Renewal
    (Renovación), 2015
    oil on canvas
    55 x 56 inches

    Provenance: Acquired directly from the artist.


    DAYRON GONZÁLEZ<br>
The Collector of Flowers</br>
<i>(El Colector de Flores)</i>, 2015<br>
oil on canvas</br>
17 x 28 inches

<i>Provenance:</i>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    The Collector of Flowers
    (El Colector de Flores), 2015
    oil on canvas
    17 x 28 inches Provenance: Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
Chameleon II</br>
<i>(Camaleón II)</i>, 2016<br>
oil on canvas</br>
76 x 66 1/8 inches<br><br>
<b><FONT COLOR=red>SOLD</font></b>
<br><br>
<i>Provenance:</i>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Chameleon II
    (Camaleón II), 2016
    oil on canvas
    76 x 66 1/8 inches

    SOLD

    Provenance: Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
Moment of Clarity</br>
<i>(Instante de Lucidez)</i>, 2015<br>
oil on canvas</br>
72 x 64 inches<br><br>
<b><FONT COLOR=red>SOLD</font></b>
<br><br>
<i>Provenance:</i>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Moment of Clarity
    (Instante de Lucidez), 2015
    oil on canvas
    72 x 64 inches

    SOLD

    Provenance: Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
The Stigma of Memory I</br>
<i>(Estigma de la Memoria I)</i>, 2016<br>
oil on canvas</br>
20 x 16 inches

<i>Provenance:</i>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    The Stigma of Memory I
    (Estigma de la Memoria I), 2016
    oil on canvas
    20 x 16 inches Provenance: Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
The Cult of Image</br>
<i>(Culto a la Imagen)</i>, 2016<br>
oil on canvas</br>
20 x 16 inches

<i>Provenance:</i>
Acquired directly from the artist. DAYRON GONZÁLEZ
    The Cult of Image
    (Culto a la Imagen), 2016
    oil on canvas
    20 x 16 inches Provenance: Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
Project for Leadership</br>
<i>(Proyecto para Liderazgo)</i>, 2015<br>
oil on canvas</br>
80 x 60 inches<br>

<i>Provenance:</i>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Project for Leadership
    (Proyecto para Liderazgo), 2015
    oil on canvas
    80 x 60 inches
    Provenance: Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
Group</br>
<i>(Grupo)</i>, 2015<br>
oil on canvas</br>
9 1/2 x 35 inches

<i>Provenance:</i>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Group
    (Grupo), 2015
    oil on canvas
    9 1/2 x 35 inches Provenance: Acquired directly from the artist.

    VICTOR MANUEL GARCIA<br>
Stroll in the Park</br>
<i>(Paseo por el Parque)</i>, 1954<br>
oil on canvas</br>
20 1/4 x 16 inches<br><br>

<i>Exhibitions:</i><br>
Exhibited in the 6th Latin American Art Auction, Miami,<br> 
Florida, January 10, 1999,and illustrated as number 1 in <br>
the corresponding catalog.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen,</i> page 2.
    VICTOR MANUEL GARCIA
    Stroll in the Park
    (Paseo por el Parque), 1954
    oil on canvas
    20 1/4 x 16 inches

    Exhibitions:
    Exhibited in the 6th Latin American Art Auction, Miami,
    Florida, January 10, 1999,and illustrated as number 1 in
    the corresponding catalog.

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 2.

    VICTOR MANUEL GARCÍA<br>
Countryside Landscape</br>
<i>(Paisaje de Campo)</i>, ca. 1950<br>
gouache on paper</br>
21 1/2 x 17 3/4 inches<br><br>


Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Eleven,</i> page 71.
    VICTOR MANUEL GARCÍA
    Countryside Landscape
    (Paisaje de Campo), ca. 1950
    gouache on paper
    21 1/2 x 17 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 71.

    VÍCTOR MANUEL GARCÍA<br>
Young Lady and Flower<br>
<i>(Muchacha con Flor)</i>, ca.1950<br>
gouache on heavy paper laid down on board<br>
21 x 14 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, <br>
Volume Eleven,</i> page 70<br><br>
<i>Provenance:<br>
Time, Dimension and Color Gallery, Coral Gables, Florida.<br><br> 
“With the Italian masters of the Quattrocento, [Víctor Manuel]<br>
 assimilated a gentle Renaissance atmosphere. The lessons of <br>
subtle luminous volumes, deprived of the burdensome <br>
chiaroscuro and the elegant simplicity of the discreetly curious<br>
contours, he learned from the Japonisme of Monet and the <br>
French post impressionists. From Modigliani, he took the <br>
juxtaposition of the tonal contrast, the sustained neatness of<br>
the harmonious facial features and the preferred taste for the<br>
Asian eyes. But all of these ingredients are transformed by <br>
Víctor Manuel in the elaboration of his unique, totally personal<br>
 form of expression.”</i> <br><br>
<i>Marcelo Pogolotti, Víctor Manuel<br>
 Dirección General de Cultura, Ministerio de Educación,<br>Cuba, 1959, page 26.</i>
    VÍCTOR MANUEL GARCÍA
    Young Lady and Flower
    (Muchacha con Flor), ca.1950
    gouache on heavy paper laid down on board
    21 x 14 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Eleven,
    page 70

    Provenance:
    Time, Dimension and Color Gallery, Coral Gables, Florida.

    “With the Italian masters of the Quattrocento, [Víctor Manuel]
    assimilated a gentle Renaissance atmosphere. The lessons of
    subtle luminous volumes, deprived of the burdensome
    chiaroscuro and the elegant simplicity of the discreetly curious
    contours, he learned from the Japonisme of Monet and the
    French post impressionists. From Modigliani, he took the
    juxtaposition of the tonal contrast, the sustained neatness of
    the harmonious facial features and the preferred taste for the
    Asian eyes. But all of these ingredients are transformed by
    Víctor Manuel in the elaboration of his unique, totally personal
    form of expression.”


    Marcelo Pogolotti, Víctor Manuel
    Dirección General de Cultura, Ministerio de Educación,
    Cuba, 1959, page 26.

    VÍCTOR MANUEL GARCÍA<br>
Peasant</br>
<i>(Campesino)</i>, ca.1938<br>
mixed media on heavy paper laid down on board</br>
17 1/4 x 12 1/4 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Ten,</i> page 19.
    VÍCTOR MANUEL GARCÍA
    Peasant
    (Campesino), ca.1938
    mixed media on heavy paper laid down on board
    17 1/4 x 12 1/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 19.

    MANUEL MENDIVE<br>
This Sacred Place</br>
<i>(Este Lugar Sagrado)</i>, 2009<br>
acrylic on canvas</br>
38 3/4 x 32 1/2 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen,</i> page 131.
    MANUEL MENDIVE
    This Sacred Place
    (Este Lugar Sagrado), 2009
    acrylic on canvas
    38 3/4 x 32 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 131.

    MANUEL MENDIVE<br>
Opening Paths</br>
<i>(Abriendo Caminos)</i>, 2005<br>
acrylic on canvas</br>
33 1/2 x 39 1/2 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen,</i> page 141.
    MANUEL MENDIVE
    Opening Paths
    (Abriendo Caminos), 2005
    acrylic on canvas
    33 1/2 x 39 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.

    JUAN ROBERTO DIAGO<br>
The Skin that Speaks No.I</br>
<i>(La Piel Que Habla No.I)</i>, 2014<br>
mixed media on canvas</br>
31 1/2 x 23 5/8 inches

<i>Provenance:</i>
Acquired directly from the artist.
    JUAN ROBERTO DIAGO
    The Skin that Speaks No.I
    (La Piel Que Habla No.I), 2014
    mixed media on canvas
    31 1/2 x 23 5/8 inches Provenance: Acquired directly from the artist.

    JUAN ROBERTO DIAGO<br>
The Skin that Speaks No.II</br>
<i>(La Piel Que Habla No.II)</i>, 2014<br>
mixed media on canvas</br>
31 1/2 x 23 5/8 inches

<i>Provenance:</i>
Acquired directly from the artist. JUAN ROBERTO DIAGO
    The Skin that Speaks No.II
    (La Piel Que Habla No.II), 2014
    mixed media on canvas
    31 1/2 x 23 5/8 inches Provenance: Acquired directly from the artist.

    JUAN ROBERTO DIAGO<br>
Always at Your Side</br>
<i>(Siempre a Tu Lado)</i>, 2009<br>
mixed media on canvas</br>
78 3/4 x 59 inches

<i>Provenance:</i>
Acquired directly from the artist.
    JUAN ROBERTO DIAGO
    Always at Your Side
    (Siempre a Tu Lado), 2009
    mixed media on canvas
    78 3/4 x 59 inches Provenance: Acquired directly from the artist.

    ROBERTO FABELO<br>
Green Tear</br>
<i>(Lágrima Verde)</i>, 2015<br>
oil on canvas</br>
91 1/4 x 78 3/4 inches

<i>Provenance:</i>
Acquired directly from the artist.
    ROBERTO FABELO
    Green Tear
    (Lágrima Verde), 2015
    oil on canvas
    91 1/4 x 78 3/4 inches Provenance: Acquired directly from the artist.

    ROBERTO FABELO<br>
Crazy for Suyu</br>
<i>(Locos por Suyu)</i>, 2010<br>
oil on canvas</br>
62 x 46 1/2 inches
    ROBERTO FABELO
    Crazy for Suyu
    (Locos por Suyu), 2010
    oil on canvas
    62 x 46 1/2 inches

    ROBERTO FABELO<br>
The Heart of Illusions</br>
<i>(El Corazón de las Ilusiones)</i>, 1994<br>
mixed media on heavy paper laid down on board</br>
38 1/2 x 26 1/2 inches
    ROBERTO FABELO
    The Heart of Illusions
    (El Corazón de las Ilusiones), 1994
    mixed media on heavy paper laid down on board
    38 1/2 x 26 1/2 inches

    ROBERTO FABELO<br>
Enriquito</br>
<i>(Enriquito)</i>, 1991<br>
oil and crayon on paper laid down on board</br>
52 1/2 x 36 inches
    ROBERTO FABELO
    Enriquito
    (Enriquito), 1991
    oil and crayon on paper laid down on board
    52 1/2 x 36 inches

    ALFREDO SOSABRAVO<br>
Domino Players</br>
<i>(Jugadores de Dominó)</i>, 2015<br>
oil and collage on canvas</br>
55 x 37 1/2 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Thirteen,</i> page 133.
    ALFREDO SOSABRAVO
    Domino Players
    (Jugadores de Dominó), 2015
    oil and collage on canvas
    55 x 37 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen,
    page 133.

    ALFREDO SOSABRAVO<br>
Entering the Carnival</br>
<i>(Entrando al Carnaval)</i>, 2012<br>
oil and collage on canvas</br>
63 x 38 3/8 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Thirteen,</i> page 133.
    ALFREDO SOSABRAVO
    Entering the Carnival
    (Entrando al Carnaval), 2012
    oil and collage on canvas
    63 x 38 3/8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen,
    page 133.

    VICENTE HERNANDEZ<br>
The Flight of the Angel</br>
(El Vuelo del Angel), 2011<br>
mixed media on canvas</br>
27 1/2 x 35 inches

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 166.
    VICENTE HERNANDEZ
    The Flight of the Angel
    (El Vuelo del Angel), 2011
    mixed media on canvas
    27 1/2 x 35 inches Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 166.

    VICENTE HERNÁNDEZ<br>
Un Nido en el Sombrero, 2006<br>
oil on canvas</br>
31 1/2 x 23 1/2 inches

<i>Exhibitions:</i>
Vicente Hernández – From a Strange Town, 
Cernuda Arte,  August – September 2009, and 
illustrated in the exhibition catalog, page 27.

VICENTE HERNÁNDEZ
    Un Nido en el Sombrero, 2006
    oil on canvas
    31 1/2 x 23 1/2 inches Exhibitions: Vicente Hernández – From a Strange Town, Cernuda Arte, August – September 2009, and illustrated in the exhibition catalog, page 27.

    VICENTE HERNÁNDEZ<br>
Defeated</br>
(Vencidos), 2011<br>
oil on canvas</br>
31 1/2 x 78 3/4 inches

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 167.
    VICENTE HERNÁNDEZ
    Defeated
    (Vencidos), 2011
    oil on canvas
    31 1/2 x 78 3/4 inches Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 167.

    AGUSTÍN CÁRDENAS<br>
Rhythmical Moment</br>
<i>(Momento Rítmico)</i>, ca.1975<br>
bronze sculpture (6 of 6)</br>
15 x 5 x 6 1/2 inches<br><br>

This artwork is stamped with the seal of Fonderia Mariani, Pietrasanta, Italy.

Illustrated in <i>IMPORTANT CUBAN ARTWORKS, Volume Thirteen<i/>, page 89.<br><br>
    AGUSTÍN CÁRDENAS
    Rhythmical Moment
    (Momento Rítmico), ca.1975
    bronze sculpture (6 of 6)
    15 x 5 x 6 1/2 inches

    This artwork is stamped with the seal of Fonderia Mariani, Pietrasanta, Italy. Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 89.


    FLORA FONG<br>
Glamour Night</br>
(Glamour de Una Noche), 2014<br>
mixed media on canvas</br>
51 1/4 x 43 1/4 inches
<br><br>
<i>Provenance:</i>
Acquired directly from the artist.<br><br>
    FLORA FONG
    Glamour Night
    (Glamour de Una Noche), 2014
    mixed media on canvas
    51 1/4 x 43 1/4 inches

    Provenance: Acquired directly from the artist.


    FLORA FONG<br>
Sunflower</br>
(Girasol), 2010<br>
mixed media on canvas</br>
17 3/4 x 13 3/4 inches

<br><br>
<i>Provenance:</i>
Acquired directly from the artist.<br><br>
    FLORA FONG
    Sunflower
    (Girasol), 2010
    mixed media on canvas
    17 3/4 x 13 3/4 inches

    Provenance: Acquired directly from the artist.


    FLORA FONG<br>
Caribbean 3:00 PM</br>
(Caribe 3:00 PM), 2010<br>
mixed media on canvas</br>
23 1/2 x 19 3/4 inches

<br><br>
<i>Provenance:</i>
Acquired directly from the artist.<br><br>
    FLORA FONG
    Caribbean 3:00 PM
    (Caribe 3:00 PM), 2010
    mixed media on canvas
    23 1/2 x 19 3/4 inches

    Provenance: Acquired directly from the artist.


     
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