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Take a Peek, Artworks for
Expo Chicago September 2016




Cernuda Arte is excited to announce our participation in the fifth international exposition of contemporary and modern art at Expo Chicago 2016.

This will be Cernuda Arte’s fifth time exhibiting with Expo Chicago and their presentation of more than 140 galleries from around the world.

Our showcase will display over 50 works by leading Cuban artists. If you're interested in any showpiece from this selection,
please contact the gallery.

LOCATION:
Expo Chicago will take place at the Navy Pier, 600 E Grand Ave. Chicago, IL 60611.
Please join us at Booth 451, we look forward to your visit!

SHOW DATES & TIMES:
Thursday, Sept. 22
12 pm - 6 pm | VIP Preview (By Invitation Only)
6 pm - 9 pm | Vernissage (VIP Passes Only)
Friday & Saturday, Sept. 23 - 24
11 am - 7 pm
Sunday, Sept. 25
11 am - 6 pm

For more information please contact:
Sergio Cernuda at 305-987-5642




 
  • Special Moments Photos

  • WIFREDO LAM<br> 
Untitled [Presences]<br>
<i>(Sin Título [Presencias])</i>, 1944<br>
oil on canvas<br>
42 ⅛ x 33 ½ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 33.<br>
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance: </i><br>
Private Collection, Paris, France.<br> 
Private Collection, Coral Gables, FL.<br><br>

<i>Illustrations:</i><br>
This painting is illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume<br> I, 1923-1960,</i> Acatos, Project Director: Eskil Lam, page 358, no. 44.63.<br><br>

Illustrated in the book <i>Wifredo Lam,</i> by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br> Barcelona, Spain, First Edition 1976, page 234, no. 402 and illustrated in <i>Wifredo Lam,</i> by Max-<br>Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Spain, Second Edition 1989, page 254, no. 434.<br><br>

This painting is accompanied by a photo-certificate of authenticity signed by the artist, dated<br> Paris, April 20, 1971.
    WIFREDO LAM
    Untitled [Presences]
    (Sin Título [Presencias]), 1944
    oil on canvas
    42 ⅛ x 33 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 33.
    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Private Collection, Paris, France.
    Private Collection, Coral Gables, FL.

    Illustrations:
    This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume
    I, 1923-1960,
    Acatos, Project Director: Eskil Lam, page 358, no. 44.63.

    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,
    Barcelona, Spain, First Edition 1976, page 234, no. 402 and illustrated in Wifredo Lam, by Max-
    Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Spain, Second Edition 1989, page 254, no. 434.

    This painting is accompanied by a photo-certificate of authenticity signed by the artist, dated
    Paris, April 20, 1971.

    WIFREDO LAM<br>
Birds<br>
<i>(Pajaros)</i>, ca 1950<br> 
oil on canvas<br> 
39 x 40 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br> 
CDS Gallery, New York.<br>
Private Collection, Caracas, Venezuela.<br><br>
         
<i>Exhibitions:</i><br>
Exhibited in Museo de Bellas Artes, Caracas, Venezuela, 1955.<br>
 
Exhibited in <i>Wifredo Lam,</i> at the Museo Nacional Centro de Arte Reina Sofía,<br> September 29 through December 14, 1992. Also traveled to the Fundación Joan<br> Miró, Barcelona, January 21 through March 28, 1993. <br>

Exhibited in <i>Wifredo Lam in North America</i> at the Haggerty Museum of Art,<br> Marquette University, Milwaukee, Wisconsin, Oct. 2007 - Jan. 2008. An<br> Exhibition that also traveled to the Miami Art Museum, Florida, Feb. - May 2008,<br> Exhibited at Museum of Latin American Art, Long Beach, California, June - Aug.<br> 2008, And exhibited at Salvador Dalí Museum, St. Petersburg,<br> Florida, Oct. 2008 - Jan. 2009.<br><br>
    
<i>Illustrations:</i><br>
Illustrated in <i>Oeuvres Recientes de Wifredo Lam,</i> Cahiers d’Art, num. XXVI, Paris,<br> 1951, page 186.<br>

Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I,<br> 1923-1960</i>, Acatos, Project Director: Eskil Lam, page 432, no.50.45.<br>    

Illustrated in <i>Wifredo Lam in North America,</i> published by the Haggerty<br> Museum of Art on page 121, ill. 47.<br>

Illustrated in <i>Wifredo Lam,</i> published by Museo Nacional Centro de Arte Reina<br> Sofía, on page 122.<br><br>

This painting is accompanied by a photo certificate of<br>
authenticity signed by the artist, dated November 21, 1955.
    WIFREDO LAM
    Birds
    (Pajaros), ca 1950
    oil on canvas
    39 x 40 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    CDS Gallery, New York.
    Private Collection, Caracas, Venezuela.

    Exhibitions:
    Exhibited in Museo de Bellas Artes, Caracas, Venezuela, 1955.
    Exhibited in Wifredo Lam, at the Museo Nacional Centro de Arte Reina Sofía,
    September 29 through December 14, 1992. Also traveled to the Fundación Joan
    Miró, Barcelona, January 21 through March 28, 1993.
    Exhibited in Wifredo Lam in North America at the Haggerty Museum of Art,
    Marquette University, Milwaukee, Wisconsin, Oct. 2007 - Jan. 2008. An
    Exhibition that also traveled to the Miami Art Museum, Florida, Feb. - May 2008,
    Exhibited at Museum of Latin American Art, Long Beach, California, June - Aug.
    2008, And exhibited at Salvador Dalí Museum, St. Petersburg,
    Florida, Oct. 2008 - Jan. 2009.

    Illustrations:
    Illustrated in Oeuvres Recientes de Wifredo Lam, Cahiers d’Art, num. XXVI, Paris,
    1951, page 186.
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I,
    1923-1960
    , Acatos, Project Director: Eskil Lam, page 432, no.50.45.
    Illustrated in Wifredo Lam in North America, published by the Haggerty
    Museum of Art on page 121, ill. 47.
    Illustrated in Wifredo Lam, published by Museo Nacional Centro de Arte Reina
    Sofía, on page 122.

    This painting is accompanied by a photo certificate of
    authenticity signed by the artist, dated November 21, 1955.

    WIFREDO LAM <br>
At The End of The Question<br>
<i>(Al Final de la Pregunta)</i>, ca. 1971<br>
oil on canvas<br>
19 ¾ x 27 ½ inches<br><br>

<i>Provenance:</i><br>
Private Collection, Milan, Italy.<br><br>

<i>Exhibitions:</i><br>
Exhibited in <i>Lam,</i> Galleria Gissi, Turin, Italy, 1978, ill. no. 4.<br><br>

<i>Illustrations:</i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted<br> Work, Volume II, 1961-1982</i>, Project Director:  Eskil Lam, Acatos,<br> 2002, page 348, no. 71.04.
    WIFREDO LAM
    At The End of The Question
    (Al Final de la Pregunta), ca. 1971
    oil on canvas
    19 ¾ x 27 ½ inches

    Provenance:
    Private Collection, Milan, Italy.

    Exhibitions:
    Exhibited in Lam, Galleria Gissi, Turin, Italy, 1978, ill. no. 4.

    Illustrations:
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted
    Work, Volume II, 1961-1982
    , Project Director: Eskil Lam, Acatos,
    2002, page 348, no. 71.04.

    WIFREDO LAM<br> 
Untitled [New Presence]<br>
<i>(Sin Título [Nueva Presencia]),</i> 1974<br>
oil on canvas<br>
23 ½ x 19 ¾ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.<br><br>

<i>Exhibitions:</i><br>
Exhibited in <i>Lam</i>, Gissi Gallery, Turin, Italy, 1978, no. 18.<br><br> 

<i>Illustrations:</i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the<br> 
Painted Work, Volume II, 1961-1982</i>, Project Director: <br>
Eskil Lam, Acatos 2002, page 461, no. 74.109. <br><br>

This painting is accompanied by a photo-certificate of <br>
authenticity signed by the artist, dated 1977.<br>
    WIFREDO LAM
    Untitled [New Presence]
    (Sin Título [Nueva Presencia]), 1974
    oil on canvas
    23 ½ x 19 ¾ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.

    Exhibitions:
    Exhibited in Lam, Gissi Gallery, Turin, Italy, 1978, no. 18.

    Illustrations:
    Illustrated in Wifredo Lam: Catalogue Raisonné of the
    Painted Work, Volume II, 1961-1982
    , Project Director:
    Eskil Lam, Acatos 2002, page 461, no. 74.109.

    This painting is accompanied by a photo-certificate of
    authenticity signed by the artist, dated 1977.

    WIFREDO LAM <br>
Composition<br>
<i>(Composición)</i>, 1973<br>
oil on canvas<br>
21 5/8 x 18 1/8 inches<br><br>
<i>Provenance</i><br>
Private Collection, Italy.<br><br>
<i>Illustrations:</i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,<br> 1961-1982,</i> Acatos, Project Director: Eskil Lam,<br> Page 431, no. 73.220.<br>
Illustrated in the book <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa,<br> S.A. Barcelona, First Edition 1976, Page 247, no. 623.<br> Illustrated in <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa,<br> S.A., Barcelona, Second Edition 1989,<br> Page 267, no. 655.<br><br>

This Painting is accompanied by a photo certificate of authenticity<br> signed by Madame Lou Laurin Lam, Dated April 22, 2002, no. 02-22.
    WIFREDO LAM
    Composition
    (Composición), 1973
    oil on canvas
    21 5/8 x 18 1/8 inches

    Provenance
    Private Collection, Italy.

    Illustrations:
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982,
    Acatos, Project Director: Eskil Lam,
    Page 431, no. 73.220.
    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa,
    S.A. Barcelona, First Edition 1976, Page 247, no. 623.
    Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa,
    S.A., Barcelona, Second Edition 1989,
    Page 267, no. 655.

    This Painting is accompanied by a photo certificate of authenticity
    signed by Madame Lou Laurin Lam, Dated April 22, 2002, no. 02-22.

    WIFREDO LAM <br>
Untitled [Bird of the Sun]<br>
<i>(Sin Título [Pájaro del Sol])</i>, 1977<br>
one-of-a-kind ceramic plate<br>
20 ¼ inches diameter<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 31.<br><br>

Signed and dated on the front; <br>
On the back,<i>“Ceramiche S. Giorgio, Albisola”.</i><br><br>

<i>Provenance:</i> <br>
Picona Galleria, Savona, Italy; <br>
Private Collection, Genoa, Italy; <br>
<i>Cernuda</i> Arte, Coral Gables, Florida.<br><br>

<i>Exhibitions:</i><br>
Exhibited in <i>Wifredo Lam, Cuba-Italia, Un Percorso,</i> Galleria Gruppo Credito Valtellinese, Milan,<br> Italy; also shown at Palazzo Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari, Sondrio,<br> Italy, November 2002-January 2003. Illustrated on page 158 of the corresponding catalog. <br><br>

This work is registered in the Archives Wifredo Lam, Paris, France.
    WIFREDO LAM
    Untitled [Bird of the Sun]
    (Sin Título [Pájaro del Sol]), 1977
    one-of-a-kind ceramic plate
    20 ¼ inches diameter

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 31.

    Signed and dated on the front;
    On the back,“Ceramiche S. Giorgio, Albisola”.

    Provenance:
    Picona Galleria, Savona, Italy;
    Private Collection, Genoa, Italy;
    Cernuda Arte, Coral Gables, Florida.

    Exhibitions:
    Exhibited in Wifredo Lam, Cuba-Italia, Un Percorso, Galleria Gruppo Credito Valtellinese, Milan,
    Italy; also shown at Palazzo Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari, Sondrio,
    Italy, November 2002-January 2003. Illustrated on page 158 of the corresponding catalog.

    This work is registered in the Archives Wifredo Lam, Paris, France.

    MARIO CARREÑO<br> 
Mother and Son<br>
<i>(Madre e Hijo),</i> 1940<br>
oil on canvas<br>
41 x 31 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Exhibitions:</i><br>
<i>Mario Carreño,</i> Perls Galleries, New York, New York, March 3rd to April 5th, 1941,<br>
illustrated in the cover of the corresponding exhibition catalog, listed as no. 2.<br>
<i>Mario Carreño</i>, Perls Galleries, New York, New York, March 13th to April 15th, 1944,<br>
listed in the catalog as no. 4. This exhibit also traveled to the San Francisco Museum of<br>
Art, San Francisco, California.<br>
<i>Mario Carreño - Retrospective Exhibition,</i> New School for Social Research, New York, New York,<br>
January 18 to February 8, 1950, and listed in the catalog as no 4. <br><br>

<i>Bibliography:</i><br>
Estol, Florencia. “Carreño.” <i>Norte</i>, New York, [illus.], page 25, U.S.A., April, 1941.
    MARIO CARREÑO
    Mother and Son
    (Madre e Hijo), 1940
    oil on canvas
    41 x 31 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Exhibitions:
    Mario Carreño, Perls Galleries, New York, New York, March 3rd to April 5th, 1941,
    illustrated in the cover of the corresponding exhibition catalog, listed as no. 2.
    Mario Carreño, Perls Galleries, New York, New York, March 13th to April 15th, 1944,
    listed in the catalog as no. 4. This exhibit also traveled to the San Francisco Museum of
    Art, San Francisco, California.
    Mario Carreño - Retrospective Exhibition, New School for Social Research, New York, New York,
    January 18 to February 8, 1950, and listed in the catalog as no 4.

    Bibliography:
    Estol, Florencia. “Carreño.” Norte, New York, [illus.], page 25, U.S.A., April, 1941.

    MARIO CARREÑO <br>
Lady Bathers<br>
<i>(Bañistas)</i>, 1947<br>
oil on canvas<br>
19 ½ x 15 ½ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Perls Galleries, New York<br>
Private Collection, Georgia.<br>
A photo certificate signed by the artist accompanies this work.<br><br>

<i>Exhibitions:</i><br>
<i>Carreño: Recent Paintings</i>, Perls Galleries, New York, 1947, no.17.<br>
<i>Carreno: Retrospective Exhibition</i>, The New York School for Social Research, New York,<br> 1950, no.12.<br>
<i>Revistas Cubanas: Three Decades of Cuba’s Cultural Life</i>,<br> Cuban Museum of Arts and Culture, Miami, 1984.<br>
Exhibited in Sotheby’s Latin American Art Auction, New York,<br>
May 20 and 21, 1986, lot no. 120 and illustrated in the exhibition catalog.
    MARIO CARREÑO
    Lady Bathers
    (Bañistas), 1947
    oil on canvas
    19 ½ x 15 ½ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Perls Galleries, New York
    Private Collection, Georgia.
    A photo certificate signed by the artist accompanies this work.

    Exhibitions:
    Carreño: Recent Paintings, Perls Galleries, New York, 1947, no.17.
    Carreno: Retrospective Exhibition, The New York School for Social Research, New York,
    1950, no.12.
    Revistas Cubanas: Three Decades of Cuba’s Cultural Life,
    Cuban Museum of Arts and Culture, Miami, 1984.
    Exhibited in Sotheby’s Latin American Art Auction, New York,
    May 20 and 21, 1986, lot no. 120 and illustrated in the exhibition catalog.

    MARIO CARREÑO <br>
Woman in the Garden <br>
<i>(Mujer en el Jardín)</i>, 1946<br>
mixed media on heavy paper laid down on board<br>
11 ½ x 9 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
From the Anselmo Reyes collection, Texas.<br>
    MARIO CARREÑO
    Woman in the Garden
    (Mujer en el Jardín), 1946
    mixed media on heavy paper laid down on board
    11 ½ x 9 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    From the Anselmo Reyes collection, Texas.

    MARIO CARREÑO <br>
Sugar Cane Cutter in the Field<br> 
<i>(Cortador de Caña en el Campo),</i> 1948<br>
mixed media on heavy paper laid down on board<br>
13 ¼ x 10 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Ray Reyes Family Collection, Virginia.
    MARIO CARREÑO
    Sugar Cane Cutter in the Field
    (Cortador de Caña en el Campo), 1948
    mixed media on heavy paper laid down on board
    13 ¼ x 10 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Ray Reyes Family Collection, Virginia.

    RENÉ PORTOCARRERO<br>
Flowers<br>
<i>(Flores)</i>, 1969<br>
oil on canvas<br>
16 ¾ x 12 ⅞ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    RENÉ PORTOCARRERO
    Flowers
    (Flores), 1969
    oil on canvas
    16 ¾ x 12 ⅞ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    RENÉ PORTOCARRERO<br> 
Cathedral in Blue <br>
<i>(Catedral en Azul)</i>, 1975<br>
mixed media on heavy paper laid down on canvas<br>
30 x 21 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    RENÉ PORTOCARRERO
    Cathedral in Blue
    (Catedral en Azul), 1975
    mixed media on heavy paper laid down on canvas
    30 x 21 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    RENÉ PORTOCARRERO <br>
Woman with Doves<br>
<i>(Mujer con Palomas)</i>, 1970<br>
mixed media on heavy paper laid down on board<br>
28 ½ x 20 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 71.
    RENÉ PORTOCARRERO
    Woman with Doves
    (Mujer con Palomas), 1970
    mixed media on heavy paper laid down on board
    28 ½ x 20 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 71.

    RENÉ PORTOCARRERO<br> 
Shooting Range <br>
<i>(Tiro al Blanco)</i>, 1952<br>
mixed media on heavy paper laid down on board<br>
9 ⅜ x 12 ⅝ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Ray Reyes Family Collection, Virginia.
    RENÉ PORTOCARRERO
    Shooting Range
    (Tiro al Blanco), 1952
    mixed media on heavy paper laid down on board
    9 ⅜ x 12 ⅝ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Ray Reyes Family Collection, Virginia.

    RENÉ PORTOCARRERO <br>
Flower Vase in Blue Background<br> 
<i>(Florero en Fondo Azul)</i>, 1959<br>
mixed media on heavy paper laid down on board<br>
19 ½ x 12 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    RENÉ PORTOCARRERO
    Flower Vase in Blue Background
    (Florero en Fondo Azul), 1959
    mixed media on heavy paper laid down on board
    19 ½ x 12 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    ROBERTO FABELO<br>
Crazy for Suyu<br>
<i>(Locos por Suyu),</i> 2010<br>
oil on canvas<br>
62 x 46 ½ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    ROBERTO FABELO
    Crazy for Suyu
    (Locos por Suyu), 2010
    oil on canvas
    62 x 46 ½ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    ROBERTO FABELO <br>
Daydreaming <br>
<i>(Ensoñación)</i>, 2016<br>
mixed media on heavy paper laid down on board<br>
39 ⅜ x 27 ½ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Acquired directly from the artist.
    ROBERTO FABELO
    Daydreaming
    (Ensoñación), 2016
    mixed media on heavy paper laid down on board
    39 ⅜ x 27 ½ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    ROBERTO FABELO <br>
Erotica Nostra <br>
<i>(Erótica Nostra)</i>, 2016<br>
mixed media on heavy paper laid down on board<br>
39 ¼ x 27 ½ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Acquired directly from the artist.
    ROBERTO FABELO
    Erotica Nostra
    (Erótica Nostra), 2016
    mixed media on heavy paper laid down on board
    39 ¼ x 27 ½ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    ROBERTO FABELO<br> 
Ovo 2016<br>
<i>(Ovo 2016)</i>, 2016<br>
acrylic on silk<br>
63 ½ x 48 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    ROBERTO FABELO
    Ovo 2016
    (Ovo 2016), 2016
    acrylic on silk
    63 ½ x 48 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    MANUEL MENDIVE <br>
The Market<br>
<i>(El Mercado)</i>, 2005<br>
acrylic on canvas<br>
54 ¾ x 68 ⅝ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Mr. Juan Ignacio Sainz García Collection, Bilbao, Spain.
    MANUEL MENDIVE
    The Market
    (El Mercado), 2005
    acrylic on canvas
    54 ¾ x 68 ⅝ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Mr. Juan Ignacio Sainz García Collection, Bilbao, Spain.

    MANUEL MENDIVE<br>
My Energy and I<br>
<i>(Mi Energía y Yo)</i>, 2015<br> 
bronze sculpture, 7 of 7<br>
30 x 13 ½  x 9 ¼ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    MANUEL MENDIVE
    My Energy and I
    (Mi Energía y Yo), 2015
    bronze sculpture, 7 of 7
    30 x 13 ½ x 9 ¼ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    MANUEL MENDIVE <br>
Crowned Head<br>
<i>(Cabeza Coronada)</i>, 2004<br>
oil on canvas<br>
39 x 33 ¾ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Nine, page 104.<br><br>

<i>Illustrated:</i><br>
<i>Mendive, Shangó y La Vida</i>, Hortensia Montero Méndez, Mitología Poética,  2000, pages 47- 48.
    MANUEL MENDIVE
    Crowned Head
    (Cabeza Coronada), 2004
    oil on canvas
    39 x 33 ¾ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Nine, page 104.

    Illustrated:
    Mendive, Shangó y La Vida, Hortensia Montero Méndez, Mitología Poética, 2000, pages 47- 48.

    MANUEL MENDIVE<br>
Ile Nigbe<br>
<i>(Ile Nigbe)</i>, 2006<br>
acrylic on canvas<br>
42 1/2 x 62 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Mr. Juan Ignacio Sainz García Collection, Bilbao, Spain.
    MANUEL MENDIVE
    Ile Nigbe
    (Ile Nigbe), 2006
    acrylic on canvas
    42 1/2 x 62 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Mr. Juan Ignacio Sainz García Collection, Bilbao, Spain.

    MANUEL MENDIVE <br>
Natural Refuge (from the series, Vital Energies)<br>
<i>Refugio Natural (de la serie, Energías Vitales)</i>, 2010<br>
mixed media metal sculpture<br>
38 x 22 x 44 inches
    MANUEL MENDIVE
    Natural Refuge (from the series, Vital Energies)
    Refugio Natural (de la serie, Energías Vitales), 2010
    mixed media metal sculpture
    38 x 22 x 44 inches

    MANUEL MENDIVE <br>
Eggun and Eleguá<br>
<i>(Eggun y Eleguá)</i>, 2015<br>
acrylic on royal palm trunk<br>
32 x 13 ¾ x 6 ¾ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Nine, page 104.
    MANUEL MENDIVE
    Eggun and Eleguá
    (Eggun y Eleguá), 2015
    acrylic on royal palm trunk
    32 x 13 ¾ x 6 ¾ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Nine, page 104.

    MANUEL MENDIVE<br>
This Sacred Place<br>
<i>(Este Lugar Sagrado)</i>, 2009<br>
acrylic on canvas<br>
38 ¾ x 32 ½ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 131.
    MANUEL MENDIVE
    This Sacred Place
    (Este Lugar Sagrado), 2009
    acrylic on canvas
    38 ¾ x 32 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 131.

    ALFREDO SOSABRAVO <br>
The Ship of Memories<br>
<i>(La Nave de los Recuerdos)</i>, 2014<br>
oil and collage on canvas<br>
39 ½ x 31 ½ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    ALFREDO SOSABRAVO
    The Ship of Memories
    (La Nave de los Recuerdos), 2014
    oil and collage on canvas
    39 ½ x 31 ½ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    ALFREDO SOSABRAVO <br>
Dressed for a Party<br>
<i>(Vestida de Fiesta)</i>, 2016<br>
oil and collage on canvas<br>
47 1/8 x 47 1/4 inches<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    ALFREDO SOSABRAVO
    Dressed for a Party
    (Vestida de Fiesta), 2016
    oil and collage on canvas
    47 1/8 x 47 1/4 inches

    Provenance:
    Acquired directly from the artist.

    ALFREDO SOSABRAVO <br>
Circus People<br>
<i>(Gente de Circo)</i>, 2016<br>
oil and collage on canvas<br>
47 1/8 x 35 3/8 inches<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    ALFREDO SOSABRAVO
    Circus People
    (Gente de Circo), 2016
    oil and collage on canvas
    47 1/8 x 35 3/8 inches

    Provenance:
    Acquired directly from the artist.

    GINA PELLÓN<br>
The Writing<br>
<i>(El Escrito)</i>, 2008<br>
mixed media on canvas<br>
39 ½ x 31 ¾ inches
GINA PELLÓN
    The Writing
    (El Escrito), 2008
    mixed media on canvas
    39 ½ x 31 ¾ inches

    GINA PELLÓN <br>
Take Me to the Carnival<br> 
<i>(Llévame al Carnaval)</i>, 2013<br>
mixed media on canvas<br>
28 ¾ x 23 ½ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 105.<br><br>

<i>This work is part of the most recent series of artworks <br>
executed by Gina Pellón and inspired in the Venice Carnivals.</i>
    GINA PELLÓN
    Take Me to the Carnival
    (Llévame al Carnaval), 2013
    mixed media on canvas
    28 ¾ x 23 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 105.

    This work is part of the most recent series of artworks
    executed by Gina Pellón and inspired in the Venice Carnivals.

    JOEL BESMAR <br>
Utopia<br>
<i>(Utopía)</i>, 2015<br>
oil on canvas<br>
35 ⅜ x 38 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.<br><br>

<i>Provenance:</i><br>
Acquired directly from the artist.
    JOEL BESMAR
    Utopia
    (Utopía), 2015
    oil on canvas
    35 ⅜ x 38 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.

    Provenance:
    Acquired directly from the artist.

    JOEL BESMAR<br> 
The Wasteland <br>
<i>(La Tierra Baldía)</i>, 2016<br>
oil on canvas<br>
41 ⅜ x 59 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    JOEL BESMAR
    The Wasteland
    (La Tierra Baldía), 2016
    oil on canvas
    41 ⅜ x 59 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    JOEL BESMAR <br>
The Marvelous Hunt<br>
<i>(La Caza Maravillosa)</i>, 2016<br>
oil on canvas<br>
58 ½ x 39 ¼ inches<br><br>

<i>Provenance:</i><br>
Acquired directly from the artist.
    JOEL BESMAR
    The Marvelous Hunt
    (La Caza Maravillosa), 2016
    oil on canvas
    58 ½ x 39 ¼ inches

    Provenance:
    Acquired directly from the artist.

    
JOEL BESMAR <br>
The Prison of Clay<br>
<i>(La Prisión de Arcilla)</i>, 2016<br>
oil on canvas<br>
78 ⅝ x 57 ⅝ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br>
Acquired directly from the artist.
    JOEL BESMAR
    The Prison of Clay
    (La Prisión de Arcilla), 2016
    oil on canvas
    78 ⅝ x 57 ⅝ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    MIGUEL FLORIDO <br>
Words Are Not Enough, My Love<br>
<i>(No Bastan Palabras, Mi Amor</i>), 2015<br>
oil on canvas<br>
50 ¾ x 70 ¾ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 138.<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist
    MIGUEL FLORIDO
    Words Are Not Enough, My Love
    (No Bastan Palabras, Mi Amor), 2015
    oil on canvas
    50 ¾ x 70 ¾ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 138.

    Provenance:
    Acquired directly from the artist

    MIGUEL FLORIDO<br>
Love Me Free <br>
<i>(Quiéreme Libre)</i>, 2016<br>
mixed media on canvas<br>
49 ¼ x 10 ¼ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    MIGUEL FLORIDO
    Love Me Free
    (Quiéreme Libre), 2016
    mixed media on canvas
    49 ¼ x 10 ¼ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    MIGUEL FLORIDO<br> 
Love Signals <br>
<i>(Señales de Amor)</i>, 2016<br>
acrylic on canvas<br>
70 ½ x 50 ¾ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    MIGUEL FLORIDO
    Love Signals
    (Señales de Amor), 2016
    acrylic on canvas
    70 ½ x 50 ¾ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    MIGUEL FLORIDO <br>
Loving You So Much<br>
<i>(De Quererte Tanto)</i>, 2015<br>
oil on canvas<br>
9 ¾ x 13 ¾ inches<br><br>

<i>Provenance:</i> <br>
Acquired directly from the artist.
    MIGUEL FLORIDO
    Loving You So Much
    (De Quererte Tanto), 2015
    oil on canvas
    9 ¾ x 13 ¾ inches

    Provenance:
    Acquired directly from the artist.

    MIGUEL FLORIDO <br>
You Are My Refuge, My Everything<br>
<i>(Eres mi Refugio, Mi Todo)</i>, 2016<br>
oil on canvas<br>
9 ¾ x 13 3/4 inches<br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    MIGUEL FLORIDO
    You Are My Refuge, My Everything
    (Eres mi Refugio, Mi Todo), 2016
    oil on canvas
    9 ¾ x 13 3/4 inches

    Provenance:
    Acquired directly from the artist.

    IRINA ELÉN GONZÁLEZ <br>
Under the Winds of Change<br>
<i>(A la Luz de los Nuevos Vientos)</i>, 2016<br>
mixed media on canvas<br>
63 x 47 ¼ inches<br><br>

Illustrated in the upcoming  IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    IRINA ELÉN GONZÁLEZ
    Under the Winds of Change
    (A la Luz de los Nuevos Vientos), 2016
    mixed media on canvas
    63 x 47 ¼ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    IRINA ELEN GONZÁLEZ <br>
Plagued of Love <br>
<i>(Plagada De Amor)</i>, 2016<br> 
acrylic on canvas <br>
59 X 43 ¼ inches<br><br>

<i>Provenance:</i><br> 
Acquired directly from the artist.
    IRINA ELEN GONZÁLEZ
    Plagued of Love
    (Plagada De Amor), 2016
    acrylic on canvas
    59 X 43 ¼ inches

    Provenance:
    Acquired directly from the artist.

    IRINA ELÉN GONZÁLEZ <br>
Saving Love<br>
<i>(Salvando el Amor)</i>, 2011<br>
acrylic on canvas<br>
38 ¼ x 26 ½ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 115. <br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    IRINA ELÉN GONZÁLEZ
    Saving Love
    (Salvando el Amor), 2011
    acrylic on canvas
    38 ¼ x 26 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 115.

    Provenance:
    Acquired directly from the artist.

    DAYRON GONZÁLEZ <br>
Return<br>
<i>(Regreso)</i>, 2015<br>
oil on canvas<br>
47 x 37 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 150.<br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Return
    (Regreso), 2015
    oil on canvas
    47 x 37 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 150.

    Provenance:
    Acquired directly from the artist.

    DAYRON GONZÁLEZ <br>
Self Portrait With Head of a Lion<br> 
<i>(Autorretrato con Cabeza de León)</i>, 2016<br>
oil on canvas<br>
60 x 54 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>

<i>Provenance:</i><br> 
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Self Portrait With Head of a Lion
    (Autorretrato con Cabeza de León), 2016
    oil on canvas
    60 x 54 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    Provenance:
    Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
Portrait With Blue Jacket <br>
<i>(Retrato Con Abrigo Azul)</i>, 2016<br> 
oil on canvas <br>
20 X 16 inches<br><br>

<i>Provenance:</i><br> 
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Portrait With Blue Jacket
    (Retrato Con Abrigo Azul), 2016
    oil on canvas
    20 X 16 inches

    Provenance:
    Acquired directly from the artist.

    DAYRON GONZÁLEZ<br>
Masquerade<br>
<i>(Mascarada)</i>, 2016<br> 
oil on canvas <br>
18 x 18 inches<br><br>

<i>Provenance:</i><br> 
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Masquerade
    (Mascarada), 2016
    oil on canvas
    18 x 18 inches

    Provenance:
    Acquired directly from the artist.

    DAYRON GONZÁLEZ <br>
Freedom is An Idea<br>
<i>(La Libertad es Una Idea)</i>, 2015<br>
oil on canvas<br>
71 ¾ x 80 ½ inches<br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    DAYRON GONZÁLEZ
    Freedom is An Idea
    (La Libertad es Una Idea), 2015
    oil on canvas
    71 ¾ x 80 ½ inches

    Provenance:
    Acquired directly from the artist.

    JUAN ROBERTO DIAGO <br>
Flying Far Away<br>
<i>(Volando Lejos)</i>, 2006<br> 
mixed media on canvas<br>
31 ½ x 23 ½ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    JUAN ROBERTO DIAGO
    Flying Far Away
    (Volando Lejos), 2006
    mixed media on canvas
    31 ½ x 23 ½ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    JUAN ROBERTO DIAGO <br>
Living Today<br>
<i>(Viviendo Hoy),</i> 2009<br>
mixed media on canvas<br>
78 ¾ x 59 inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    JUAN ROBERTO DIAGO
    Living Today
    (Viviendo Hoy), 2009
    mixed media on canvas
    78 ¾ x 59 inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    JUAN ROBERTO DIAGO <br>
The Skin that Speaks No. I<br>
<i>(La Piel Que Habla No. I)</i>, 2014<br>
mixed media on canvas<br>
31 ½ x 23 ⅝ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    JUAN ROBERTO DIAGO
    
The Skin that Speaks No. I
    (La Piel Que Habla No. I), 2014
    
mixed media on canvas
    
31 ½ x 23 ⅝ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    JUAN ROBERTO DIAGO <br>
The Skin that Speaks No. II<br>
<i>(La Piel Que Habla No. II),</i> 2014<br>
mixed media on canvas<br>
31 ½ x 23 ⅝ inches<br><br>

Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
    JUAN ROBERTO DIAGO
    
The Skin that Speaks No. II
    (La Piel Que Habla No. II), 2014
    
mixed media on canvas
    
31 ½ x 23 ⅝ inches

    Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.

    JUAN ROBERTO DIAGO <br>
Looking for You on the Road<br>
<i>(Buscándote en el Camino),</i> 2012<br>
mixed media on canvas<br>
79 x 59 ½ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 164.
    JUAN ROBERTO DIAGO
    Looking for You on the Road
    (Buscándote en el Camino), 2012
    mixed media on canvas
    79 x 59 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 164.

    LILIAN GARCÍA-ROIG <br>
Palmage<br>
<i>(Palmar),</i> 2015<br>
oil on canvas, diptych<br>
30 x 54 inches<br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    LILIAN GARCÍA-ROIG
    Palmage
    (Palmar), 2015
    oil on canvas, diptych
    30 x 54 inches

    Provenance:
    Acquired directly from the artist.

    LILIAN GARCÍA-ROIG <br>
Orange Tree Trunks<br>
<i>(Troncos de Naranja)</i>, 2014<br>
oil on canvas<br>
36 x 24 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 174.<br><br>

<i>Provenance: </i><br>
Acquired directly from the artist.
    LILIAN GARCÍA-ROIG
    Orange Tree Trunks
    (Troncos de Naranja), 2014
    oil on canvas
    36 x 24 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 174.

    Provenance:
    Acquired directly from the artist.

     
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