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Take a Peek, Artworks for Expo Chicago September 2016
Cernuda Arte is excited to announce our participation in the fifth international exposition of contemporary and modern art at Expo Chicago 2016.
This will be Cernuda Arte’s fifth time exhibiting with Expo Chicago and their presentation of more than 140 galleries from around the world.
Our showcase will display over 50 works by leading Cuban artists. If you're interested in any showpiece from this selection, please contact the gallery.
LOCATION:
Expo Chicago will take place at the Navy Pier, 600 E Grand Ave. Chicago, IL 60611.
Please join us at Booth 451, we look forward to your visit!
SHOW DATES & TIMES:
Thursday, Sept. 22
12 pm - 6 pm | VIP Preview (By Invitation Only)
6 pm - 9 pm | Vernissage (VIP Passes Only)
Friday & Saturday, Sept. 23 - 24
11 am - 7 pm
Sunday, Sept. 25
11 am - 6 pm
For more information please contact:
Sergio Cernuda at 305-987-5642
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![WIFREDO LAM<br>
Untitled [Presences]<br>
<i>(Sin Título [Presencias])</i>, 1944<br>
oil on canvas<br>
42 ⅛ x 33 ½ inches<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 33.<br>
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>
<i>Provenance: </i><br>
Private Collection, Paris, France.<br>
Private Collection, Coral Gables, FL.<br><br>
<i>Illustrations:</i><br>
This painting is illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume<br> I, 1923-1960,</i> Acatos, Project Director: Eskil Lam, page 358, no. 44.63.<br><br>
Illustrated in the book <i>Wifredo Lam,</i> by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br> Barcelona, Spain, First Edition 1976, page 234, no. 402 and illustrated in <i>Wifredo Lam,</i> by Max-<br>Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Spain, Second Edition 1989, page 254, no. 434.<br><br>
This painting is accompanied by a photo-certificate of authenticity signed by the artist, dated<br> Paris, April 20, 1971.](/uploads/special_event_images/thumbnails/315.jpg) |
WIFREDO LAM
Untitled [Presences]
(Sin Título [Presencias]), 1944
oil on canvas
42 ⅛ x 33 ½ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 33.
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Private Collection, Paris, France.
Private Collection, Coral Gables, FL.
Illustrations:
This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Acatos, Project Director: Eskil Lam, page 358, no. 44.63.
Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Spain, First Edition 1976, page 234, no. 402 and illustrated in Wifredo Lam, by Max- Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Spain, Second Edition 1989, page 254, no. 434.
This painting is accompanied by a photo-certificate of authenticity signed by the artist, dated Paris, April 20, 1971.
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WIFREDO LAM
Birds
(Pajaros), ca 1950
oil on canvas
39 x 40 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
CDS Gallery, New York.
Private Collection, Caracas, Venezuela.
Exhibitions:
Exhibited in Museo de Bellas Artes, Caracas, Venezuela, 1955.
Exhibited in Wifredo Lam, at the Museo Nacional Centro de Arte Reina Sofía, September 29 through December 14, 1992. Also traveled to the Fundación Joan Miró, Barcelona, January 21 through March 28, 1993.
Exhibited in Wifredo Lam in North America at the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, Oct. 2007 - Jan. 2008. An Exhibition that also traveled to the Miami Art Museum, Florida, Feb. - May 2008, Exhibited at Museum of Latin American Art, Long Beach, California, June - Aug. 2008, And exhibited at Salvador Dalí Museum, St. Petersburg, Florida, Oct. 2008 - Jan. 2009.
Illustrations:
Illustrated in Oeuvres Recientes de Wifredo Lam, Cahiers d’Art, num. XXVI, Paris, 1951, page 186.
Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Acatos, Project Director: Eskil Lam, page 432, no.50.45.
Illustrated in Wifredo Lam in North America, published by the Haggerty Museum of Art on page 121, ill. 47.
Illustrated in Wifredo Lam, published by Museo Nacional Centro de Arte Reina Sofía, on page 122.
This painting is accompanied by a photo certificate of
authenticity signed by the artist, dated November 21, 1955.
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WIFREDO LAM
At The End of The Question
(Al Final de la Pregunta), ca. 1971
oil on canvas
19 ¾ x 27 ½ inches
Provenance:
Private Collection, Milan, Italy.
Exhibitions:
Exhibited in Lam, Galleria Gissi, Turin, Italy, 1978, ill. no. 4.
Illustrations:
Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos, 2002, page 348, no. 71.04.
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![WIFREDO LAM<br>
Untitled [New Presence]<br>
<i>(Sin Título [Nueva Presencia]),</i> 1974<br>
oil on canvas<br>
23 ½ x 19 ¾ inches<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Lam</i>, Gissi Gallery, Turin, Italy, 1978, no. 18.<br><br>
<i>Illustrations:</i><br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the<br>
Painted Work, Volume II, 1961-1982</i>, Project Director: <br>
Eskil Lam, Acatos 2002, page 461, no. 74.109. <br><br>
This painting is accompanied by a photo-certificate of <br>
authenticity signed by the artist, dated 1977.<br>](/uploads/special_event_images/thumbnails/318.jpg) |
WIFREDO LAM
Untitled [New Presence]
(Sin Título [Nueva Presencia]), 1974
oil on canvas
23 ½ x 19 ¾ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 30.
Exhibitions:
Exhibited in Lam, Gissi Gallery, Turin, Italy, 1978, no. 18.
Illustrations:
Illustrated in Wifredo Lam: Catalogue Raisonné of the
Painted Work, Volume II, 1961-1982, Project Director:
Eskil Lam, Acatos 2002, page 461, no. 74.109.
This painting is accompanied by a photo-certificate of
authenticity signed by the artist, dated 1977.
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WIFREDO LAM
Composition
(Composición), 1973
oil on canvas
21 5/8 x 18 1/8 inches
Provenance
Private Collection, Italy.
Illustrations:
Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos, Project Director: Eskil Lam, Page 431, no. 73.220.
Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A. Barcelona, First Edition 1976, Page 247, no. 623. Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Second Edition 1989, Page 267, no. 655.
This Painting is accompanied by a photo certificate of authenticity signed by Madame Lou Laurin Lam, Dated April 22, 2002, no. 02-22.
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![WIFREDO LAM <br>
Untitled [Bird of the Sun]<br>
<i>(Sin Título [Pájaro del Sol])</i>, 1977<br>
one-of-a-kind ceramic plate<br>
20 ¼ inches diameter<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 31.<br><br>
Signed and dated on the front; <br>
On the back,<i>“Ceramiche S. Giorgio, Albisola”.</i><br><br>
<i>Provenance:</i> <br>
Picona Galleria, Savona, Italy; <br>
Private Collection, Genoa, Italy; <br>
<i>Cernuda</i> Arte, Coral Gables, Florida.<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Wifredo Lam, Cuba-Italia, Un Percorso,</i> Galleria Gruppo Credito Valtellinese, Milan,<br> Italy; also shown at Palazzo Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari, Sondrio,<br> Italy, November 2002-January 2003. Illustrated on page 158 of the corresponding catalog. <br><br>
This work is registered in the Archives Wifredo Lam, Paris, France.](/uploads/special_event_images/thumbnails/319.jpg) |
WIFREDO LAM
Untitled [Bird of the Sun]
(Sin Título [Pájaro del Sol]), 1977
one-of-a-kind ceramic plate
20 ¼ inches diameter
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 31.
Signed and dated on the front;
On the back,“Ceramiche S. Giorgio, Albisola”.
Provenance:
Picona Galleria, Savona, Italy;
Private Collection, Genoa, Italy;
Cernuda Arte, Coral Gables, Florida.
Exhibitions:
Exhibited in Wifredo Lam, Cuba-Italia, Un Percorso, Galleria Gruppo Credito Valtellinese, Milan, Italy; also shown at Palazzo Sertoli and Museo de Storia e Arte, Palazzo Sassi De’Lavizzari, Sondrio, Italy, November 2002-January 2003. Illustrated on page 158 of the corresponding catalog.
This work is registered in the Archives Wifredo Lam, Paris, France.
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![MARIO CARREÑO<br>
Mother and Son<br>
<i>(Madre e Hijo),</i> 1940<br>
oil on canvas<br>
41 x 31 inches<br><br>
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.<br><br>
<i>Exhibitions:</i><br>
<i>Mario Carreño,</i> Perls Galleries, New York, New York, March 3rd to April 5th, 1941,<br>
illustrated in the cover of the corresponding exhibition catalog, listed as no. 2.<br>
<i>Mario Carreño</i>, Perls Galleries, New York, New York, March 13th to April 15th, 1944,<br>
listed in the catalog as no. 4. This exhibit also traveled to the San Francisco Museum of<br>
Art, San Francisco, California.<br>
<i>Mario Carreño - Retrospective Exhibition,</i> New School for Social Research, New York, New York,<br>
January 18 to February 8, 1950, and listed in the catalog as no 4. <br><br>
<i>Bibliography:</i><br>
Estol, Florencia. “Carreño.” <i>Norte</i>, New York, [illus.], page 25, U.S.A., April, 1941.](/uploads/special_event_images/thumbnails/320.jpg) |
MARIO CARREÑO
Mother and Son
(Madre e Hijo), 1940
oil on canvas
41 x 31 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Exhibitions:
Mario Carreño, Perls Galleries, New York, New York, March 3rd to April 5th, 1941,
illustrated in the cover of the corresponding exhibition catalog, listed as no. 2.
Mario Carreño, Perls Galleries, New York, New York, March 13th to April 15th, 1944,
listed in the catalog as no. 4. This exhibit also traveled to the San Francisco Museum of
Art, San Francisco, California.
Mario Carreño - Retrospective Exhibition, New School for Social Research, New York, New York,
January 18 to February 8, 1950, and listed in the catalog as no 4.
Bibliography:
Estol, Florencia. “Carreño.” Norte, New York, [illus.], page 25, U.S.A., April, 1941.
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MARIO CARREÑO
Lady Bathers
(Bañistas), 1947
oil on canvas
19 ½ x 15 ½ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Perls Galleries, New York
Private Collection, Georgia.
A photo certificate signed by the artist accompanies this work.
Exhibitions:
Carreño: Recent Paintings, Perls Galleries, New York, 1947, no.17.
Carreno: Retrospective Exhibition, The New York School for Social Research, New York, 1950, no.12.
Revistas Cubanas: Three Decades of Cuba’s Cultural Life, Cuban Museum of Arts and Culture, Miami, 1984.
Exhibited in Sotheby’s Latin American Art Auction, New York,
May 20 and 21, 1986, lot no. 120 and illustrated in the exhibition catalog.
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MARIO CARREÑO
Woman in the Garden
(Mujer en el Jardín), 1946
mixed media on heavy paper laid down on board
11 ½ x 9 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
From the Anselmo Reyes collection, Texas.
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MARIO CARREÑO
Sugar Cane Cutter in the Field
(Cortador de Caña en el Campo), 1948
mixed media on heavy paper laid down on board
13 ¼ x 10 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Ray Reyes Family Collection, Virginia.
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RENÉ PORTOCARRERO
Flowers
(Flores), 1969
oil on canvas
16 ¾ x 12 ⅞ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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RENÉ PORTOCARRERO
Cathedral in Blue
(Catedral en Azul), 1975
mixed media on heavy paper laid down on canvas
30 x 21 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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RENÉ PORTOCARRERO
Woman with Doves
(Mujer con Palomas), 1970
mixed media on heavy paper laid down on board
28 ½ x 20 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 71.
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RENÉ PORTOCARRERO
Shooting Range
(Tiro al Blanco), 1952
mixed media on heavy paper laid down on board
9 ⅜ x 12 ⅝ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Ray Reyes Family Collection, Virginia.
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RENÉ PORTOCARRERO
Flower Vase in Blue Background
(Florero en Fondo Azul), 1959
mixed media on heavy paper laid down on board
19 ½ x 12 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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ROBERTO FABELO
Crazy for Suyu
(Locos por Suyu), 2010
oil on canvas
62 x 46 ½ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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ROBERTO FABELO
Daydreaming
(Ensoñación), 2016
mixed media on heavy paper laid down on board
39 ⅜ x 27 ½ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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ROBERTO FABELO
Erotica Nostra
(Erótica Nostra), 2016
mixed media on heavy paper laid down on board
39 ¼ x 27 ½ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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ROBERTO FABELO
Ovo 2016
(Ovo 2016), 2016
acrylic on silk
63 ½ x 48 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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MANUEL MENDIVE
The Market
(El Mercado), 2005
acrylic on canvas
54 ¾ x 68 ⅝ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Mr. Juan Ignacio Sainz García Collection, Bilbao, Spain.
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MANUEL MENDIVE
My Energy and I
(Mi Energía y Yo), 2015
bronze sculpture, 7 of 7
30 x 13 ½ x 9 ¼ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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MANUEL MENDIVE
Crowned Head
(Cabeza Coronada), 2004
oil on canvas
39 x 33 ¾ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Nine, page 104.
Illustrated:
Mendive, Shangó y La Vida, Hortensia Montero Méndez, Mitología Poética, 2000, pages 47- 48.
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MANUEL MENDIVE
Ile Nigbe
(Ile Nigbe), 2006
acrylic on canvas
42 1/2 x 62 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Mr. Juan Ignacio Sainz García Collection, Bilbao, Spain.
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MANUEL MENDIVE
Natural Refuge (from the series, Vital Energies)
Refugio Natural (de la serie, Energías Vitales), 2010
mixed media metal sculpture
38 x 22 x 44 inches
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MANUEL MENDIVE
Eggun and Eleguá
(Eggun y Eleguá), 2015
acrylic on royal palm trunk
32 x 13 ¾ x 6 ¾ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Nine, page 104.
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MANUEL MENDIVE
This Sacred Place
(Este Lugar Sagrado), 2009
acrylic on canvas
38 ¾ x 32 ½ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 131.
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ALFREDO SOSABRAVO
The Ship of Memories
(La Nave de los Recuerdos), 2014
oil and collage on canvas
39 ½ x 31 ½ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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ALFREDO SOSABRAVO
Dressed for a Party
(Vestida de Fiesta), 2016
oil and collage on canvas
47 1/8 x 47 1/4 inches
Provenance:
Acquired directly from the artist.
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ALFREDO SOSABRAVO
Circus People
(Gente de Circo), 2016
oil and collage on canvas
47 1/8 x 35 3/8 inches
Provenance:
Acquired directly from the artist.
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GINA PELLÓN
The Writing
(El Escrito), 2008
mixed media on canvas
39 ½ x 31 ¾ inches
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GINA PELLÓN
Take Me to the Carnival
(Llévame al Carnaval), 2013
mixed media on canvas
28 ¾ x 23 ½ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Eleven, page 105.
This work is part of the most recent series of artworks
executed by Gina Pellón and inspired in the Venice Carnivals.
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JOEL BESMAR
Utopia
(Utopía), 2015
oil on canvas
35 ⅜ x 38 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 141.
Provenance:
Acquired directly from the artist.
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JOEL BESMAR
The Wasteland
(La Tierra Baldía), 2016
oil on canvas
41 ⅜ x 59 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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JOEL BESMAR
The Marvelous Hunt
(La Caza Maravillosa), 2016
oil on canvas
58 ½ x 39 ¼ inches
Provenance:
Acquired directly from the artist.
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JOEL BESMAR
The Prison of Clay
(La Prisión de Arcilla), 2016
oil on canvas
78 ⅝ x 57 ⅝ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
Words Are Not Enough, My Love
(No Bastan Palabras, Mi Amor), 2015
oil on canvas
50 ¾ x 70 ¾ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 138.
Provenance:
Acquired directly from the artist
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MIGUEL FLORIDO
Love Me Free
(Quiéreme Libre), 2016
mixed media on canvas
49 ¼ x 10 ¼ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
Love Signals
(Señales de Amor), 2016
acrylic on canvas
70 ½ x 50 ¾ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
Loving You So Much
(De Quererte Tanto), 2015
oil on canvas
9 ¾ x 13 ¾ inches
Provenance:
Acquired directly from the artist.
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MIGUEL FLORIDO
You Are My Refuge, My Everything
(Eres mi Refugio, Mi Todo), 2016
oil on canvas
9 ¾ x 13 3/4 inches
Provenance:
Acquired directly from the artist.
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IRINA ELÉN GONZÁLEZ
Under the Winds of Change
(A la Luz de los Nuevos Vientos), 2016
mixed media on canvas
63 x 47 ¼ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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IRINA ELEN GONZÁLEZ
Plagued of Love
(Plagada De Amor), 2016
acrylic on canvas
59 X 43 ¼ inches
Provenance:
Acquired directly from the artist.
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IRINA ELÉN GONZÁLEZ
Saving Love
(Salvando el Amor), 2011
acrylic on canvas
38 ¼ x 26 ½ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Ten, page 115.
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Return
(Regreso), 2015
oil on canvas
47 x 37 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 150.
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Self Portrait With Head of a Lion
(Autorretrato con Cabeza de León), 2016
oil on canvas
60 x 54 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Portrait With Blue Jacket
(Retrato Con Abrigo Azul), 2016
oil on canvas
20 X 16 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Masquerade
(Mascarada), 2016
oil on canvas
18 x 18 inches
Provenance:
Acquired directly from the artist.
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DAYRON GONZÁLEZ
Freedom is An Idea
(La Libertad es Una Idea), 2015
oil on canvas
71 ¾ x 80 ½ inches
Provenance:
Acquired directly from the artist.
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JUAN ROBERTO DIAGO
Flying Far Away
(Volando Lejos), 2006
mixed media on canvas
31 ½ x 23 ½ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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JUAN ROBERTO DIAGO
Living Today
(Viviendo Hoy), 2009
mixed media on canvas
78 ¾ x 59 inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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JUAN ROBERTO DIAGO
The Skin that Speaks No. I
(La Piel Que Habla No. I), 2014
mixed media on canvas
31 ½ x 23 ⅝ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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JUAN ROBERTO DIAGO
The Skin that Speaks No. II
(La Piel Que Habla No. II), 2014
mixed media on canvas
31 ½ x 23 ⅝ inches
Illustrated in the upcoming IMPORTANT CUBAN ARTWORKS, Volume Fourteen.
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JUAN ROBERTO DIAGO
Looking for You on the Road
(Buscándote en el Camino), 2012
mixed media on canvas
79 x 59 ½ inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 164.
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LILIAN GARCÍA-ROIG
Palmage
(Palmar), 2015
oil on canvas, diptych
30 x 54 inches
Provenance:
Acquired directly from the artist.
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LILIAN GARCÍA-ROIG
Orange Tree Trunks
(Troncos de Naranja), 2014
oil on canvas
36 x 24 inches
Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Thirteen, page 174.
Provenance:
Acquired directly from the artist.
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Copyright 2002-2025, Cernuda Arte. All Rights Reserved |
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