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Search:  Take a Peek Artworks for Art Miami 2016 Cernuda Arte is pleased to announce our participation in the 27th edition of the leading international contemporary and modern art fair, Art Miami. We will join over 125 international art galleries dedicated to showing the most important artworks of the 20th and 21st centuries. Our showcase will display over 70 works by leading Cuban artists. For more information on any showpiece from this selection, please contact the gallery at, (305) 461-1050. LOCATION: Art Miami will take place at The Art Miami Pavilion, Midtown Miami – Wynwood 3101 NE 1st Ave, Miami, FL Please join us at Booth B-406, we look forward to your visit! DATES AND HOURS: VIP PREVIEW: Tuesday, November 29, 5:30 PM - 10:00 PM GENERAL SHOW HOURS: Wednesday, November 30, 11:00 AM - 8:00 PM Thursday, December 1, 11:00 AM - 8:00 PM Friday, December 2, 11:00 AM - 8:00 PM Saturday, December 3, 11:00 AM - 8:00 PM Sunday, December 4, 11:00 AM - 6:00 PM During fair hours you may reach us at: Sergio Cernuda 305-987-5642 Luisa Lignarolo 305-775-9221 Nercys Cernuda 305-335-8350 Special Moments Photos WIFREDO LAM Untitled [Arcane Dreams], (Sin Título [Sueños Arcanos]), ca. 1955, oil on canvas, 58 7/8 x 94 1/4 inches Signed and dated on the mid left. Provenance: Dr. René Díaz de Villegas y D’Estrampes and Lydia Casas de Díaz de Villegas, Havana, Cuba, who acquired it from the artist; Private Collection, Zaragoza, Spain; By descent to the present owner. Exhibitions: Exhibited in Wifredo Lam, University of Havana, Pabellón de Ciencias Sociales, Havana, Cuba, March 22 - April 22, 1955. Illustrations: Illustrated in the magazine, Espacio, Año IV - No. 17, January-April 1955, University of Havana, n.n. Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 462, no. 55.36. Illustrated in Wifredo Lam, Éditions Centre Pompidou, Paris, France, 2015, page 213, no. 40. This painting is accompanied by a photo-certificate of authenticity signed by Monsieur Eskil Lam, dated Paris, August 31, 2015, no. 15.09. WIFREDO LAM Birds, (Pájaros), ca. 1950, oil on canvas, 39 x 40 inches Provenance: CDS Gallery, New York, New York; Private Collection, Caracas, Venezuela. Exhibitions: Exhibited in Museo Nacional de Bellas Artes, Caracas, Venezuela, 1955. Exhibited in Wifredo Lam, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, September 29-December 14, 1992. Also traveled to the Fundación Joan Miró, Barcelona, Spain, January 21-March 28, 1993. Exhibited in Wifredo Lam in North America, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, October 2007-January 2008; was then exhibited at the Miami Art Museum, Florida, February-May 2008; exhibited at Museum of Latin American Art, Long Beach, California, June-August 2008, and exhibited at Salvador Dalí Museum, St. Petersburg, Florida, October 2008-January 2009. Illustrations: Illustrated in Oeuvres Récentes de Wifredo Lam, Cahiers d’Art, No. XXVI, Paris, France, 1951, page 186. Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 432, no. 50.45. Illustrated in Wifredo Lam in North America, with essays by Curtis L. Carter, Lowery Stokes Sims, Dawn Ades, Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam, published by the Haggerty Museum of Art on page 121, ill. 47. Illustrated in Wifredo Lam, published by Museo Nacional Centro de Arte Reina Sofía, 1992, page 122. WIFREDO LAM, Untitled [Presences], (Sin Título [Presencias]), 1944, oil on canvas, 42 1/8 x 33 1/2 inches Provenance: Galerie Boulakia, Paris, France; Galerie 3+2, Paris, France; Private Collection, Paris, France; Private Collection, Coral Gables, Florida; Private Collection, Lucerne, Switzerland. Exhibitions: Exhibited in Christie’s New York, Latin American Sale, November 20-21, 2012, lot no. 17 and illustrated in the accompanying exhibition catalog, pages 34 and 35. Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 358, no. 44.63. Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A. Barcelona, Spain, First Edition 1976, page 234, no. 402. Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A. Barcelona, Spain, Second Edition 1989, page 254, no. 434. Illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte, Coral Gables, Florida, December 2014, page 33. This painting is accompanied by a photo-certificate of authenticity signed by the artist, Wifredo Lam, dated Paris, April 20, 1971. WIFREDO LAM Untitled [Figure on the Balcony], (Sin Título [Figura en el Balcón]), ca. 1942, mixed media on heavy paper laid down on board, 38 3/4 x 31 1/2 inches Provenance: Private Collection, Havana, Cuba; Galleria Ferrari Collection, Treviglio, Italy. Exhibitions: Exhibited in Wifredo Lam ou l'Éloge du Métissage, Villa Medicis, Rome, Italy, 1992, and at the Palazzo della Permanente, Milan, Italy, 1993. Exhibited in Wifredo Lam, l'Oiseau du Possible, Oeuvres de 1930 à 1978, Galerie Boulakia, Paris, France, May-July 2004, and illustrated in the exhibition catalog, pages 40-41. Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 308, no. 42.66. WIFREDO LAM At the End of the Question, (Al Final de la Pregunta), ca. 1971, oil on canvas, 19 3/4 x 27 1/2 inches Provenance: Private Collection, Milan, Italy. Exhibitions: Exhibited in Wifredo Lam, Galleria Gissi, Turin, Italy, April 1978. Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 348, no. 71.04. WIFREDO LAM Composition, (Composición), 1973, oil on canvas, 21 5/8 x 18 1/8 inches Signed and dated lower right, also signed and dated on the reverse. Provenance: Private Collection, Italy. Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos 2002, Project Director: Eskil Lam, page 431, no. 73.220. Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, First Edition 1976, page 247, no. 623. Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Second Edition 1989, page 267, no. 655. This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated April 22, 2002, no. 2-22. WIFREDO LAM Untitled [Bird and Elegua], (Sin Título [Pájaro y Eleguá]), 1973, oil on canvas, 13 3/4 x 17 3/4 inches This painting is signed lower right and signed again on the reverse. Provenance: Galerie Lelong, Paris, France; Yaco García Arte Latinoamericano, Panama. Illustrations: Illustrated in Wifredo Lam, L. Curzi, Edizioni Bora, Bologna, Italy, 1978, page 34, no. 39. Illustrated twice in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 107, no. 36 and page 392, no. 73.02. WIFREDO LAM Untitled [Bird], (Sin Título [Pájaro]), 1964, pastel on heavy paper laid down on canvas, 19 x 25 inches This artwork is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated September 22, 2011. WIFREDO LAM Firebirds, (Pájaros de Fuego), 1970, set of two polished brass and chrome plated brass sculptures, both inscribed with signature and numbered 385 out of 500, in near perfect condition, 10 1/2 x 6 x 4 inches WIFREDO LAM Osun, (Osun), 1979, bronze sculpture, number 19 of 50, 16 1/4 x 7 3/4 x 3 3/4 inches Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 225, no. 125. Illustrated in Wifredo Lam and the International Avant-Garde, 1923-1982, Lowery Stokes Sims, University of Texas Press, Austin, Texas, 2002, page 207, no. 9.14. Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, November 2015, page 26 (same image, different number). MARIO CARREÑO Fire in the Farm, (Fuego en el Batey), 1943, duco and oil on wood panel, 48 x 65 inches Provenance: The Collection of Milton and Nona Ward, Baldwin, New York; Private Collection, Santo Domingo, Dominican Republic. Exhibitions: Exhibited in Galería del Prado, Havana, Cuba, 1943. Exhibited in Carreño: óleos-ducos, gouaches, acuarelas, Galería Lyceum, Havana, Cuba, November 9-16, 1943, and listed as number 9 in the exhibition brochure. Exhibited in Christie’s Latin American Sale, New York, May 28-29, 2009, lot no. 10. Exhibited in Fuego en el Batey, Cernuda Arte, Coral Gables, Florida, July 3, 2009, and illustrated on the cover of the invitation. Exhibited in Cuban Art & Identity: 1900-1950, Vero Beach Museum of Art, Vero Beach, Florida, curated by Juan A. Martínez, PhD, October 19, 2013 - February 2, 2014, and illustrated in the museum catalog, page 24. Literature: Guy Pérez Cisneros, “Mario Carreño,” Grafos Havanity, no. 117, Year X, Havana, November-December 1943, p. 17-19. José Gómez Sicre, Cuadernos de Plástica Cubana I, Carreño, Ediciones Galería del Prado, Havana, 1943, illustrated. José Gómez Sicre, Cuban Painting of Today, María Luisa Gómez Mena, Havana, 1944, p. 100, illustrated. L. Gómez Wangüemert, “La exposición de Carreño en el Lyceum,” Carteles, Havana, November 1944, illustrated. José Gómez Sicre, Carreño, Pan American Union, Washington, D.C., 1947. Loló de la Torriente, Estudio de las artes plásticas en Cuba, Havana, 1954, p. 174-175. José Gómez Sicre, Art of Cuba in Exile, Editora Munder, Miami, 1987, p. 53, illustrated. Mario Carreño, Cronología del recuerdo, Editorial Antártica, Santiago, 1991. Guy Pérez Cisneros, Antología de la crítica de arte, Editorial Letras Cubanas, 2000, p. 173. J. R. Alonso, Los Ducos de Carreño, Ediciones Vanguardia Cubana, Madrid, (forthcoming publication date to be announced). MARIO CARREÑO Mother and Son, (Madre e Hijo), 1940, oil on canvas, 41 x 31 inches Exhibitions: Exhibited in Mario Carreño, Perls Galleries, New York, New York, March 3-April 5, 1941, and illustrated on the cover of the corresponding exhibition catalog, listed as no. 2. Exhibited in Mario Carreño, Perls Galleries, New York, New York, March 13-April 15, 1944, and listed in the catalog as no. 4. This exhibit also traveled to the San Francisco Museum of Art, San Francisco, California. Exhibited in Mario Carreño - Retrospective Exhibition, New School for Social Research, New York, New York, January 18 to February 8, 1950, and listed in the catalog as no. 4. Illustrated in “Carreño”, Florencia Estol, Norte, New York, U.S.A., April 1941, page 25. MARIO CARREÑO Lady Bathers, (Bañistas), 1947, oil on canvas, 19 1/2 x 15 1/2 inches Provenance: Perls Galleries, New York; Private Collection, Georgia. A photo-certificate of authenticity signed by the artist accompanies this work. Exhibitions: Exhibited in Carreño: Recent Paintings, Perls Galleries, New York, 1947, and listed as no.17 in the corresponding exhibition catalog. Exhibited in Carreño: Retrospective Exhibition, The New York School for Social Research, New York, 1950, and listed as no.12 in the corresponding exhibition catalog. Exhibited in Sotheby’s Latin American Art Auction, New York, May 20-21, 1986, lot no. 120 and illustrated in the exhibition catalog. Illustrated in Revistas Cubanas: Three Decades of Cuba’s Cultural Life, Cuban Museum of Arts and Culture, Miami, Florida, 1984. MARIO CARREÑO Landscape with Palms, (Paisaje con Palmas), 1944, mixed media on heavy paper, 21 x 17 inches MARIO CARREÑO Woman in the Garden, (Mujer en el Jardín), 1946, mixed media on heavy paper laid down on board, 11 1/2 x 9 inches Provenance: The Anselmo and Meredith Rae Reyes Collection, Virginia. MARIO CARREÑO Sugar Cane Cutter in the Field, (Cortador de Caña en el Campo), 1948, mixed media on heavy paper laid down on board, 13 1/4 x 10 inches Provenance: The Anselmo and Meredith Rae Reyes Collection, Virginia. RENÉ PORTOCARRERO Second Portrait of Flora, (Segundo Retrato de Flora), 1965, oil on canvas, 33 x 26 inches Provenance: Private Collection, Mexico City, Mexico. Exhibitions: Exhibited in René Portocarrero, Museo de Arte Moderno, Bosque de Chapultepec, México, May 1965, and listed in the exhibition catalog, no. 15. RENÉ PORTOCARRERO Cerro Interior with Dancing Figure, (Interior del Cerro con Figura Danzante), 1944, oil on wood, 18 x 15 5/8 inches Illustrations: Illustrated in Todo Sobre Portocarrero, Ramón Vázquez Díaz, Axel Li, José Veigas, Ediciones Vanguardia Cubana, 2014, page 148. Illustrated in Portocarrero, Ramón Vázquez Díaz, Fundación Arte Cubano, 2015, page 88. RENÉ PORTOCARRERO Landscape and Hut, (Paisaje y Bohío), 1944, oil on wood, 20 x 24 inches Provenance: Private Collection, Santo Domingo, Dominican Republic. RENÉ PORTOCARRERO Cathedral in Blue, (Catedral en Azul), 1975, mixed media on heavy paper laid down on canvas, 30 x 21 inches Provenance: Private Collection, Pembroke Pines, Florida; Private Collection, Le Vaud, Switzerland. Illustrations: Illustrated in Important Cuban Artworks, Volume Nine, Cernuda Arte, Coral Gables, Florida, December 2010, page 62. Illustrated in the book, Todo Sobre Portocarrero, Ramón Vázquez Díaz, Axel Li and José Veigas, Ediciones Vanguardia Cubana, 2014, page 246. RENÉ PORTOCARRERO Woman with Hat, (Mujer con Sombrero), 1957, oil on canvas, 39 x 23 1/2 inches Provenance: Private Collection, Santiago de Chile. Exhibitions: Exhibited in Sotheby's Latin American Art, New York, June 1, 2000, and illustrated in the corresponding exhibition catalog, lot no. 194. RENÉ PORTOCARRERO Flowers, (Flores), 1969, oil on canvas, 16 3/4 x 12 7/8 inches This painting is also accompanied by a photo-certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz, dated March 8, 2011. RENÉ PORTOCARRERO Praying Figure, (Figura Orante), ca. 1937, mixed media on heavy paper laid down on board, 14 x 11 inches Provenance: Private Collection, Managua, Nicaragua. RENE PORTOCARRERO Ornamented Woman, (Mujer Ornamentada), 1968, mixed media on heavy paper laid down on board, 28 1/2 x 22 inches This painting is also accompanied by a certificate of authenticity signed by Ramón Vázquez Díaz. RENÉ PORTOCARRERO Shooting Range, (Tiro al Blanco), 1952, mixed media on heavy paper laid down on board, 9 3/8 x 12 5/8 inches Provenance: The Anselmo and Meredith Rae Reyes Collection, Virginia. This work is the preparatory study for Shooting Range,La Concha, 1952, oil on canvas, 100 cm. x 134.5 cm., at the National Museum of Fine Arts in Havana, Cuba. RENÉ PORTOCARRERO Angel, (Angel), 1942, graphite on heavy paper laid down on board, 9 3/4 x 7 inches Provenance: This painting was part of the Betty Jane “Lindy” Bergman Collection (1918-2014). Ms. Bergman was an important collector of 20th century Modern art who donated major works to the Chicago Art Institute, including paintings by Picasso, Miró, Dalí, Magritte, Lam and others. AMELIA PELÁEZ Daisies in a Vase, (Margaritas en un Jarrón), 1966, oil on canvas, 38 x 32 inches Exhibitions: Exhibited in Latin American Art, Christie’s, New York, November 22, 1999, and illustrated in the corresponding exhibition catalog, lot no. 51. AMELIA PELÁEZ Ferns, (Helechos), ca. 1935, oil on canvas, 40 1/2 x 29 5/8 inches Provenance: Private Collection, Pembroke Pines, Florida. This painting is also accompanied by a photo-certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz, dated January 5, 2015. VÍCTOR MANUEL GARCÍA Night Scene of Old Havana, (Paisaje Nocturno de Ciudad de La Habana), 1940, oil on canvas, 25 x 21 inches Provenance: Private Collection, Coral Gables, Florida. VÍCTOR MANUEL GARCÍA Gypsy with Yellow Cloth, (Gitana con Paño Amarillo), ca. 1955, mixed media on heavy paper laid down on board, 23 3/4 x 16 3/4 inches Provenance: Private Collection, Zaragoza, Spain. This painting is also accompanied by a certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz. VÍCTOR MANUEL GARCÍA Sweethearts, (Novios), ca. 1948, mixed media on paper laid down on canvas, 30 x 22 inches Exhibitions: Exhibited in Víctor Manuel,Transcendencia de la Libertad, Alfredo Martínez Gallery, Coral Gables, Florida, undated, ca. 1997, and illustrated in the corresponding exhibition catalog. Exhibited in Latin American Art Auction, Miami, Florida, January 12, 1997, number 7 in the catalog. Illustrated in Important Cuban Artworks, Volume Eight, Cernuda Arte, Coral Gables, Florida, December 2009, page 26. VÍCTOR MANUEL GARCÍA Vase with Callas and Chrysanthemums, (Florero con Calas y Crisantemos), ca. 1950, mixed media on heavy paper laid down on board, 19 3/8 x 14 1/2 inches This painting is also accompanied by a certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz. VÍCTOR MANUEL GARCÍA Young Peasant Girl, (Joven Campesina), ca. 1950, mixed media on heavy paper laid down on board, 15 1/4 x 15 1/4 inches Provenance: Private Collection, Zaragoza, Spain. This painting is also accompanied by a certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz. VÍCTOR MANUEL GARCÍA To My Love (A Mi Amor) 1965 graphite on heavy paper laid down on board 11 1/2 x 9 inches VÍCTOR MANUEL GARCÍA Lily (Lily) 1962 graphite on heavy paper laid down on board 7 1/2 x 5 1/2 inches VÍCTOR MANUEL GARCÍA Peasants Returning from Work, (Campesinos Regresando del Trabajo), 1935, oil on canvas, 31 x 23 inches Provenance: Private Collection, Coral Gables, Florida. VÍCTOR MANUEL GARCÍA Landscape with Figures by the River, (Paisaje con Figuras a la Orilla del Río), ca. 1950, oil on canvas, 20 x 16 inches Illustrations: Illustrated in Víctor Manuel, by Ramón Vásquez Díaz, Ediciones Vanguardia Cubana, 2010, page 139. This painting is also accompanied by a certificate of authenticity signed by Ramón Vázquez Díaz. ROBERTO ESTOPIÑÁN Nude Woman, (Mujer Desnuda), ca. 1951, mahogany wood sculpture, 18 x 7 1/2 x 7 1/4 inches Provenance: José Gómez Sicre Collection, Washington, D.C.; Private Collection, Caracas, Venezuela. Exhibitions: Exhibited at the 2nd Biennial São Paolo, Brazil, 1952. Illustrations: Illustrated in Noticias de Arte, October-November 1953. AGUSTÍN CÁRDENAS Composition with Three Figures, (Composición con Tres Figuras), 1956, bronze sculpture, Artist’s Proof, one of four, 59 x 26 3/4 x 20 1/8 inches Exhibitions: Exhibited in Galerie Patrice Trigano, Paris, France, March 10, 1999, and illustrated in the exhibition catalog (different cast). Foundry stamp “Christian Maas Founder,” imprinted on this sculpture. AGUSTÍN CÁRDENAS Small Jucambe (Pequeño Jucambe) 1957 metal and wood sculpture 22 1/2 x 4 34 x 5 1/2 inches GINA PELLÓN Going to the Carnival, (Al Carnaval Me Voy), 2014, painted collage on heavy paper laid down on wood, 17 3/4 x 19 inches GINA PELLÓN Come and Celebrate the Joy, (Ven a Celebrar la Alegría), 2013, painted collage on heavy paper laid down on wood, 23 5/8 x 15 3/4 inches JOSÉ MIJARES Cuban Port, (Puerto Cubano), 1969, oil on canvas, 32 x 40 inches Exhibitions: This painting was exhibited in Celebrando a Mijares, 50 Años de Creación, Cuban Museum of Arts and Culture, Miami, Florida, 1994, and is illustrated in the corresponding exhibition catalog, forty-first page (unnumbered pages). ROBERTO FABELO Suyu and the Beans, (Suyu y los Frijoles), 2016, oil on canvas, 93 x 79 inches ROBERTO FABELO Overflow, (Desbordamiento), 2015, oil on canvas, 87 x 75 inches ROBERTO FABELO Brothy VI, (Caldosa VI), 2015, painting on metal cauldron, 17 x 25 1/2 x 20 1/4 inches ROBERTO FABELO Little Theatre, (Pequeño Teatro), 2015, painting on metal cauldron, 32 3/4 x 27 3/4 x 9 3/4 inches ROBERTO FABELO “Ovo 2016”, (“Ovo 2016”), 2016, acrylic on silk, 63 1/2 x 48 inches ROBERTO FABELO Erotica Nostra, (Erótica Nostra), 2016, mixed media on heavy paper laid down on board, 39 1/4 x 27 1/2 inches ALFREDO SOSABRAVO Donna, (Doña), 2011, bronze sculpture, one of eight 35 x 18 x 17 1/2 inches ALFREDO SOSABRAVO Dressed for a Party, (Vestida de Fiesta), 2016, acrylic and collage on canvas, 47 1/8 x 47 1/4 inches ALFREDO SOSABRAVO Entering the Carnival, (Entrando al Carnaval ), 2012, oil and collage on canvas, 63 x 38 3/8 inches ALFREDO SOSABRAVO The Ship of Memories, (La Nave de los Recuerdos), 2014, oil and collage on canvas, 39 1/2 x 31 1/2 inches ALFREDO SOSABRAVO Watermelon Eater, (Comedor de Melón), 2016, acrylic and collage on canvas, 39 x 28 inches ALFREDO SOSABRAVO Greeting the Morning, (Saludando la Mañana), 2016, acrylic and collage on canvas, 43 1/4 x 32 1/4 inches TOMÁS SÁNCHEZ Meditation and Clouds, (Meditación y Nubes), 1995, acrylic on canvas, 13 3/4 x 19 1/2 inches This painting is also accompanied by a photo-certificate of authenticity signed by the artist, dated December 5, 2015. TOMÁS SÁNCHEZ Hidden Waters in the Jungle, (Aguas Ocultas en la Selva), 1990, oil on canvas, 78 3/4 x 94 1/2 inches This painting is also accompanied by a certificate of authenticity signed by the artist. MANUEL MENDIVE My Energy and I, (Mi Energía y Yo), 2015, bronze sculpture, 7 of 7, 30 x 13 1/2 x 9 1/4 inches Provenance: Acquired directly from the artist. Illustrations: Illustrated in the book, Mendive, 2015, Collage Ediciones, Havana, Cuba, page 221. MANUEL MENDIVE Face, (Rostro), 2015, bronze sculpture, 7 of 7, 25 3/4 x 12 x 5 3/4 inches Provenance: Acquired directly from the artist. PEDRO PABLO OLIVA Goodbye Mama Ines, (Adiós Mamá Inés), 1990, oil on canvas, 83 1/2 x 56 inches Provenance: Bernheim Gallery, Panamá City, Panama. PEDRO PABLO OLIVA Study for Spiritual Seafarers, (Estudio para Navegantes Espirituales), 1993, oil on canvas, 47 1/2 x 43 1/4 inches Provenance: Private Collection, Caracas, Venezuela. LILIAN GARCÍA-ROIG Stained Glass Woods, (Bosques de Vitral), 2007, oil on canvas, 48 x 60 inches Exhibitions: Exhibited in Encounters: Lilian García-Roig, October-November 2008, Huntsville Museum of Art, Huntsville, Alabama, and illustrated in the corresponding exhibition catalog, front cover. MIGUEL FLORIDO Joy in the Meadow, (Alegría en la Pradera), 2016, oil on canvas, 51 x 70 5/8 inches MIGUEL FLORIDO When Love Knocks at Your Door, (Cuando el Amor Toca a Tu Puerta), 2016, mixed media on canvas, 78 1/2 x 39 3/8 inches JOSÉ BEDIA Old Secrets, (Viejos Secretos), 1994, acrylic on canvas, 20 inches in diameter Provenance: Private Collection, Switzerland. JUAN ROBERTO DIAGO Always at Your Side, (Siempre a Tu Lado), 2009, mixed media on canvas, 78 3/4 x 59 inches JUAN ROBERTO DIAGO The Blue Man, (El Hombre Azul), 2009, mixed media on canvas, 78 3/4 x 59 inches DAYRON GONZÁLEZ The Lady Behind the Scenes, (La Señora Detrás de Escena), 2016, oil on canvas, 70 x 50 inches DAYRON GONZÁLEZ Dressed Up for History, (Trajeado para la Historia), 2016, oil on canvas, 80 x 60 inches JOEL BESMAR The Marvelous Hunt, (La Caza Maravillosa), 2016, oil on canvas, 58 1/2 x 39 1/4 inches IRINA ELÉN GONZÁLEZ Equilibriums, (Equilibrios), 2016, acrylic on canvas, 20 1/2 x 16 1/8 inches GIOSVANY ECHEVARRÍA Murmur of the River, (El Arrullo del Río), 2016, oil on canvas, 78 3/4 x 55 1/8 inches

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