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Search:  Take a Peek, Artworks for Palm Beach Modern and Contemporary 2016 Cernuda Arte is delighted to announce our participation in Palm Beach Modern + Contemporary Fair, a new venture presented by Art Miami. The Gallery will feature over 45 artworks in our display by prominent Cuban artists working in a variety of mediums. For more information on works to be exhibited from this selection, please contact the gallery at (305) 461-1050 LOCATION: Palm Beach Modern and Contemporary will take place at the Palm Beach Modern + Contemporary Pavilion, 825 S Dixie Hwy @ Okeechobee Blvd, West Palm Beach, FL 33401. Please Join us at Booth PB-240, we look forward to your visit! DATES AND HOURS VIP PREVIEW Thursday, January 12     5:00 pm – 9:00 pm GENERAL ADMISSION Friday, January 13         11:00 am – 7:00 pm Saturday, January 14     11:00 am – 7:00 pm Sunday, January 15       11:00 am – 6:00 pm Special Moments Photos WIFREDO LAM Birds, (Pájaros), ca. 1950, oil on canvas, 39 x 40 inches Provenance: CDS Gallery, New York, New York; Private Collection, Caracas, Venezuela. Exhibitions: Exhibited in Museo Nacional de Bellas Artes, Caracas, Venezuela, 1955. Exhibited in Wifredo Lam, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, September 29-December 14, 1992. Also traveled to the Fundación Joan Miró, Barcelona, Spain, January 21-March 28, 1993. Exhibited in Wifredo Lam in North America, Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, October 2007-January 2008; was then exhibited at the Miami Art Museum, Florida, February-May 2008; exhibited at Museum of Latin American Art, Long Beach, California, June-August 2008, and exhibited at Salvador Dalí Museum, St. Petersburg, Florida, October 2008-January 2009. Illustrations: Illustrated in Oeuvres Récentes de Wifredo Lam, Cahiers d’Art, No. XXVI, Paris, France, 1951, page 186. Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 432, no. 50.45. Illustrated in Wifredo Lam in North America, with essays by Curtis L. Carter, Lowery Stokes Sims, Dawn Ades, Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam, published by the Haggerty Museum of Art on page 121, ill. 47. Illustrated in Wifredo Lam, published by Museo Nacional Centro de Arte Reina Sofía, 1992, page 122. WIFREDO LAM, Untitled [Presences], (Sin Título [Presencias]), 1944, oil on canvas, 42 1/8 x 33 1/2 inches Provenance: Galerie Boulakia, Paris, France; Galerie 3+2, Paris, France; Private Collection, Paris, France; Private Collection, Coral Gables, Florida; Private Collection, Lucerne, Switzerland. Exhibitions: Exhibited in Christie’s New York, Latin American Sale, November 20-21, 2012, lot no. 17 and illustrated in the accompanying exhibition catalog, pages 34 and 35. Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Project Director: Eskil Lam, Acatos 1996, page 358, no. 44.63. Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A. Barcelona, Spain, First Edition 1976, page 234, no. 402. Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A. Barcelona, Spain, Second Edition 1989, page 254, no. 434. Illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte, Coral Gables, Florida, December 2014, page 33. This painting is accompanied by a photo-certificate of authenticity signed by the artist, Wifredo Lam, dated Paris, April 20, 1971. WIFREDO LAM Composition, (Composición), 1973, oil on canvas, 21 5/8 x 18 1/8 inches Signed and dated lower right, also signed and dated on the reverse. Provenance: Private Collection, Italy. Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos 2002, Project Director: Eskil Lam, page 431, no. 73.220. Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, First Edition 1976, page 247, no. 623. Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A., Barcelona, Second Edition 1989, page 267, no. 655. This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated April 22, 2002, no. 2-22. WIFREDO LAM Osun, (Osun), 1979, bronze sculpture, number 19 of 50, 16 1/4 x 7 3/4 x 3 3/4 inches Illustrations: Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 225, no. 125. Illustrated in Wifredo Lam and the International Avant-Garde, 1923-1982, Lowery Stokes Sims, University of Texas Press, Austin, Texas, 2002, page 207, no. 9.14. Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, November 2015, page 26 (same image, different number). MARIO CARREÑO Lady Bathers, (Bañistas), 1947, oil on canvas, 19 1/2 x 15 1/2 inches SOLD Provenance: Perls Galleries, New York; Private Collection, Georgia. A photo-certificate of authenticity signed by the artist accompanies this work. Exhibitions: Exhibited in Carreño: Recent Paintings, Perls Galleries, New York, 1947, and listed as no.17 in the corresponding exhibition catalog. Exhibited in Carreño: Retrospective Exhibition, The New York School for Social Research, New York, 1950, and listed as no.12 in the corresponding exhibition catalog. Exhibited in Sotheby’s Latin American Art Auction, New York, May 20-21, 1986, lot no. 120 and illustrated in the exhibition catalog. Illustrated in Revistas Cubanas: Three Decades of Cuba’s Cultural Life, Cuban Museum of Arts and Culture, Miami, Florida, 1984. MARIO CARREÑO Two Women (Dos Mujeres) 1946 mixed media on heavy paper laid down on board 18 1/8 x 13 3/4 inches Provenance: Dr. Albert R. Miller Collection, Washington, D.C. (a gift from the artist). By descent from the above. Dr. Albert Miller was the photographer of President Harry Truman. The collection of Dr. Miller was amassed under the guidance of Dr. Ramón Osuna, Sr. and José Goméz Sicre in the 1940s. MARIO CARREÑO Dawn of the Volcanoes (Amanecer de los Volcanes) 1974 oil on canvas 33 1/4 x 47 inches Exhibitions: Exhibited in Mario Carreño, Galería Imagen, Santiago de Chile, June, 1976, illustrated on page 25 of the corresponding catalog. Exhibited in Mario Carreño, The Art Contact, Coconut Grove, Florida, March, 1979, and illustrated in the corresponding exhibition catalog. Exhibited in Museo Nacional de Artes, Montevideo, Uruguay, Mario Carreño, Retrospectiva 1945-1988, December 1988, and listed in the corresponding exhibition catalog. Exhibited in Sotheby's New York, Latin American Art, May 2 and 3, 1990,lot number 196, illustrated in the corresponding exhibition catalog. Illustrations: Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, November 2016, pg. 175 MARIO CARREÑO Landscape with Palms, (Paisaje con Palmas), 1944, mixed media on heavy paper, 21 x 17 inches Provenance: Private collection Pembroke Pines, Florida. RENÉ PORTOCARRERO Shooting Range, (Tiro al Blanco), 1952, mixed media on heavy paper laid down on board, 9 3/8 x 12 5/8 inches Provenance: The Anselmo and Meredith Rae Reyes Collection, Virginia. This work is the preparatory study for Shooting Range,La Concha, 1952, oil on canvas, 100 cm. x 134.5 cm., at the National Museum of Fine Arts in Havana, Cuba. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2010, page 61. RENÉ PORTOCARRERO Flowers, (Flores), 1969, oil on canvas, 16 3/4 x 12 7/8 inches This painting is also accompanied by a photo-certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz, dated March 8, 2011. RENÉ PORTOCARRERO Second Portrait of Flora, (Segundo Retrato de Flora), 1965, oil on canvas, 33 x 26 inches Provenance: Private Collection, Mexico City, Mexico. Exhibitions: Exhibited in René Portocarrero, Museo de Arte Moderno, Bosque de Chapultepec, México, May 1965, and listed in the exhibition catalog, no. 15. RENÉ PORTOCARRERO Cathedral in Blue, (Catedral en Azul), 1975, mixed media on heavy paper laid down on canvas, 30 x 21 inches Provenance: Private Collection, Pembroke Pines, Florida; Private Collection, Le Vaud, Switzerland. Illustrations: Illustrated in Important Cuban Artworks, Volume Nine, Cernuda Arte, Coral Gables, Florida, December 2010, page 62. Illustrated in the book, Todo Sobre Portocarrero, Ramón Vázquez Díaz, Axel Li and José Veigas, Ediciones Vanguardia Cubana, 2014, page 246. AMELIA PELÁEZ Still Life with Stained Glass (Naturaleza Muerta con Vitral) 1960 oil on board 38 ⅝ x 30 ¼ inches Illustrated in IMPORTANT CUBAN ARTWORKS, Volume Twelve, Cernuda Arte, Coral Gables, Florida, December 2014 page 21. Accompanied by a photo-certificate of authenticity signed by Ramón Vázquez Díaz. AMELIA PELÁEZ Composition (Composición) 1955 mixed media on heavy paper laid down on board 30 x 22 inches Signed and dated ‘APELAEZ 1955’ lower right Provenance: Dr. Henrique da Silva Martins. Dr. Henrique da Silva Martins was First Secretary at the Portuguese Embassy in Havana in 1958. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 25. AMELIA PELÁEZ Fishermen (Pescadores) 1945 mixed media on heavy paper laid down on board 15 3/4 x 19 5/8 inches Provenance: Private Collection, Buenos Aires, Argentina. Exhibitions: Exhibited in 11 Pintores Cubanos, Museo de Bellas Artes, La Plata, Argentina, June 1946, and listed in the museum catalog, no. 47. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 24. VÍCTOR MANUEL GARCÍA Young Peasant Girl, (Joven Campesina), ca. 1950, mixed media on heavy paper laid down on board, 15 1/4 x 15 1/4 inches Provenance: Private Collection, Zaragoza, Spain. This painting is also accompanied by a certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 14. VÍCTOR MANUEL GARCÍA Stroll in the Park (Paseo por el Parque) ca. 1954 oil on canvas 20 1/4 x 16 inches Exhibitions: Exhibited in the 6th Latin American Art Auction, Miami, Florida, January 10, 1999, and illustrated as number 1 in the corresponding catalog. Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, December 2015, page 2. VÍCTOR MANUEL GARCÍA Peasants Returning from Work, (Campesinos Regresando del Trabajo), 1935, oil on canvas, 31 x 23 inches Provenance: Private Collection, Coral Gables, Florida. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 19. VÍCTOR MANUEL GARCÍA Sweethearts, (Novios), ca. 1948, mixed media on paper laid down on canvas, 30 x 22 inches Exhibitions: Exhibited in Víctor Manuel,Transcendencia de la Libertad, Alfredo Martínez Gallery, Coral Gables, Florida, undated, ca. 1997, and illustrated in the corresponding exhibition catalog. Exhibited in Latin American Art Auction, Miami, Florida, January 12, 1997, number 7 in the catalog. Illustrated in Important Cuban Artworks, Volume Eight, Cernuda Arte, Coral Gables, Florida, December 2009, page 26. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 15. VÍCTOR MANUEL GARCÍA Vase with Callas and Chrysanthemums, (Florero con Calas y Crisantemos), ca. 1950, mixed media on heavy paper laid down on board, 19 3/8 x 14 1/2 inches This painting is also accompanied by a certificate of authenticity signed by José Veigas Zamora and Ramón Vázquez Díaz. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 16. GINA PELLÓN The Writing (El Escrito) 2008 mixed media on canvas 39 1/2 x 31 3/4 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 101. GINA PELLÓN Clarity (Claridad) 2007 mixed media on canvas 39 3/8 x 32 inches Provenance: Private Collection Belgium. Illustrations: Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, November 2016, pg. 102. ROBERTO FABELO “Ovo 2016”, (“Ovo 2016”), 2016, acrylic on silk, 63 1/2 x 48 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 109. ROBERTO FABELO Erotica Nostra, (Erótica Nostra), 2016, mixed media on heavy paper laid down on board, 39 1/4 x 27 1/2 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 108. ROBERTO FABELO The Heart of Illusions (El Corazón de las Ilusiones) 1994 mixed media on heavy paper laid down on board Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 116. ROBERTO FABELO Johanes Wtenbogaert and the Beans (Johanes Wtenbogaert y los Frijoles) 2016 oil on canvas 93 x 79 3/4 inches ROBERTO FABELO From the series “Animalia” (De la serie “Animalia”) 2012 bronze sculpture, 7 of 7 30 1/4 x 21 5/8 x 21 5/8 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 112. ALFREDO SOSABRAVO Dressed for a Party, (Vestida de Fiesta), 2016, acrylic and collage on canvas, 47 1/8 x 47 1/4 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 123. TOMÁS SÁNCHEZ Hidden Waters in the Jungle, (Aguas Ocultas en la Selva), 1990, oil on canvas, 78 3/4 x 94 1/2 inches This painting is also accompanied by a certificate of authenticity signed by the artist. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 134. TOMÁS SÁNCHEZ Atardecer Dorado (Golden Sunset) 1986 acrylic on canvas 30 x 47 1/2 inches This painting was exhibited in Tomás Sánchez, Galeria Jairo Quintero, 1986, Barranquilla, Colombia. On the reverse, the Galeria Quintero Exhibition label is found. This painting is illustrated in the book Tomás Sánche, Pintura, published by Pallete Publications, pg. 45. Also illustrated in the book, Tomás Sánchez, published by SKIRA Editore, Milan Italy, 2003, with essays by Gabriel García Márquez and Dr. Edward Sullivan, pg.104. Illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte, Coral Gables, Florida, December 2013, page 111. MANUEL MENDIVE The Market (El Mercado) 2005 acrylic on canvas 54 3/4 X 68 5/8 inches Provenance: Mr. Juan Ignacio Sainz García, Bilbao, Spain. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 125. MANUEL MENDIVE Figures (Personajes) 1998 oil on canvas 48 1/4 x 59 inches Provenance: Mr. Juan Ignacio Sainz García, Bilbao, Spain. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 129. MANUEL MENDIVE Opening Paths (Abriendo Caminos) 2005 acrylic on canvas 33 1/2 x 39 1/2 inches Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, December 2015, page 131. MIGUEL FLORIDO My Song... You (Mi Canción... Tú) 2016 oil on canvas 70 1/2 x 50 3/4 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 142. MIGUEL FLORIDO You in My Garden (Tú en Mi Jardín) 2016 oil on canvas 56 1/4 x 55 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 140. MIGUEL FLORIDO Endless Love (Amor Infinito) 2015 oil on canvas 50 3/4 x 70 7/8 inches MIGUEL FLORIDO I Want To See You Again (Quiero Volver a Verte) 2014 oil on canvas 13 1/2 x 9 3/4 inches Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, December 2015, page 139. MIGUEL FLORIDO I Will Wait for You (Te Esperaré) 2014 oil on canvas 9 3/4 x 13 3/4 inches Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, December 2015, page 139. LILIAN GARCÍA-ROIG Hambidge Diptych (Díptico de Hambidge) 2011 oil on canvas, diptych 48 x 72 inches Provenance: Acquired directly from the artist. Exhibitions: Exhibited in “30 for 30”, curated by Leon County’s Council on Culture & Arts, City Hall Gallery, Tallahassee, Florida, 2015. Also exhibited in “Time-Sensitive”, Martin Museum of Art, Baylor University, Waco, Texas, 2014, and illustrated in the museum catalog. Exhibited in “Natural Exuberance”, Historic City Hall Arts Center, Lake Charles, Louisiana. Exhibited in “Conspicuous Nature”, Turner Center for the Arts, Valdosta, Georgia, 2013. Exhibited in “ By All Means” (faculty art show), FSU Museum of Art; Tallahassee, Florida, 2012. Exhibited in “Fall Festival Featured Artist Open Studio Exhibition”, Hambidge Center for the Creative Arts, Rabun Gap, Georiga, 2011. Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, December 2016, page 162. DAYRON GONZÁLEZ Insomnia (Insomnio) 2015 oil on canvas 27 1/8 x 25 7/8 inches JOEL BESMAR The Wall (El Muro) 2013 oil on canvas 39 1/4 x 59 inches Exhibitions: Exhibited in Besmar, The Endless Library, Cernuda Arte, Coral Gables, FL, October 2013. Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, December 2015, page 142. JOEL BESMAR Memento (Memento) 2014 oil on canvas 31 3/4 x 41 3/4 inches Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte, Coral Gables, Florida, December 2015, page 142. Irina Elén González After the Rain (Después de la Lluvia) 2016 acrylic on canvas 29 1/2 x 23 1/2 inches GIOSVANY ECHEVARRÍA Morning Reflections (Reflejos de la Mañana) 2016 oil on canvas 35 5/8 x 47 1/8 inches Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, Coral Gables, Florida, November 2016, pg. 158.

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