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Take a Peek: A Selection of Artworks for Art Wynwood 2017



Cernuda Arte will exhibit works by:
Wifredo Lam, Mario Carreño,
Cundo Bermúdez, René Portocarrero,
Amelia Peláez, Víctor Manuel García,
Roberto Estopiñán, Antonia Eiriz,
Juan Tapia Ruano, Guido Llinás,
José Mijares, Servando Cabrera Moreno,
Raúl Martínez, Hugo Consuegra,
Gina Pellón, Manuel Mendive,
Roberto Fabelo, Tomás Sánchez,
Alfredo Sosabravo, Miguel Florido,
Dayron González, Irina Elén González,
Vicente Hernández, Lilian García-Roig,
Joel Besmar, Giosvany Echevarría,
Reynier Ferrer, and Jorge Luis Santos
.

DATES & HOURS:

VIP PREVIEW:

Thursday, February 16, 6:00 PM - 10:00 PM

GENERAL ADMISSION:

Friday, February 17, 11:00 AM - 7:00 PM
Saturday, February 18, 11:00 AM - 7:00 PM
Sunday, February 19, 11:00 AM - 7:00 PM
Monday, February 20, 11:00 AM - 6:00 PM





 
  • Special Moments Photos

  • WIFREDO LAM<br>
Untitled [Figure on the Balcony],<br>
(<i>Sin Título [Figura en el Balcón]</i>),<br> ca. 1942,<br>
mixed media on heavy paper laid down on board,<br> 38 3/4 x 31 1/2 inches<br><br>
<i>Provenance:</i><br> 
Private Collection, Havana, Cuba;<br> 
Galleria Ferrari Collection, Treviglio, Italy.<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Wifredo Lam ou l'Éloge du Métissage</i>, Villa Medicis, Rome, Italy, 1992,<br>
and at the Palazzo della Permanente, Milan, Italy, 1993.<br>
Exhibited in <i>Wifredo Lam, l'Oiseau du Possible</i>, Oeuvres de 1930 à 1978, Galerie Boulakia,<br> Paris, France, May-July 2004,
and illustrated in the exhibition catalog, pages 40-41.<br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960</i>,<br>
Project Director: Eskil Lam, Acatos 1996, page 308, no. 42.66.<br>
Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 30.
    WIFREDO LAM
    Untitled [Figure on the Balcony],
    (Sin Título [Figura en el Balcón]),
    ca. 1942,
    mixed media on heavy paper laid down on board,
    38 3/4 x 31 1/2 inches

    Provenance:
    Private Collection, Havana, Cuba;
    Galleria Ferrari Collection, Treviglio, Italy.

    Exhibitions:
    Exhibited in Wifredo Lam ou l'Éloge du Métissage, Villa Medicis, Rome, Italy, 1992,
    and at the Palazzo della Permanente, Milan, Italy, 1993.
    Exhibited in Wifredo Lam, l'Oiseau du Possible, Oeuvres de 1930 à 1978, Galerie Boulakia,
    Paris, France, May-July 2004, and illustrated in the exhibition catalog, pages 40-41.
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960,
    Project Director: Eskil Lam, Acatos 1996, page 308, no. 42.66.
    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 30.

    WIFREDO LAM<br>
At the End of the Question<br>
(<I>Al Final de la Pregunta</I>), ca. 1971<br>
oil on canvas<br>
19 ¾ x 27 ½ inches<br><br>
<i>Provenance:</I> <br>
Private Collection, Milan, Italy.<br>
Exhibited in Wifredo Lam, Galleria Gissi, Turin, Italy, April 1978.<br><br>

Illustrated in <I>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II</I>,<br> 1961-1982, Project Director: Eskil Lam, Acatos 2002, 
page 348, no. 71.04.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen, page 32.
    WIFREDO LAM
    At the End of the Question
    (Al Final de la Pregunta), ca. 1971
    oil on canvas
    19 ¾ x 27 ½ inches

    Provenance:
    Private Collection, Milan, Italy.
    Exhibited in Wifredo Lam, Galleria Gissi, Turin, Italy, April 1978.

    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982, Project Director: Eskil Lam, Acatos 2002, page 348, no. 71.04.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 32.

    WIFREDO LAM<br>
Osun<br>
(<I>Osun</I>), 1979<br>
bronze sculpture, number 19 of 50<br>
16 ¼ x 7 ¾ x 3 ¾ inches<br><br>

Illustrated in <I>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II</I>,<br> 1961-1982, Project Director: Eskil Lam, Acatos 2002, page 225, no. 125.<br><br>
Illustrated in <I>Wifredo Lam and the International Avant-Garde, 1923-1982</I>, Lowery Stokes Sims,<br> University of Texas Press, Austin, Texas, 2002, page 207, no. 9.14.<br><br>
Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte,<br> Coral Gables, Florida, November 2015, page 26 (same image, different number).<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 39.
    WIFREDO LAM
    Osun
    (Osun), 1979
    bronze sculpture, number 19 of 50
    16 ¼ x 7 ¾ x 3 ¾ inches

    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982, Project Director: Eskil Lam, Acatos 2002, page 225, no. 125.

    Illustrated in Wifredo Lam and the International Avant-Garde, 1923-1982, Lowery Stokes Sims,
    University of Texas Press, Austin, Texas, 2002, page 207, no. 9.14.

    Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte,
    Coral Gables, Florida, November 2015, page 26 (same image, different number).

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 39.

    MARIO CARREÑO<br>
Dawn of the Volcanoes<br> 
<i>(Amanecer de los Volcanes)</i><br>
1974<br>
oil on canvas<br>
33 1/4 x 47 inches<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Mario Carreño</i>, Galería Imagen, Santiago de Chile, June, 1976,<br> illustrated on page 25 of the corresponding catalog.<br>
Exhibited in <i>Mario Carreño</i>, The Art Contact, Coconut Grove, Florida, March, 1979, <br>and illustrated in the corresponding exhibition catalog.<br>
Exhibited in Museo Nacional de Artes, Montevideo, Uruguay, <i>Mario Carreño, Retrospectiva 1945-1988</i>,<br> December 1988, and listed in the corresponding exhibition catalog.<br> 
Exhibited in Sotheby's New York, Latin American Art, May 2 and 3, 1990,lot number 196, <br>illustrated in the corresponding exhibition catalog.<br><br> 
<i>Illustrations:</i><br>
Illustrated in <i>Important Cuban Artworks, Volume Fourteen,Cernuda</i> Arte,<br> Coral Gables, Florida, November 2016, pg. 175
    MARIO CARREÑO
    Dawn of the Volcanoes
    (Amanecer de los Volcanes)
    1974
    oil on canvas
    33 1/4 x 47 inches

    Exhibitions:
    Exhibited in Mario Carreño, Galería Imagen, Santiago de Chile, June, 1976,
    illustrated on page 25 of the corresponding catalog.
    Exhibited in Mario Carreño, The Art Contact, Coconut Grove, Florida, March, 1979,
    and illustrated in the corresponding exhibition catalog.
    Exhibited in Museo Nacional de Artes, Montevideo, Uruguay, Mario Carreño, Retrospectiva 1945-1988,
    December 1988, and listed in the corresponding exhibition catalog.
    Exhibited in Sotheby's New York, Latin American Art, May 2 and 3, 1990,lot number 196,
    illustrated in the corresponding exhibition catalog.

    Illustrations:
    Illustrated in Important Cuban Artworks, Volume Fourteen,Cernuda Arte,
    Coral Gables, Florida, November 2016, pg. 175

    MARIO CARREÑO<br>
Fire in the Farm<br>
(<I>Fuego en el Batey</I>), 1943<br>
duco and oil on wood panel<br>
48 x 65 inches<br><br>

<I>Provenance</I>: <br>
The Collection of Milton and Nona Ward, Baldwin, New York;<br> 
Private Collection, Santo Domingo, Dominican Republic.<br><br>
<I>Exhibitions:</I><br>
Exhibited in Galería del Prado, Havana, Cuba, 1943.<br>
Exhibited in <I>Carreño: óleos-ducos, gouaches, acuarelas</I>,<br> 
Galería Lyceum, Havana, Cuba, November 9-16, 1943,<br> 
and listed as number 9 in the exhibition brochure.<br>
Exhibited in Christie’s Latin American Sale, New York,<br> 
May 28-29, 2009, lot no. 10.<br>
Exhibited in Fuego en el Batey, Cernuda Arte, Coral Gables,<br> 
Florida, July 3, 2009, and illustrated on the cover of the invitation.<br>
Exhibited in Cuban Art & Identity: 1900-1950, Vero Beach Museum of Art,<br> 
Vero Beach, Florida, curated by Juan A. Martínez, PhD, October 19, 2013 - February 2, 2014,<br> and illustrated in the museum catalog, page 24.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen, page 41.
    MARIO CARREÑO
    Fire in the Farm
    (Fuego en el Batey), 1943
    duco and oil on wood panel
    48 x 65 inches

    Provenance:
    The Collection of Milton and Nona Ward, Baldwin, New York;
    Private Collection, Santo Domingo, Dominican Republic.

    Exhibitions:
    Exhibited in Galería del Prado, Havana, Cuba, 1943.
    Exhibited in Carreño: óleos-ducos, gouaches, acuarelas,
    Galería Lyceum, Havana, Cuba, November 9-16, 1943,
    and listed as number 9 in the exhibition brochure.
    Exhibited in Christie’s Latin American Sale, New York,
    May 28-29, 2009, lot no. 10.
    Exhibited in Fuego en el Batey, Cernuda Arte, Coral Gables,
    Florida, July 3, 2009, and illustrated on the cover of the invitation.
    Exhibited in Cuban Art & Identity: 1900-1950, Vero Beach Museum of Art,
    Vero Beach, Florida, curated by Juan A. Martínez, PhD, October 19, 2013 - February 2, 2014,
    and illustrated in the museum catalog, page 24.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 41.

    MARIO CARREÑO<br>
Landscape with Palms<br>
(<I>Paisaje con Palmas</I>), 1944<br>
mixed media on heavy paper<br>
21 x 17 inches<br><br>

<i>Provenance</I>:<br>
Private collection Pembroke Pines, Florida.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, <br>
Volume Fourteen, page 47.
    MARIO CARREÑO
    Landscape with Palms
    (Paisaje con Palmas), 1944
    mixed media on heavy paper
    21 x 17 inches

    Provenance:
    Private collection Pembroke Pines, Florida.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 47.

    AMELIA PELÁEZ<br> Ferns,<br><i> (Helechos)</i>,<br> ca. 1935,<br> oil on canvas,<br> 40 1/2 x 29 5/8 inches<br><br>
<i>Provenance:</i><br> Private Collection, Pembroke Pines, Florida.<br>
This painting is also accompanied by a photo-certificate of authenticity signed by<br>
José Veigas Zamora and Ramón Vázquez Díaz, dated January 5, 2015.<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 23.
    AMELIA PELÁEZ
    Ferns,
    (Helechos),
    ca. 1935,
    oil on canvas,
    40 1/2 x 29 5/8 inches

    Provenance:
    Private Collection, Pembroke Pines, Florida.
    This painting is also accompanied by a photo-certificate of authenticity signed by
    José Veigas Zamora and Ramón Vázquez Díaz, dated January 5, 2015.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 23.

    AMELIA PELÁEZ<br>
Composition with Fish<br> 
(<I>Composición con Pez</I>), 1955<br>
mixed media on heavy paper laid down on board<br>
14 1/8 x 19 ¼  inches<br><br>

<I>Provenance:</I><br> 
Private Collection, Zaragoza, Spain.<br><br>

This painting is also accompanied by a certificate of authenticity<br>
signed by Ramón Vázquez Díaz and José Veigas Zamora.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen, page 26.
    AMELIA PELÁEZ
    Composition with Fish
    (Composición con Pez), 1955
    mixed media on heavy paper laid down on board
    14 1/8 x 19 ¼ inches

    Provenance:
    Private Collection, Zaragoza, Spain.

    This painting is also accompanied by a certificate of authenticity
    signed by Ramón Vázquez Díaz and José Veigas Zamora.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 26.

    VÍCTOR MANUEL GARCÍA<br>
Stroll in the Park<br>
(<i>Paseo por el Parque</i>)<br>
ca. 1954<br>
oil on canvas<br>
20 1/4 x 16 inches<br><br>
<i>Exhibitions:</i>
Exhibited in the 6th Latin American Art Auction, Miami, Florida,<br> January 10, 1999, and illustrated as number 1 in the corresponding catalog.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Thirteen, Cernuda</i> Arte,<br> Coral Gables,
Florida, December 2015, page 2.
    VÍCTOR MANUEL GARCÍA
    Stroll in the Park
    (Paseo por el Parque)
    ca. 1954
    oil on canvas
    20 1/4 x 16 inches

    Exhibitions: Exhibited in the 6th Latin American Art Auction, Miami, Florida,
    January 10, 1999, and illustrated as number 1 in the corresponding catalog.

    Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte,
    Coral Gables, Florida, December 2015, page 2.

    VÍCTOR MANUEL GARCÍA<br>
Sweethearts<br>
(<I>Novios</I>), ca. 1948<br>
mixed media on paper laid down on canvas<br>
30 x 22 inches<br><br>
Exhibited in <I>Víctor Manuel, Transcendencia de la Libertad</I>,<br> Alfredo Martínez Gallery, Coral Gables, Florida,<br> undated, ca. 1997, and illustrated in the corresponding<br> exhibition catalog.<br><br>
Exhibited in Latin American Art Auction, Miami, Florida, January 12, 1997,<br> number 7 in the catalog.<br><br>

Illustrated in Important Cuban Artworks, Volume Eight,<br> Cernuda Arte, Coral Gables, Florida, December 2009, page 26.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 15.
    VÍCTOR MANUEL GARCÍA
    Sweethearts
    (Novios), ca. 1948
    mixed media on paper laid down on canvas
    30 x 22 inches

    Exhibited in Víctor Manuel, Transcendencia de la Libertad,
    Alfredo Martínez Gallery, Coral Gables, Florida,
    undated, ca. 1997, and illustrated in the corresponding
    exhibition catalog.

    Exhibited in Latin American Art Auction, Miami, Florida, January 12, 1997,
    number 7 in the catalog.

    Illustrated in Important Cuban Artworks, Volume Eight,
    Cernuda Arte, Coral Gables, Florida, December 2009, page 26.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 15.

    RENÉ PORTOCARRERO<br> Second Portrait of Flora,<br> <i>(Segundo Retrato de Flora)</i>,<br> 1965,<br> oil on canvas,<br> 33 x 26 inches<br><br>
<i>Provenance:</i><br> Private Collection, Mexico City, Mexico.<br><br>
<i>Exhibitions:</i><br>Exhibited in René Portocarrero, Museo de Arte Moderno, Bosque de Chapultepec,<br> México, May 1965,
and listed in the exhibition catalog, no. 15.<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 63.
    RENÉ PORTOCARRERO
    Second Portrait of Flora,
    (Segundo Retrato de Flora),
    1965,
    oil on canvas,
    33 x 26 inches

    Provenance:
    Private Collection, Mexico City, Mexico.

    Exhibitions:
    Exhibited in René Portocarrero, Museo de Arte Moderno, Bosque de Chapultepec,
    México, May 1965, and listed in the exhibition catalog, no. 15.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 63.

    RENÉ PORTOCARRERO <br>
Flowers<br>
(<I>Flores</I>), 1969<br>
oil on canvas<br>
16 ¾ x 12 ⅞ inches<br><br>

This painting is also accompanied by a photo-certificate of authenticity<br> 
signed by José Veigas Zamora and Ramón Vázquez Díaz, dated March 8, 2011.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 65.
    RENÉ PORTOCARRERO
    Flowers
    (Flores), 1969
    oil on canvas
    16 ¾ x 12 ⅞ inches

    This painting is also accompanied by a photo-certificate of authenticity
    signed by José Veigas Zamora and Ramón Vázquez Díaz, dated March 8, 2011.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 65.

    JOSÉ M. MIJARES <br>
Cuban Port<br>(<i>Puerto Cubano</I>), 1969<br> oil on canvas<br> 32 x 40 inches<br><br>
This painting was exhibited in <i>Celebrando a Mijares, 50 Años de Creación</i>,<br> Cuban Museum of Arts and Culture, Miami, Florida, 1994,<br>
and is illustrated in the corresponding exhibition catalog,<br> forty-first page (unnumbered pages).<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fourteen, Cernuda</i> Arte,<br> Coral Gables, Florida, November 2016, pg. 54.
    JOSÉ M. MIJARES
    Cuban Port
    (Puerto Cubano), 1969
    oil on canvas
    32 x 40 inches

    This painting was exhibited in Celebrando a Mijares, 50 Años de Creación,
    Cuban Museum of Arts and Culture, Miami, Florida, 1994,
    and is illustrated in the corresponding exhibition catalog,
    forty-first page (unnumbered pages).

    Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte,
    Coral Gables, Florida, November 2016, pg. 54.

    RENÉ PORTOCARRERO<br>
Landscape and Hut<br>
(<I>Paisaje y Bohío</I>), 1944<br>
oil on wood<br>
20 x 24 inches<br><br>

<I>Provenance:</I><br> 
Private Collection, Santo Domingo, Dominican Republic.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 56.
    RENÉ PORTOCARRERO
    Landscape and Hut
    (Paisaje y Bohío), 1944
    oil on wood
    20 x 24 inches

    Provenance:
    Private Collection, Santo Domingo, Dominican Republic.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 56.

    CUNDO BERMÚDEZ <br>
Flora the Harvester of Dreams<br>
(<I>Flora la Recogedora de Sueños</i>), 2008<br>
bronze sculpture, eight of nine<br>
51 x 14 1/2 x 11 inches<br><br>
<I>Provenance:</I><br>
Inheritance gift from the artist
to Heriberto Leret Armand.<br>
Offered for sale by the Estate of
Heriberto Leret Armand.<br>
This artwork is accompanied by
a photo-certificate of authenticity<br>
signed by the artist Cundo Bermúdez.<br><br>
We are grateful to the Estate of
Cundo Bermúdez for having provided<br>
the signature and the confirmation of
authenticity of this artwork.<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 71
    CUNDO BERMÚDEZ
    Flora the Harvester of Dreams
    (Flora la Recogedora de Sueños), 2008
    bronze sculpture, eight of nine
    51 x 14 1/2 x 11 inches

    Provenance:
    Inheritance gift from the artist to Heriberto Leret Armand.
    Offered for sale by the Estate of Heriberto Leret Armand.
    This artwork is accompanied by a photo-certificate of authenticity
    signed by the artist Cundo Bermúdez.

    We are grateful to the Estate of Cundo Bermúdez for having provided
    the signature and the confirmation of authenticity of this artwork.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 71

    SERVANDO CABRERA MORENO <br>
Rebel with a Cause<br> (<I>El Rebelde con Causa</I>), 1973<br> oil on canvas<br> 40 7/8 x 18 inches<br><br>
<I>Provenance:</I><br>
Private Collection, Havana, Cuba.<br><br>
This artwork is accompanied by a certificate of authenticity<br> issued by Museo Biblioteca Servando Cabrera Moreno.<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 73
    SERVANDO CABRERA MORENO
    Rebel with a Cause
    (El Rebelde con Causa), 1973
    oil on canvas
    40 7/8 x 18 inches

    Provenance:
    Private Collection, Havana, Cuba.

    This artwork is accompanied by a certificate of authenticity
    issued by Museo Biblioteca Servando Cabrera Moreno.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 73

    JUAN TAPIA RUANO <br>
Remains of a Dream<br>
(<I>Remanente de un Sueño</I>), 1975<br>
mixed media on heavy paper laid down on canvas<br> 34 1/4 x 35 inches
<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 96
    JUAN TAPIA RUANO
    Remains of a Dream
    (Remanente de un Sueño), 1975
    mixed media on heavy paper laid down on canvas
    34 1/4 x 35 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 96

    JUAN TAPIA RUANO<br>
Impression<br>
(<I>Impresión</I>), 1975<br>
mixed media on heavy paper laid down on wood<br>
34 ¾ x 17 ¼ inches<br><br>

<I>Provenance:</I><br> 
The Bustamante Collection, Palm Beach, FL<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 97.
    JUAN TAPIA RUANO
    Impression
    (Impresión), 1975
    mixed media on heavy paper laid down on wood
    34 ¾ x 17 ¼ inches

    Provenance:
    The Bustamante Collection, Palm Beach, FL

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 97.

    ANTONIA EIRIZ <br>
Scream<br> (<I>Grito</I>), 1967<br>
mixed media on heavy paper laid down on board<br> 37 3/4 x 25 inches<br><br>
<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 91.
    ANTONIA EIRIZ
    Scream
    (Grito), 1967
    mixed media on heavy paper laid down on board
    37 3/4 x 25 inches



    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 91.

    HUGO CONSUEGRA <br>
Montagues and Capulets<br>
(<I>Montescos y Capuletos</I>), 1956<br>
oil on canvas<br> 49 3/4 x 39 3/4 inches<br><br>

Exhibited in <I>Hugo Consuegra of Cuba,</I> Pan American Union, Washington, D.C.,<br> May 21 to June 19, 1956,
and listed in the exhibition brochure.<br><br>
<I>“The paintings by Hugo Consuegra are abstract, with an arrestingly fluid, dreamlike substance.”</I><br>
Ms. Carlyle Burrows, New York Herald Tribune, 1955.<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 75
    HUGO CONSUEGRA
    Montagues and Capulets
    (Montescos y Capuletos), 1956
    oil on canvas
    49 3/4 x 39 3/4 inches

    Exhibited in Hugo Consuegra of Cuba, Pan American Union, Washington, D.C.,
    May 21 to June 19, 1956, and listed in the exhibition brochure.

    “The paintings by Hugo Consuegra are abstract, with an arrestingly fluid, dreamlike substance.”
    Ms. Carlyle Burrows, New York Herald Tribune, 1955.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 75

    GUIDO LLINÁS <br> 
Black Painting<br> 
(<I>Pintura Negra</I>), 1977<br>
oil on heavy paper laid down on canvas<br>
19 1/2 x 13 inches<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 93.
    GUIDO LLINÁS
    Black Painting
    (Pintura Negra), 1977
    oil on heavy paper laid down on canvas
    19 1/2 x 13 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 93.

    GUIDO LLINÁS<br>
Black Painting<br>
(<I>Pintura Negra</I>), 1993<br> 
oil on canvas<br>
40 x 30 inches<br><br>

<I>Provenance:</I><br> 
The Bustamante Collection, Palm Beach, FL<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 95.
    GUIDO LLINÁS
    Black Painting
    (Pintura Negra), 1993
    oil on canvas
    40 x 30 inches

    Provenance:
    The Bustamante Collection, Palm Beach, FL

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 95.

    RAÚL MARTÍNEZ <br> 
Four Portraits of Martí<br> (<I>Cuatro Retratos de Martí</I>), 1967<br>
mixed media on heavy paper laid down on board<br> 31 5/8 x 25 3/8 inches<br><br>
<I>Provenance:</I><br>
 Collection, Belgium.<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 81.
    RAÚL MARTÍNEZ
    Four Portraits of Martí
    (Cuatro Retratos de Martí), 1967
    mixed media on heavy paper laid down on board
    31 5/8 x 25 3/8 inches

    Provenance:
    Collection, Belgium.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 81.

    ROBERTO ESTOPIÑÁN <br> Nude Woman<br>
(<I>Mujer Desnuda</I>), ca. 1951<br>
mahogany wood sculpture<br>
18 x 7 ½ x 7 ¼ inches<br><br>


<I>Provenance:</I><br>
José Gómez Sicre Collection, Washington, D.C.;<br> Private Collection, Caracas,
Venezuela.<br><br>
Exhibited at the 2nd Biennial São Paolo, Brazil, 1952.<br><br>
Illustrated in Noticias de Arte, October-November 1953.
.<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 76.
    ROBERTO ESTOPIÑÁN
    Nude Woman
    (Mujer Desnuda), ca. 1951
    mahogany wood sculpture
    18 x 7 ½ x 7 ¼ inches

    Provenance:
    José Gómez Sicre Collection, Washington, D.C.;
    Private Collection, Caracas, Venezuela.

    Exhibited at the 2nd Biennial São Paolo, Brazil, 1952.

    Illustrated in Noticias de Arte, October-November 1953. .

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 76.

    GINA PELLÓN <br> A Moment of Joy<br> (<I>Un Momento de Alegría</I>), 2013<br> mixed media on canvas<br> 38 1/4 x 51 1/2 inches<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 103.
    GINA PELLÓN
    A Moment of Joy
    (Un Momento de Alegría), 2013
    mixed media on canvas
    38 1/4 x 51 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 103.

    GINA PELLÓN<br>
The Procession<br>
(<I>La Procesión</I>),1965<br>
mixed media on canvas<br>
98 ½ x 82 inches<br><br>
<I>Exhibitions:</I><br>
This painting was exhibited in <I>Gina Pellón, Retrospective</I>,<br>
1963-1999, Musée de Niort, France, November 1999.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br>
Volume Thirteen, page 109.
    GINA PELLÓN
    The Procession
    (La Procesión),1965
    mixed media on canvas
    98 ½ x 82 inches

    Exhibitions:
    This painting was exhibited in Gina Pellón, Retrospective,
    1963-1999, Musée de Niort, France, November 1999.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen, page 109.

    TOMÁS SÁNCHEZ<br>
Golden Sunset<br>
(<I>Atardecer Dorado</I>), 1986<br>
acrylic on canvas<br>
30 x 47 ½ inches<br><br>
<I>Provenance:</I><br>
This painting was exhibited in <I>Tomás Sánchez</I>, Galería Jairo Quintero,<br>1986, Barranquilla, Colombia.<br>
On the reverse, the Galería Quintero Exhibition label is found.<br><br>

This painting is illustrated in the book,<I> Tómas Sánchez, Pintura</I>,<br> published by Pallete Publications, pg 45.<br>
Also illustrated in the book, <I>Tomás Sánchez</I>, published by SKIRA Editore,<br> Milan, Italy, 2003, with essays by Gabriel García Marquez<br> and Dr. Edward Sullivan, pg 104.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Eleven, page 111.
    TOMÁS SÁNCHEZ
    Golden Sunset
    (Atardecer Dorado), 1986
    acrylic on canvas
    30 x 47 ½ inches

    Provenance:
    This painting was exhibited in Tomás Sánchez, Galería Jairo Quintero,
    1986, Barranquilla, Colombia.
    On the reverse, the Galería Quintero Exhibition label is found.

    This painting is illustrated in the book, Tómas Sánchez, Pintura,
    published by Pallete Publications, pg 45.
    Also illustrated in the book, Tomás Sánchez, published by SKIRA Editore,
    Milan, Italy, 2003, with essays by Gabriel García Marquez
    and Dr. Edward Sullivan, pg 104.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Eleven, page 111.

    TOMÁS SÁNCHEZ<br>
Contemplador del Río<br>
(<I>River Contemplator</I>), 2002<br>
charcoal and pastel on paper<br>
19 ¾ x 25 ½ inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Thirteen, page 103.
    TOMÁS SÁNCHEZ
    Contemplador del Río
    (River Contemplator), 2002
    charcoal and pastel on paper
    19 ¾ x 25 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen, page 103.

    ROBERTO FABELO<br> 
Persistence<br>
(<I>Persistencia</I>), 2015<br>
oil on canvas<br>
90 1/2 x 78 3/4 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 114.
    ROBERTO FABELO
    Persistence
    (Persistencia), 2015
    oil on canvas
    90 1/2 x 78 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 114.

    ROBERTO FABELO<br> 
From the series “Animalia”<br>
(<i>De la serie “Animalia”</i> ), 2012<br>
bronze sculpture, seven of  seven <br>
30 1/4 x 21 5/8 x 21 5/8 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, <br>
Volume Fourteen, page 112.
    ROBERTO FABELO
    From the series “Animalia”
    (De la serie “Animalia” ), 2012
    bronze sculpture, seven of seven
    30 1/4 x 21 5/8 x 21 5/8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 112.

    ROBERTO FABELO<br>
OVO 2016<br>
(<I>Ovo 2016</I>), 2016<br>
acrylic on silk<br>
63 ½ x 48 inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 109.
    ROBERTO FABELO
    OVO 2016
    (Ovo 2016), 2016
    acrylic on silk
    63 ½ x 48 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 109.

    MANUEL MENDIVE<br>
Couple with Fish<br>
(<I>Pareja con Pez</I>), 1998<br>
oil on canvas<br>
20 x 20 inches<br><br>

<I>Provenance:</I><br>
The Tanyu–Levent Collection, Istanbul, Turkey<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 87.
    MANUEL MENDIVE
    Couple with Fish
    (Pareja con Pez), 1998
    oil on canvas
    20 x 20 inches

    Provenance:
    The Tanyu–Levent Collection, Istanbul, Turkey

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 87.

    MANUEL MENDIVE<br>
The Market<br>
(<I>El Mercado</I>), 2005<br>
acrylic on canvas<br>
54 ¨ú x 68 ¨ý inches<br><br>

<I>Provenance:</I><br>
The Sainz Garcia Collection, Bilbao, Spain.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS, <br>
Volume Fourteen, page 125.
    MANUEL MENDIVE
    The Market
    (El Mercado), 2005
    acrylic on canvas
    54 ¨ú x 68 ¨ý inches

    Provenance:
    The Sainz Garcia Collection, Bilbao, Spain.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 125.

    MIGUEL FLORIDO<br> 
Your Tenderness<br>
(<I>Tu Ternura</I>), 2016<br>
oil on canvas<br>
78 ½ x 39 inches<br>
    MIGUEL FLORIDO
    Your Tenderness
    (Tu Ternura), 2016
    oil on canvas
    78 ½ x 39 inches

    MIGUEL FLORIDO<br>
Endless Love<br>
(<I>Amor Infinito</I>), 2015<br>
oil on canvas<br>
50 ¨ú x 70 ¨þ inches<br><br>
    MIGUEL FLORIDO
    Endless Love
    (Amor Infinito), 2015
    oil on canvas
    50 ¨ú x 70 ¨þ inches


    MIGUEL FLORIDO<br>
You Are My Refuge, My Everything<br> 
(<I>Eres Mi Refugio, Mi Todo</I>), 2016<br>
oil on canvas<br>
9 ¾ x 13 ¾ inches<br>
    MIGUEL FLORIDO
    You Are My Refuge, My Everything
    (Eres Mi Refugio, Mi Todo), 2016
    oil on canvas
    9 ¾ x 13 ¾ inches

    ALFREDO SOSABRAVO <br> 
Entering the Carnival<br> (<I>Entrando al Carnaval</I>), 2012<br> oil and collage on canvas<br> 63 x 38 3/8 inches<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 119.
    ALFREDO SOSABRAVO
    Entering the Carnival
    (Entrando al Carnaval), 2012
    oil and collage on canvas
    63 x 38 3/8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 119.

    VICENTE HERNÁNDEZ <br> The Carnival<br>
(<I>El Carnaval</I>), 2016<br> oil on canvas<br> 51 1/4 x 86 1/4 inches<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 152.
    VICENTE HERNÁNDEZ
    The Carnival
    (El Carnaval), 2016
    oil on canvas
    51 1/4 x 86 1/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 152.

    VICENTE HERNÁNDEZ<br>
Unanimous Vote by Show of Hands<br>
(<I>Voto Unánime con las Manos</I>), 2016<br>
mixed media on canvas<br>
75 x 9 ½  inches<br>
    VICENTE HERNÁNDEZ
    Unanimous Vote by Show of Hands
    (Voto Unánime con las Manos), 2016
    mixed media on canvas
    75 x 9 ½ inches

    VICENTE HERNÁNDEZ<br>
Unanimous Vote by Show of Feet<br>
(<I>Voto Unánime con los Pies</I>), 2016<br>
mixed media on canvas<br>
76 ¼ x 9 ¾ inches<br>
    VICENTE HERNÁNDEZ
    Unanimous Vote by Show of Feet
    (Voto Unánime con los Pies), 2016
    mixed media on canvas
    76 ¼ x 9 ¾ inches

    DAYRON GONZÁLEZ<br>
Bunker<br>
(<I>Búnker</I>), 2017<br>
oil on canvas<br>
80 x 90  inches
    DAYRON GONZÁLEZ
    Bunker
    (Búnker), 2017
    oil on canvas
    80 x 90 inches

    DAYRON GONZÁLEZ<br> 
Northbound Stampede I<br>
(<I>Estampida Norte I</I>), 2015<br>
oil on canvas<br>
14 ½ x 11 ½  inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Thirteen, page 151.
    DAYRON GONZÁLEZ
    Northbound Stampede I
    (Estampida Norte I), 2015
    oil on canvas
    14 ½ x 11 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen, page 151.

    DAYRON GONZÁLEZ <br>
Northbound Stampede II<br>
(<I>Estampida Norte II</I>), 2015<br>
oil on canvas<br>
14 ½ x 11 ½  inches<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Thirteen, page 151.
    DAYRON GONZÁLEZ
    Northbound Stampede II
    (Estampida Norte II), 2015
    oil on canvas
    14 ½ x 11 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen, page 151.

    GIOSVANY ECHEVARRÍA<br>
Morning Reflections<br>
(<I>Reflejos de la Mañana</I>), 2016<br>
oil on canvas<br>
35 ⅝ x 47 ⅛ inches<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 158.
    GIOSVANY ECHEVARRÍA
    Morning Reflections
    (Reflejos de la Mañana), 2016
    oil on canvas
    35 ⅝ x 47 ⅛ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 158.

    GIOSVANY ECHEVARRÍA <br>
A Sunlit Day <br>
(<I>Un Día Soleado</I>), 2016<br>
oil on canvas<br>
13 ¾ x 9 ¾ inches<br>
    GIOSVANY ECHEVARRÍA
    A Sunlit Day
    (Un Día Soleado), 2016
    oil on canvas
    13 ¾ x 9 ¾ inches

    LILIAN GARCÍA-ROIG <br>
Hemlock Cove<br>
(<I>Bosque Frondoso</I>), 2008<br> oil on canvas<br> 48 x 36 inches<br><br>Illustrated in IMPORTANT CUBAN ARTWORKS,<br> VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,<br> December 2016, pg. 162.
    LILIAN GARCÍA-ROIG
    Hemlock Cove
    (Bosque Frondoso), 2008
    oil on canvas
    48 x 36 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    VOLUME FOURTEEN, Cernuda Arte, Coral Gables, FL,
    December 2016, pg. 162.

    LILIAN GARCÍA-ROIG<br>
Stained Glass Woods<br>
(<I>Bosques de Vitral</I> ), 2007<br>
oil on canvas<br>
48 x 60 inches<br><br>

<I>Provenance:</I><br>
Exhibited in <I>Encounters: Lilian García-Roig</I>,<br> October-November 2008, 
Huntsville Museum of Art,<br> Huntsville, Alabama, and illustrated in the<br> 
corresponding exhibition catalog, front cover.<br><br>

Illustrated in IMPORTANT CUBAN ARTWORKS,<br> 
Volume Fourteen, page 160.
    LILIAN GARCÍA-ROIG
    Stained Glass Woods
    (Bosques de Vitral ), 2007
    oil on canvas
    48 x 60 inches

    Provenance:
    Exhibited in Encounters: Lilian García-Roig,
    October-November 2008, Huntsville Museum of Art,
    Huntsville, Alabama, and illustrated in the
    corresponding exhibition catalog, front cover.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen, page 160.

    JOEL BESMAR<br> 
The Other Shore<br>
(<I>La Otra Orilla</I>), 2016<br>
oil on canvas<br>
51 x 55 inches<br>
    JOEL BESMAR
    The Other Shore
    (La Otra Orilla), 2016
    oil on canvas
    51 x 55 inches

    IRINA ELÉN GONZÁLEZ<br> 
Dancing in the Garden<br>
(<I>Danzando en el Jardín</I>), 2016<br>
acrylic on canvas<br>
47 ¼ x 35 ½ inches
    IRINA ELÉN GONZÁLEZ
    Dancing in the Garden
    (Danzando en el Jardín), 2016
    acrylic on canvas
    47 ¼ x 35 ½ inches

    IRINA ELÉN GONZÁLEZ<br>
After the Rain<br>
(<I>Después de la Lluvia</I>), 2016<br>
acrylic on canvas<br>
29 ½ x 23 ½ inches<br>
    IRINA ELÉN GONZÁLEZ
    After the Rain
    (Después de la Lluvia), 2016
    acrylic on canvas
    29 ½ x 23 ½ inches

    REYNIER FERRER<br>
Between Shadow and Light, from the series: The Whole Island<br> 
(<I>Entre La Sombra y La Luz, de la serie: La Isla Entera</I>), 2016<br>
mixed media on canvas<br>
55 x 85 inches
    REYNIER FERRER
    Between Shadow and Light, from the series: The Whole Island
    (Entre La Sombra y La Luz, de la serie: La Isla Entera), 2016
    mixed media on canvas
    55 x 85 inches

    JORGE LUIS SANTOS<br>
Dot Com (Series from “A-Z”)<br>
(<I>Punto Com [Serie de la “A-Z”]</I>), 2016<br>
mixed media on canvas<br>
77 ¾ x 77 ¾ inches<br>
    JORGE LUIS SANTOS
    Dot Com (Series from “A-Z”)
    (Punto Com [Serie de la “A-Z”]), 2016
    mixed media on canvas
    77 ¾ x 77 ¾ inches

     
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