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LILIAN GARCÍA-ROIG<br>
Hambidge Diptych<br>
(<i>Díptico de Hambidge</i>)<br>
2011<br>
oil on canvas, diptych<br>
48 x 72 inches<br><br>
<i>Provenance:</i><br>
Acquired directly from the artist.<br></br>
<i>Exhibitions:</i><br>
Exhibited in <i>“30 for 30”</i>, curated by Leon County’s Council on Culture & Arts,<br> City Hall Gallery, Tallahassee, Florida, 2015.<br>
Also exhibited in <i>“Time-Sensitive”</i>, Martin Museum of Art, Baylor University,<br> Waco, Texas, 2014, and illustrated in the museum catalog.<br>
Exhibited in <i>“Natural Exuberance”</i>, Historic City Hall Arts Center, Lake Charles, Louisiana.<br>
Exhibited in <i>“Conspicuous Nature”</i>, Turner Center for the Arts, Valdosta, Georgia, 2013.<br>
Exhibited in <i>“ By All Means”</i> (faculty art show), FSU Museum of Art;<br> Tallahassee, Florida, 2012.<br>
Exhibited in <i>“Fall Festival Featured Artist Open Studio Exhibition”</i>,<br> Hambidge Center for the Creative Arts, Rabun Gap, Georiga, 2011.</br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fourteen, Cernuda</i> Arte,<br> Coral Gables,
Florida, December 2016, page 162.

LILIAN GARCÍA-ROIG
Hambidge Diptych
(Díptico de Hambidge)
2011
oil on canvas, diptych
48 x 72 inches

Provenance:
Acquired directly from the artist.

Exhibitions:
Exhibited in “30 for 30”, curated by Leon County’s Council on Culture & Arts,
City Hall Gallery, Tallahassee, Florida, 2015.
Also exhibited in “Time-Sensitive”, Martin Museum of Art, Baylor University,
Waco, Texas, 2014, and illustrated in the museum catalog.
Exhibited in “Natural Exuberance”, Historic City Hall Arts Center, Lake Charles, Louisiana.
Exhibited in “Conspicuous Nature”, Turner Center for the Arts, Valdosta, Georgia, 2013.
Exhibited in “ By All Means” (faculty art show), FSU Museum of Art;
Tallahassee, Florida, 2012.
Exhibited in “Fall Festival Featured Artist Open Studio Exhibition”,
Hambidge Center for the Creative Arts, Rabun Gap, Georiga, 2011.

Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte,
Coral Gables, Florida, December 2016, page 162.

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