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A Selection of Artworks for Art Miami 2011

ART MIAMI
3101 NE 1st Ave., Miami, FL 33137
Midtown Blvd. (NE 1st Ave.) between NE 32nd & NE 31st Street

Please join us in BOOTH A28
on the following dates and times:
November 30 thru December 3 - 11 a.m. to 7 p.m.
December 4 - 11 a.m. to 6 p.m.

At the fair, we will be showcasing the new edition of our annual show, Important Cuban Artworks, Volume Ten, featuring a stellar selection of Modern and Contemporary Cuban art.

A beautiful 132-page-full-color catalog accompanies this exhibition and will be available upon request.

Special Moments Photos

Wifredo Lam<br>Untitled, Femme Énigmatique<br>(<i>Enigmatic Woman</i>), 1970<br>oil on canvas<br>63 x 51 inches</br><br>This painting was exhibited in Wifredo Lam, Galerie Maeght Lelong, 1987, Zurich, Germany, and illustrated in
the corresponding exhibition catalog, no. 9.</br><br>Also exhibited in Wifredo Lam, óleos, pasteles y aguafuertes, Galería Der Brücke, Buenos Aires, Argentina, and illustrated in the corresponding exhibition catalog, page 12.</br><br>This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos, Project Director: Eskil Lam, page 331, No. 70-34.
</br><br>This painting is accompanied by a photo-certificate of authenticity signed by Lou Laurin Lam, dated January 22, 1992, No. 92-04.

Wifredo Lam
Untitled, Femme Énigmatique
(Enigmatic Woman), 1970
oil on canvas
63 x 51 inches

This painting was exhibited in Wifredo Lam, Galerie Maeght Lelong, 1987, Zurich, Germany, and illustrated in the corresponding exhibition catalog, no. 9.

Also exhibited in Wifredo Lam, óleos, pasteles y aguafuertes, Galería Der Brücke, Buenos Aires, Argentina, and illustrated in the corresponding exhibition catalog, page 12.

This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos, Project Director: Eskil Lam, page 331, No. 70-34.

This painting is accompanied by a photo-certificate of authenticity signed by Lou Laurin Lam, dated January 22, 1992, No. 92-04.

Wifredo Lam<br>Mujer de Pie<br>(<i>Standing Woman</i>), 1944<br>mixed media on paper laid down on canvas<br>42 x 33 3/4 inches</br><br>
Exhibited in Lam, Galleria Ferrari, Treviglio, Italy, 1988, and illustrated in the exhibition catalog.</br><br>Exhibited in Wifredo Lam, Un Percorso, Galleria Gruppo Credito Valtellinese, Refettorio delle Stelline, Milano, Italy,
November 2002, and at Museo di Storia e Arte, Palazzo Sassi de Lavizzari, Sondrio, Italy, January 2003.</br><br>Illustrated in the exhibition catalog, Wifredo Lam, Cuba Italia. Un Percorso, Silvanna Editoriale, 2002, page 63.
Exhibited in Wifredo Lam, L’Oiseau du Possible, Galerie Boulakia, May 2004, and illustrated in the exhibition catalog, page 47.</br><br>This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Acatos, Project Director: Eskil Lam, page 342, no. 44.07.</br><br>This painting is accompanied by a photo-certificate of authenticity signed by Lou Laurin Lam, dated May 11, 2011 and no. 11.11.

Wifredo Lam
Mujer de Pie
(Standing Woman), 1944
mixed media on paper laid down on canvas
42 x 33 3/4 inches

Exhibited in Lam, Galleria Ferrari, Treviglio, Italy, 1988, and illustrated in the exhibition catalog.

Exhibited in Wifredo Lam, Un Percorso, Galleria Gruppo Credito Valtellinese, Refettorio delle Stelline, Milano, Italy, November 2002, and at Museo di Storia e Arte, Palazzo Sassi de Lavizzari, Sondrio, Italy, January 2003.

Illustrated in the exhibition catalog, Wifredo Lam, Cuba Italia. Un Percorso, Silvanna Editoriale, 2002, page 63. Exhibited in Wifredo Lam, L’Oiseau du Possible, Galerie Boulakia, May 2004, and illustrated in the exhibition catalog, page 47.

This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Acatos, Project Director: Eskil Lam, page 342, no. 44.07.

This painting is accompanied by a photo-certificate of authenticity signed by Lou Laurin Lam, dated May 11, 2011 and no. 11.11.

René Portocarrero<br>Ciudad de La Habana<br>(<i>City of Havana</i>), 1970<br>oil on masonite<br>21 1/2 x 29 1/4 inches

René Portocarrero
Ciudad de La Habana
(City of Havana), 1970
oil on masonite
21 1/2 x 29 1/4 inches

Mario Carreño<br>Chiquita Banana<br>(<i>Chiquita Banana</i>), 1986<br>oil on canvas<br>47 1/2 x 33 1/2 inches</br><br>This painting was exhibited in Carreño, April - May 1986, Acanthus Gallery, Coral Gables, FL.</br><br>Provenance: Leo Carreño (nephew of the artist), Miami, FL; José Ortega Collection, Key Biscayne, FL.

Mario Carreño
Chiquita Banana
(Chiquita Banana), 1986
oil on canvas
47 1/2 x 33 1/2 inches

This painting was exhibited in Carreño, April - May 1986, Acanthus Gallery, Coral Gables, FL.

Provenance: Leo Carreño (nephew of the artist), Miami, FL; José Ortega Collection, Key Biscayne, FL.

Wifredo Lam<br>Gallo Caribe<br>(<i>Caribbean Rooster</i>), 1944<br>oil on canvas<br>11 1/2 x 9 3/4 inches</br><br>Provenance: Galerie de la Présidence, Paris, France; Inna Salomon Collection, Paris, France.</br><br>This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated Paris, December 21, 2010.

Wifredo Lam
Gallo Caribe
(Caribbean Rooster), 1944
oil on canvas
11 1/2 x 9 3/4 inches

Provenance: Galerie de la Présidence, Paris, France; Inna Salomon Collection, Paris, France.

This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated Paris, December 21, 2010.

Carlos Enríquez<br>Mulata a la Luz de la Luna<br>(<i>Mulatto Woman Under the Moonlight</i>), 1952<br>oil on canvas<br>29 1/4 x 24 inches</br></br>This painting was exhibited at Christie’s Latin American Art auction, November 21, 1995, and illustrated in the corresponding catalog, No. 208.<br></br>Illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, page 222.

Carlos Enríquez
Mulata a la Luz de la Luna
(Mulatto Woman Under the Moonlight), 1952
oil on canvas
29 1/4 x 24 inches

This painting was exhibited at Christie’s Latin American Art auction, November 21, 1995, and illustrated in the corresponding catalog, No. 208.

Illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, page 222.

Carlos Enríquez<br>Desnudo Velado en el Río, Eva Fréjaville<br>(<i>Veiled Nude in the River, Eva Fréjaville</i>), 1955<br>oil on canvas<br>24 x 20 inches</br><br>This painting is illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, in color, page 252.

Carlos Enríquez
Desnudo Velado en el Río, Eva Fréjaville
(Veiled Nude in the River, Eva Fréjaville), 1955
oil on canvas
24 x 20 inches

This painting is illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, in color, page 252.

Amelia Peláez<br>Interior con Balcón<br>(<i>Interior with Balcony</i>), 1947<br>mixed media on heavy paper laid down on board<br>22 x 30 inches

Amelia Peláez
Interior con Balcón
(Interior with Balcony), 1947
mixed media on heavy paper laid down on board
22 x 30 inches

Amelia Peláez<br>Naturaleza Muerta con Pez<br>(<i>Still Life with Fish</i>), 1945<br>oil on heavy paper laid down on board<br>22 1/2 X 29 1/2 inches</br><br>This painting was exhibited at the Washington, D.C. Organization of American States, Seven Cuban Painters, August 1952.</br><br>Also exhibited at the University of Miami, Lowe Art Museum, October, 1952.</br><br>Also exhibited at Christie’s New York, Important Latin American Paintings, November 17, 1984, and illustrated in the auction catalog, lot 156.</br><br>Also exhibited at Art Miami Art Fair, Miami Beach, Florida, Cernuda Arte, Important Cuban Artworks, volume one, January 2003, and illustrated in the corresponding catalog, page 10.</br><br>This painting is accompanied by a photo-certificate of authenticity signed by Ramón Vázquez Díaz, dated February 13, 2001.

Amelia Peláez
Naturaleza Muerta con Pez
(Still Life with Fish), 1945
oil on heavy paper laid down on board
22 1/2 X 29 1/2 inches

This painting was exhibited at the Washington, D.C. Organization of American States, Seven Cuban Painters, August 1952.

Also exhibited at the University of Miami, Lowe Art Museum, October, 1952.

Also exhibited at Christie’s New York, Important Latin American Paintings, November 17, 1984, and illustrated in the auction catalog, lot 156.

Also exhibited at Art Miami Art Fair, Miami Beach, Florida, Cernuda Arte, Important Cuban Artworks, volume one, January 2003, and illustrated in the corresponding catalog, page 10.

This painting is accompanied by a photo-certificate of authenticity signed by Ramón Vázquez Díaz, dated February 13, 2001.

René Portocarrero<br>Ciudad Flotante<br>(<i>Floating City</i>), 1952<br>mixed media on cardboard laid down on canvas<br>12 x 16 3/4 inches

René Portocarrero
Ciudad Flotante
(Floating City), 1952
mixed media on cardboard laid down on canvas
12 x 16 3/4 inches

Wifredo Lam<br>Rostro con Máscara y Eleguá<br>(<i>Face with Mask and Elegguá</i>), 1947<br>oil on canvas<br>21 1/2 x 17 inches</br><br>This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Acatos, Project Director: Eskil Lam, page 393, no. 47.13 and on page 196 in a photograph of Lam and the painting in the artist's studio.</br><br>This painting is also illustrated in Wifredo Lam in North America,
with essays by Curtis L. Carter, Lowery Stokes Sims, Dawn Ades,Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam, published by the Haggerty Museum of Art, Marquette University,
Milwaukee, Wisconsin, page 113, no. 39.</br><br>
This painting was exhibited in Wifredo Lam in North America at the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, October 11, 2007 to January 21, 2008; was then
exhibited at Miami Art Museum, Miami, Florida, February 8, 2008 to May 18, 2008; exhibited at Museum of Latin American Art, Long Beach, California, June 12 to August 31, 2008, and
exhibited at Salvador Dalí Museum, St. Petersburg, Florida, October 2, 2008 to January 10, 2009.

Wifredo Lam
Rostro con Máscara y Eleguá
(Face with Mask and Elegguá), 1947
oil on canvas
21 1/2 x 17 inches

This painting is illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I, 1923-1960, Acatos, Project Director: Eskil Lam, page 393, no. 47.13 and on page 196 in a photograph of Lam and the painting in the artist's studio.

This painting is also illustrated in Wifredo Lam in North America, with essays by Curtis L. Carter, Lowery Stokes Sims, Dawn Ades,Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam, published by the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, page 113, no. 39.

This painting was exhibited in Wifredo Lam in North America at the Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, October 11, 2007 to January 21, 2008; was then exhibited at Miami Art Museum, Miami, Florida, February 8, 2008 to May 18, 2008; exhibited at Museum of Latin American Art, Long Beach, California, June 12 to August 31, 2008, and exhibited at Salvador Dalí Museum, St. Petersburg, Florida, October 2, 2008 to January 10, 2009.

Fidelio Ponce de León<br>Niña con Gorrito<br>(<i>Child with Bonnet</i>), 1935<br>oil on canvas<br>15 5/8 x 11 5/8 inches

Fidelio Ponce de León
Niña con Gorrito
(Child with Bonnet), 1935
oil on canvas
15 5/8 x 11 5/8 inches

Fidelio Ponce de León<br>La Sobrinita<br>(<i>The Little Niece</i>), 1946<br>oil on canvas<br>24 x 20 inches</br><br>Provenance: Jorge Fernández de Castro and Martha Sardiñas Collection, Havana, Cuba.</br><br>Exhibited at Christie's, Latin American Art Auction, New York, November 23, 1999, lot no. 128.</br><br>Exhibited in Ponce, Lyceum, Havana, Cuba, April 1949, no. 26 in the exhibition catalog.

Fidelio Ponce de León
La Sobrinita
(The Little Niece), 1946
oil on canvas
24 x 20 inches

Provenance: Jorge Fernández de Castro and Martha Sardiñas Collection, Havana, Cuba.

Exhibited at Christie's, Latin American Art Auction, New York, November 23, 1999, lot no. 128.

Exhibited in Ponce, Lyceum, Havana, Cuba, April 1949, no. 26 in the exhibition catalog.

René Portocarrero<br>Figuras de Carnaval<br>(<i>Carnival Figures</i>), 1952<br>mixed media on board<br>14 1/2 x 18 3/4 inches</br><br>Provenance: Acquired directly from the artist by Joseph Cantor; Sotheby's, Latin American Art Auction, New York, May 30, 1984, lot 224 (illustrated in the corresponding catalog); Dr. Luis Fernández Rocha Collection, Coral Gables, Florida; Navarre Fine Arts, Coral Gables, Florida

René Portocarrero
Figuras de Carnaval
(Carnival Figures), 1952
mixed media on board
14 1/2 x 18 3/4 inches

Provenance: Acquired directly from the artist by Joseph Cantor; Sotheby's, Latin American Art Auction, New York, May 30, 1984, lot 224 (illustrated in the corresponding catalog); Dr. Luis Fernández Rocha Collection, Coral Gables, Florida; Navarre Fine Arts, Coral Gables, Florida

Antonio Gattorno<br>El Molino<br>(<i>The Windmill</i>), 1960<br>oil on canvas<br>10 1/2 x 13 1/2 inches</br></br>This painting is illustrated in Sean M. Poole, <i>Gattorno, A Cuban Painter for the World</i>, 2004, page 173.

Antonio Gattorno
El Molino
(The Windmill), 1960
oil on canvas
10 1/2 x 13 1/2 inches

This painting is illustrated in Sean M. Poole, Gattorno, A Cuban Painter for the World, 2004, page 173.

Carmelo González<br>Figura<br>(<i>Figure</i>), 1958<br>oil on canvas<br>34 1/2 x 15 inches

Carmelo González
Figura
(Figure), 1958
oil on canvas
34 1/2 x 15 inches

Wifredo Lam<br>El Pájaro<br>(<i>The Bird</i>), 1962<br>mixed media on heavy paper laid down on board<br>24 1/2 x 18 1/4 inches</br></br>The painting is dedicated: “To Dr. Hamne with the utmost gratitude and friendship, Falun, 1962”, and signed by the artist.</br><br>We are grateful to Monsieur Eskil Lam for having confirmed the authenticity of this painting.

Wifredo Lam
El Pájaro
(The Bird), 1962
mixed media on heavy paper laid down on board
24 1/2 x 18 1/4 inches

The painting is dedicated: “To Dr. Hamne with the utmost gratitude and friendship, Falun, 1962”, and signed by the artist.

We are grateful to Monsieur Eskil Lam for having confirmed the authenticity of this painting.

Wifredo Lam<br>Pájaro<br>(<i>Bird</i>), 1964<br>pastel on paper laid down on canvas<br>19 x 25 inches</br><br>This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated September 22, 2011.

Wifredo Lam
Pájaro
(Bird), 1964
pastel on paper laid down on canvas
19 x 25 inches

This painting is accompanied by a photo-certificate of authenticity signed by Madame Lou Laurin Lam, dated September 22, 2011.

Agustín Cárdenas <br>Hacia la Luz<br>(<i>Towards the Light</i>), 1960<br>bronze sculpture, signed and numbered 3/3, stamped with foundry mark, and seal of Le Point Cardinal,<br>92 1/4 x 15 3/4 x 15 3/4 inches<br></br>Provenance :Le Point Cardinal, Paris, France. Galerie Albert Loeb, Paris, France.<br></br>Exhibitions and Literature: Exhibition catalogue, Cárdenas – Sculptures Récentes, 1972-1973, Le Point Cardinal, Paris, May – July 1973, illustrated and listed as no.25 in the catalogue.<br></br>
Exhibition catalogue, Cárdenas, 1974, Galerie de France et du Benelux, Bruxelles, illustrated and listed as no.11 in the catalogue.<br></br>Exhibition catalogue, Cárdenas Sculpteur, 1981, Fondation Nationale
des Arts Graphiques et Plastiques, Paris, listed as no.21 in the catalogue.<br></br>Exhibition catalogue, Cárdenas – Trente Ans de Sculpture, 1988,JGM Galerie, illustrated on page 8 and listed on page 32 in the catalogue.<br></br>Exhibition catalogue, Cárdenas, Sculture 1947-1997, Milan, Galleria de Credito Valtellinese, 1997, Skira Editore,
illustrated on page 93 and listed as no. 10 in the catalogue.<br></br>Exhibition, Cárdenas, Retrospective, 1997, Couvents des Cordeliers,
Ville de Paris.

Agustín Cárdenas
Hacia la Luz
(Towards the Light), 1960
bronze sculpture, signed and numbered 3/3, stamped with foundry mark, and seal of Le Point Cardinal,
92 1/4 x 15 3/4 x 15 3/4 inches

Provenance :Le Point Cardinal, Paris, France. Galerie Albert Loeb, Paris, France.

Exhibitions and Literature: Exhibition catalogue, Cárdenas – Sculptures Récentes, 1972-1973, Le Point Cardinal, Paris, May – July 1973, illustrated and listed as no.25 in the catalogue.

Exhibition catalogue, Cárdenas, 1974, Galerie de France et du Benelux, Bruxelles, illustrated and listed as no.11 in the catalogue.

Exhibition catalogue, Cárdenas Sculpteur, 1981, Fondation Nationale des Arts Graphiques et Plastiques, Paris, listed as no.21 in the catalogue.

Exhibition catalogue, Cárdenas – Trente Ans de Sculpture, 1988,JGM Galerie, illustrated on page 8 and listed on page 32 in the catalogue.

Exhibition catalogue, Cárdenas, Sculture 1947-1997, Milan, Galleria de Credito Valtellinese, 1997, Skira Editore, illustrated on page 93 and listed as no. 10 in the catalogue.

Exhibition, Cárdenas, Retrospective, 1997, Couvents des Cordeliers, Ville de Paris.

Wifredo Lam<br>Sin Título, Reencuentro de Amigos<br>(<i>Untitled, Friends Reunited</i>), 1972<br>signed on the front, and signed and dated on the back, oil on canvas<br>13 3/4 x 17 3/4 inches</br><br>Provenance: Originally acquired from the artist by Galleria Seno, Milano and sold to a private collector, Milano, Italy.</br><br>Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos, Project Director: Eskil Lam, page 407, no. 73.81.

Wifredo Lam
Sin Título, Reencuentro de Amigos
(Untitled, Friends Reunited), 1972
signed on the front, and signed and dated on the back, oil on canvas
13 3/4 x 17 3/4 inches

Provenance: Originally acquired from the artist by Galleria Seno, Milano and sold to a private collector, Milano, Italy.

Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II, 1961-1982, Acatos, Project Director: Eskil Lam, page 407, no. 73.81.

Raúl Milián<br>Figura<br>(<i>Figure</i>), 1958<br>mixed media on cardboard<br>14 3/4 x 11 inches

Raúl Milián
Figura
(Figure), 1958
mixed media on cardboard
14 3/4 x 11 inches

Raúl Milián<br>Interior en Abstracto<br>(<i>Interior in Abstract</i>), 1973<br>mixed media on cardboard<br>15 3/8 x 11 3/8 inches

Raúl Milián
Interior en Abstracto
(Interior in Abstract), 1973
mixed media on cardboard
15 3/8 x 11 3/8 inches

Mario Carreño<br>Figuras con Pescado<br>(<i>Figures with Fish</i>), 1948<br>tempera on paper<br>11 x 15 inches

Mario Carreño
Figuras con Pescado
(Figures with Fish), 1948
tempera on paper
11 x 15 inches

Cundo Bermúdez<br>Mujer en Fondo Azul y Rosa II<br>(<i>Woman in Blue and Rose Background II</i>), 1989<br>oil on canvas<br>48 x 36 inches

Cundo Bermúdez
Mujer en Fondo Azul y Rosa II
(Woman in Blue and Rose Background II), 1989
oil on canvas
48 x 36 inches

Cundo Bermúdez<br>La Entrega<br>(<i>The Surrender</i>), 1971<br>mixed media on heavy paper laid down on board<br>30 x 22 inches</br><br>Provenance: Mariano Martínez Collection, Miami, Florida.</br><br>This painting is accompanied by a photo-certificate
of authenticity signed by the artist and dated July 18, 2008.

Cundo Bermúdez
La Entrega
(The Surrender), 1971
mixed media on heavy paper laid down on board
30 x 22 inches

Provenance: Mariano Martínez Collection, Miami, Florida.

This painting is accompanied by a photo-certificate of authenticity signed by the artist and dated July 18, 2008.

Angel Acosta León<br>Pájaro Zunzún<br>(<i>Hummingbird</i>), 1963<br>oil on masonite<br>25 3/4 x 32 inches</br><br>Exhibited at Cuban Museum of Arts and Culture, Miami, Florida, Ten Cuban Artists in Paris, 1985,
and illustrated in the exhibition catalog, page 10.</br><br>Also exhibited at Christie’s, Latin American Art, May 1998, Lot 128, and illustrated in the corresponding catalog.</br><br>Provenance: Joaquín Ferrer, Paris, France.

Angel Acosta León
Pájaro Zunzún
(Hummingbird), 1963
oil on masonite
25 3/4 x 32 inches

Exhibited at Cuban Museum of Arts and Culture, Miami, Florida, Ten Cuban Artists in Paris, 1985, and illustrated in the exhibition catalog, page 10.

Also exhibited at Christie’s, Latin American Art, May 1998, Lot 128, and illustrated in the corresponding catalog.

Provenance: Joaquín Ferrer, Paris, France.

Angel Acosta León<br>Pareja<br>(<i>Couple</i>), ca. 1960<br>mixed media on paper<br>9 1/2 x 13 1/2 inches

Angel Acosta León
Pareja
(Couple), ca. 1960
mixed media on paper
9 1/2 x 13 1/2 inches

Loló Soldevilla<br>Sin Título, Mundo Celestial<br>(<i>Untitled, Celestial Realm</i>), 1956<br>mixed media on cardboard<br>26 3/4 x 39 inches</br><br>This painting is accompanied by a photo-certificate of authenticity, signed by Flora Carranza Barlea, granddaughter of the artist.

Loló Soldevilla
Sin Título, Mundo Celestial
(Untitled, Celestial Realm), 1956
mixed media on cardboard
26 3/4 x 39 inches

This painting is accompanied by a photo-certificate of authenticity, signed by Flora Carranza Barlea, granddaughter of the artist.

Loló Soldevilla<br>Sin Título, Mundo Celestial<br>(<i>Untitled, Celestial Realm</i>), 1956<br>mixed media on cardboard<br>27 1/4 x 39 1/4 inches</br><br>This painting is accompanied by a photo-certificate of authenticity, signed by Flora Carranza Barlea, granddaughter of the artist.

Loló Soldevilla
Sin Título, Mundo Celestial
(Untitled, Celestial Realm), 1956
mixed media on cardboard
27 1/4 x 39 1/4 inches

This painting is accompanied by a photo-certificate of authenticity, signed by Flora Carranza Barlea, granddaughter of the artist.

Loló Soldevilla<br>Sin Título, Música Tangible<br>(<i>Untitled, Tangible Music</i>), 1958<br>oil on canvas<br>19 3/4 x 19 3/4 inches</br><br>This painting is accompanied by a photo-certificate of authenticity signed by Flora Carranza Barlea, granddaughter of the artist.

Loló Soldevilla
Sin Título, Música Tangible
(Untitled, Tangible Music), 1958
oil on canvas
19 3/4 x 19 3/4 inches

This painting is accompanied by a photo-certificate of authenticity signed by Flora Carranza Barlea, granddaughter of the artist.

Wifredo Lam<br>Pájaro Onírico<br>(<i>Oneiric Bird</i>), 1956<br>ink on paper laid down on board<br>10 x 8 inches</br></br>Provenance: Ragnar von Holten Collection, Stockholm, Sweden.<br></br>Exhibited at Stockholms Auktionsverk, Stockholm, Sweden, March 17, 2010 and illustrated in the corresponding catalog, lot number 4. <br></br>We are grateful to Monsieur Eskil Lam for having confirmed the authenticity of this work.

Wifredo Lam
Pájaro Onírico
(Oneiric Bird), 1956
ink on paper laid down on board
10 x 8 inches

Provenance: Ragnar von Holten Collection, Stockholm, Sweden.

Exhibited at Stockholms Auktionsverk, Stockholm, Sweden, March 17, 2010 and illustrated in the corresponding catalog, lot number 4.

We are grateful to Monsieur Eskil Lam for having confirmed the authenticity of this work.

Eduardo Abela<br>El Bobo<br>(<i>The Fool</i>), 1953<br>ink on heavy paper laid down on cardboard<br>8 3/4 x 6 inches</br></br>Hossana Abela, the daughter of the artist, has kindly confirmed the authenticity of this work.

Eduardo Abela
El Bobo
(The Fool), 1953
ink on heavy paper laid down on cardboard
8 3/4 x 6 inches

Hossana Abela, the daughter of the artist, has kindly confirmed the authenticity of this work.

René Portocarrero<br>Angel con Florero<br>(<i>Angel with Flower Vase</i>), 1955<br>ink on heavy paper laid down on board<br>13 1/4 x 9 1/2 inches

René Portocarrero
Angel con Florero
(Angel with Flower Vase), 1955
ink on heavy paper laid down on board
13 1/4 x 9 1/2 inches

Carlos Enríquez<br>Desnudo Velado<br>(<i>Veiled Nude</i>), 1956<br>mixed media on heavy paper laid down on board<br>12 x 9 inches</br><br>
Provenance: Claudio & Saymelis Ferioli Collection, Italy.</br><br>This painting is illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, in color, on page 258.

Carlos Enríquez
Desnudo Velado
(Veiled Nude), 1956
mixed media on heavy paper laid down on board
12 x 9 inches

Provenance: Claudio & Saymelis Ferioli Collection, Italy.

This painting is illustrated in the book by Juan Martínez, Carlos Enríquez: The Painter of Cuban Ballads, 2010, in color, on page 258.

Antonio Vidal<br>Abstracción<br>(<i>Abstraction</i>), 1958<br>oil on canvas<br>35 x 28 1/4 inches

Antonio Vidal
Abstracción
(Abstraction), 1958
oil on canvas
35 x 28 1/4 inches

Miguel Florido<br>Silencio Puro<br>(<i>Pure Silence</i>), 2011<br>acrylic on canvas<br>55 1/4 x 55 3/4 inches

Miguel Florido
Silencio Puro
(Pure Silence), 2011
acrylic on canvas
55 1/4 x 55 3/4 inches

Gina Pellón<br>Una Boda<br>(<i>A Wedding</i>), 1965<br>oil on canvas<br>51 x 38 inches

Gina Pellón
Una Boda
(A Wedding), 1965
oil on canvas
51 x 38 inches

Vicente Hernández<br>Una Palma se Alza<br>(<i>A Palm Rises Up</i>), 2010<br>mixed media on canvas<br>78 3/4 x 21 3/4 inches

Vicente Hernández
Una Palma se Alza
(A Palm Rises Up), 2010
mixed media on canvas
78 3/4 x 21 3/4 inches

Ramón Vázquez <br>Paisaje Fantástico, Número Uno,<br>(<i>Fantastic Landscape, Number One</i>), 2011<br>oil on canvas<br>39 1/2 x 31 1/2 inches

Ramón Vázquez
Paisaje Fantástico, Número Uno,
(Fantastic Landscape, Number One), 2011
oil on canvas
39 1/2 x 31 1/2 inches

Joel Besmar<br>La Migración de los Textos<br>(<i>The Migration of Texts</i>), 2011<br>oil on canvas<br>39 1/2 x 59 inches

Joel Besmar
La Migración de los Textos
(The Migration of Texts), 2011
oil on canvas
39 1/2 x 59 inches

David Rodríguez<br>Hiatus<br>(<i>Pausa</i>), 2011<br>oil on canvas<br>24 x 18 inches

David Rodríguez
Hiatus
(Pausa), 2011
oil on canvas
24 x 18 inches

Dayron González<br>Quiero Salir<br>(<i>I Want Out</i>), 2011<br>mixed media on canvas<br>63 x 54 inches

Dayron González
Quiero Salir
(I Want Out), 2011
mixed media on canvas
63 x 54 inches

Alfredo Sosabravo<br>Fanáticos de Cine<br>(<i>Film Fans</i>), 2011<br>mixed media on canvas<br>46 1/4 x 39 inches

Alfredo Sosabravo
Fanáticos de Cine
(Film Fans), 2011
mixed media on canvas
46 1/4 x 39 inches

Vicente Hernández<br>El Día y la Noche<br>(<i>Day and Night</i>), 2011<br>mixed media on canvas<br>59 1/4 x 78 3/4 inches

Vicente Hernández
El Día y la Noche
(Day and Night), 2011
mixed media on canvas
59 1/4 x 78 3/4 inches