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A panoramic view of the entrance of building 3160, exhibiting the show:
IMPORTANT CUBAN ARTWORKS, Volume Twenty, 3160 Bldg.
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Three artworks from the colonial period by: Federico Sulroca (left), Leopoldo Romañach (center),
and Henry Cleenewerck (right).
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Leopoldo Romañach (1862 – 1951)
Lady with Flowers
(Dama con Flores), ca 1915
oil on canvas
41 1/4 x 47 1/2 inches
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Federico Sulroca (1860 – 1931)
Dog and Cats
(Perro y Gatos), 1910
oil on board
12 x 17 3/4 inches
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Henry Cleenewerck (1825 – 1901)
La Ceiba
(The Ceiba Tree), ca 1865
oil on board
20 1/4 x 21 1/4 inches
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Two portrait works by Vicente Escobar (left), and Miguel Díaz Salinero (right),
surrounding two small-format landscapes by Philippe Chartrand (top, center) and Armando Menocal (bottom, center).
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Vicente Escobar (1757 – 1834)
Portrait of D. Agustín de las Heras
(Retrato de D. Agustín de las Heras), 1828
oil on canvas
35 x 27 inches
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Philippe Chartrand (1825 – 1889)
Landscape with Deer
(Paisaje con Ciervo), ca 1870's
oil on panel
16 3/8 x 12 1/2 inches
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Armando Menocal (1863 – 1942)
Bridge of Tren de la Palma, Cristal River
(Puente del Tren de la Palma, Río Cristal), ca 1930
oil on panel
14 3/4 x 11 1/2 inches
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Miguel Díaz Salinero (1874 – 1943)
Portrait of José Martí
(Retrato de José Martí), ca 1920's
oil on canvas
23 x 18 3/4 inches
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Two beautifully rendered portraits by Armando Menocal (left), and José Rodríguez Radillo (center),
accompanying a vibrant large-format landscape by Domingo Ramos (right).
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Domingo Ramos (1894 – 1956)
Landscape with River and Palm Trees
(Paisaje con Río y Palmeras), 1950
oil on canvas laid down on wood
35 1/2 x 47 1/4 inches
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Armando Menocal (1863 – 1942)
Young Lady with Mantilla
(Joven con Mantilla), ca 1890
oil on canvas
33 x 21 inches
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José Rodríguez Radillo (1915 – 1977)
The Water Seller
(El Aguador), 1938
oil on canvas
30 x 21 1/2 inches
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On display: Three lithographies from the series Apostroph'Apocalypse by the remarkable Wifredo Lam.
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Wifredo Lam (1902 – 1982)
Apostroph'Apocalypse, (6619), 1967
acquatint on Japanese paper, XVIII/XXV
19 3/4 x 30 inches
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Wifredo Lam (1902 – 1982)
Apostroph'Apocalypse, (6623), 1967
acquatint on Japanese paper, XVIII/XXV
20 x 30 1/4 inches
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Wifredo Lam (1902 – 1982)
Apostroph'Apocalypse, (6626), 1967
acquatint on Japanese paper, XVIII/XXV
20 x 30 1/2 inches
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Angel Acosta León (1930 – 1964)
The Secret Coffeepot
(La Cafetera Secreta), ca 1963
mixed media on paper laid down on board
10 1/2 x 8 inches
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A group show of three different art periods, showcasing three works from the 20 Century (left),
a contemporary artwork (center), and five colonial small-format artwork to the right.
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Four small-format artworks on paper. From left to Right: Cundo Bermúdez, Roberto Estopiñán,
and Carlos Enríquez (two works).
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Cundo Bermúdez (1914 – 2008)
Five Figures
(Cinco Figuras), ca 1960s
mixed media on paper
10 x 13 1/2 inches
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Roberto Estopiñán (1921 – 2015)
Prisoner
(Prisionero), 1967
mixed media on paper
22 x 15 inches
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Carlos Enríquez (1900 – 1957)
Woman on Carousel
(Dama en Carrusel), 1956
crayons and pencil on paper
14 x 11 inches
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Carlos Enríquez (1900 – 1957)
Cuban Landscape
(Paisaje Cubano), 1947
mixed media on paper laid down on board
14 x 19 inches
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Joel Besmar (b. 1968)
The End of Times
(El Final de los Tiempos), 2022
oil on canvas
55 x 51 inches
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Five rare watercolor artworks by Víctor Patricio Landaluze, circa 1880.
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Víctor Patricio Landaluze (1828 – 1889)
Coachman Praying to The Virgin
(Calesero Rezándole a La Virgen), ca 1880
ink and watercolor on heavy paper
laid down on board
3 3/4 x 5 5/8 inches
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Víctor Patricio Landaluze (1828 – 1889)
Cuban Guajiro and His Rooster Horseback Riding
(Guajiro y Su Gallo Montan a Caballo), ca 1880
ink and watercolor on heavy paper
laid down on board
5 5/8 x 3 3/4 inches
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Víctor Patricio Landaluze (1828 – 1889)
Getting Ready for the Party
(Arreglándose para la Fiesta), ca 1880
ink and watercolor on heavy paper laid down on board
8 3/4 x 7 1/4 inches
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Víctor Patricio Landaluze (1828 – 1889)
Cuban Guajiro on Horse Scares Off a Rooster
(Guajiro a Caballo Espanta Gallo), ca 1880
ink and watercolor on heavy paper
laid down on board
5 5/8 x 3 3/4 inches
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Víctor Patricio Landaluze (1828 – 1889)
Cutting Sugar Cane
(Cortando la Caña de Azúcar), ca 1880
ink and watercolor on heavy paper
laid down on board
3 3/4 x 5 5/8 inches
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Maria Ariza (1873 – 1959)
Back Yard
(Patio), 1931
oil on canvas
16 3/4 x 20 1/4 inches
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Three absorbing colonial landscapes by Eduardo Morales (left), Miguel Arias (center), and Esteban Chartrand (right).
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Esteban Chartrand (1840 – 1883)
Sunset
(Crepúsculo), 1867
oil on canvas
22 x 36 1/4 inches
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Eduardo Morales (1862 – 1938)
Carriage in the Sugar Cane Plantation
(Volanta en el Cañaveral), ca 1915
oil on canvas
13 1/2 x 17 1/2 inches
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Miguel Arias (1841 – 1915)
Landscape with Railway Line
(Paisaje con Línea de Tren), ca 1892
oil on canvas
6 1/8 x 10 1/8 inches
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Showcased here, modern and contemporary artworks. From left to right: Servando Cabrera Moreno, Gina Pellón,
Danuel Méndez, Vicente Hernández, and Roberto Fabelo.
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Servando Cabrera Moreno (1923 – 1981)
Countryside Couple
(Pareja Guajira), 1964
ink on heavy paper laid down on board
22 x 27 inches
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Gina Pellón (1926 – 2014)
Cendras
(Cendras), 1984
mixed media on canvas
25 1/2 x 21 1/4 inches
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Danuel Méndez (b. 1989)
Sunday's Sparrow
(Gorrión Dominical), 2021
oil on canvas
20 x 16 inches
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Roberto Fabelo (b. 1950)
Enriquito
(Enriquito), 1991
oil crayon on paper laid down on board
52 1/2 x 36 inches
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Vicente Hernández (b. 1971)
The Conquest
(La Conquista), 2002
oil on canvas
23 1/2 x 31 1/2 inches
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Cundo Bermúdez (1914 – 2008)
Havana Quartet 25/100
(Cuarteto Habanero 25/100), 1991
Litograph
30 x 42 inches
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Exhibited on this wall an array of vibrant and colorful artwork. From left to right: Arturo Rodríguez, Vicente Hernández,
René Portocarrero, Gina Pellón, Danuel Méndez (two artworks), Antonio Rodríguez Morey (top), and Domingo Ramos (bottom).
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Arturo Rodríguez (b. 1956)
Madhouse
(La Casa de los Locos), 1979
oil on canvas
46 x 34 inches
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Vicente Hernández (b. 1971)
Another American Dream
(Otro Sueño Americano), 2010
mixed media on canvas
19 1/2 x 39 1/4 inches
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René Portocarrero (1912 – 1985)
At the Carnival
(En el Carnaval), 1970
mixed media on heavy paper laid down on board
19 3/4 x 25 3/4 inches
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Danuel Méndez (b. 1989)
Emerald Green
(Verde Esmeralda), 2022
acrylic on canvas
84 x 48 inches
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Gina Pellón (1926 – 2014)
Ready for the Dance
(Lista para el Baile), 2013
mixed media on canvas
39 x 31 1/4 inches
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Danuel Méndez (b. 1989)
The Lady with a Yellow Dress
(La Dama con un Vestido Amarillo), 2020
acrylic on canvas
30 x 24 inches
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A composition of four artworks showcasing different scenery's of day and night-life by the artists:
Antonio Rodríguez Morey (top left), Domingo Ramos (bottom, left), Oscar García Rivera (center, right).
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Antonio Rodríguez Morey (1874 – 1967)
Colonial Patio
(Patio Colonial), 1932
oil on wood
10 1/2 x 14 1/4 inches
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Domingo Ramos (1894 – 1956)
The Mango Farm
(Finca de Mangos), 1945
oil on canvas
21 1/2 x 17 3/4 inches
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Oscar García Rivera (1914 – 1971)
Street Dance of The Sultana
(Comparsa La Sultana), ca 1950
oil on canvas board
13 x 24 inches
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Oscar García Rivera (1914 – 1971)
High Society Carnival Party
(Fiesta de Carnaval de Alta Sociedad), ca 1944
oil on canvas
24 x 48 inches
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