Exhibited in Carlos Enríquez: The Painter of Cuban Ballads, Cernuda Arte, Coral Gables, Florida, April - May 2010.

Illustrated in the book, Carlos Enríquez: The Painter of Cuban Ballads, by Professor Juan A. Martínez, 2010, Cernuda Arte, Coral Gables, page 167.

Illustrated in Important Cuban Artworks Volume Seventeen, Cernuda Arte, Coral Gables, Florida, page 17.

Acquired by a Private Collector in Fisher Island, Florida.

Provenance:
The Collection of the Republic National Bank of Miami.
The Collection of Wells Fargo International Bank.

Illustrated in the book Humberto Calzada, published by the Lowe Art Museum, University of Miami, on the occasion of the exhibition Humberto Calzada: In Dreams Awake, A Thirty Year Retrospective, December 2, 2006 through January 28, 2007, number 24, page 55.

To be illustrated in the upcoming
Important Cuban Artworks, Volume Eighteen.

Acquired by a Private Collector in Coral Gables, Florida.

Provenance:
Galleria Felippini, Milano
Rambouillet, Faure & Rey Enchères, 1986

Provenance:
A distinguished Private Collection in Caracas, Venezuela.

To be illustrated in the upcoming Important Cuban Artworks, Volume Eighteen.

Acquired by a Private Collector in New York, New York.

Provenance:
Acquired directly from the artist.

Exhibited in the artists first and only solo exhibition Nicolás Guillén Landrián and His Arrested Paintings, Cuban Museum of Arts and Culture, Miami, Florida, January 1989.

Provenance:
Acquired directly from the artist.

Another work of this sculpture edition (3 of 9) was recently sold at auction in Christies New York, Latin American Art sale, November 13, 2020, for $437,500.00.

Signed, titled and dated on the reverse
Provenance:
Private Collection, Denmark.

Provenance:
The Collection of Mr. Adolfo de Luis, Havana Cuba.

Exhibited in Retrospectiva Mariano Rodríguez, Museo Nacional de Bellas Artes, Havana, Cuba, May 1975, no. 280.

Exhibited in Mariano: uno y múltiple, Exposición antólogica (1937-1987), Sala de Exposiciones Centro Cultural Cajacanarias, Oficina Principal Cajacanarias e Museo Nacional, Palacio de Bellas Artes, Santa Cruz de Tenerife, 1988, illustrated on page 58 of the accompanying catalog.

Illustrated in E. Desnoes, “Mariano al filo de la realidad”, Rotograbado de Revolución, Havana, 1 December 1963.

Exhibited in Siempre Vuelvo, Engravings by Belkis Ayón, Provincial Center for Plastic Arts and Design, Havana, Cuba, 1993.
Exhibited in Premio La Joven Estampa, Haydée Santamaría Gallery, Casa de las Américas, Havana, Cuba, 1993.
Exhibited in 1e. Internationale Grafiek Bienna / The First International Print Biennial, Maastricht Exhibition and Congress Center (MECC), Maastricht, The Netherlands, 1993.
Exhibited in Unterstütze mich, halte mich hoch im Schmerz, Belkis Ayon / Hold Me in Pain, Kirche St. Barbara, Breinig, Germany, 1995.
Exhibited in Colografías y Matrices de Belkis Ayón, Images from silence, National Museum of Fine Arts, Havana, Cuba, 2001.
Exhibited in Ad Fontes! An intercultural quest for hidden sources, Afrika Museum, Berg en Dal, The Netherlands, 2001. (Reproduced in catalog.)
Exhibited in Kunst aus Kuba, Sammlung Ludwig / Art from Cuba, The Ludwig Collection, Museum Ludwig im Russischen Museum, Saint Petersburg, Russia, 2002. (Reproduced in catalog.)
Exhibited in Vaudou/Voodoo: Spirit in Art, Pan American Gallery, Dallas, Texas, 2003.

Illustrated in the book NKAME Belkis Ayón, Project Director Dr. Katia Ayón, Turner, Palermo, 2010, page 209

Illustrated in Artecubano, Visual Arts Magazine, no. 1, 1995, Havana, Cuba, p. l. (Advertising of Galería Habana).
Illustrated in El rojo en la pluma del loro, Daniel Chavarría, Casa de las Américas Novel Prize (2000), Havana, Cuba. Reproduced as a detail of the work on the cover.
Illustrated in Casa de las Américas Magazine, no. 229, October-December 2002, Havana, Cuba, p. 62.
Illsutrated in Discurso de género: visiones de una realidad, Yaniber Acosta Batista, University of Havana, Faculty of Arts and Letters, June 21, 2006, Havana, Cuba.
Illustrated in Colagrafía a a cinco voces, Daineris Peña Edmond, University of Havana, Faculty of Arts and Letters, June 21, 2007, Havana, Cuba. Multimedia culmination of studies of the Bachelors of Art History.

Provenance:
Madame Odette Lavergne Collection, France.

Illustrated in the book Portocarrero, Ramón Vázquez Díaz, Madrid, Spain, 2015, page 423.

Exhibited in René Portocarrero, Galería Universidad Metropolitana, Mexico City, Mexico, 1985.

Provenance: Acquired directly from the artist.

Acquired by a Private Collector in Fisher Island, Florida.

Provenance: Acquired directly from the artist.

Acquired by a Private Collector in Fisher Island, Florida.

Illustrated in Important Cuban Artworks Volume Ten, Cernuda Arte, Coral Gables, Florida, page 78.

Acquired by a Private Collector in Coral Gables, Florida.

Exhibited in Dayron González, The Children of My Class, Cernuda Arte, October – November 2012, and illustrated in the accompanying exhibition catalog, page 14.

Acquired by a Private Collector in Coral Gables, Florida.

Illustrated in Important Cuban Artworks Volume Seventeen, Cernuda Arte, Coral Gables, Florida, page 119.

Acquired by a Private Collector in Spring Lake, New Jersey.

Provenance:
Private Collection, Greenwich, Connecticut.

Illustrated in Important Cuban Artworks Volume Eleven, Cernuda Arte, Coral Gables, Florida, page 50.

Acquired by a Private Collector in New York, New York.

Provenance:
Acquired directly from the artist.

Acquired by a Private Collector in Coral Gables, Florida.

Provenance:
Acquired directly from the artist.

Illustrated in Important Cuban Artworks Volume Thirteen, Cernuda Arte, Coral Gables, Florida, page 71.

Exhibited in Exposición de maestros cubanos de la pintura, Museo de Bellas Artes, Santiago, Chile, 1972.

Acquired by a Private Collector in Coral Gables, Florida.