Cernuda Arte

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MODERN ART: The Vanguardia artists, 1st Floor, 3155 Building.

Exhibition Photos

Agustín Cárdenas (1927 – 2001)
After The Ritual
(Después del Ritual), 1989
bronze sculpture, signed and numbered 1/7
21 ½ x 35 ½ x 27 ½ inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Wifredo Lam (1902 - 1982)
Untitled [The Guardian of the Descendant] (Fresque),
(Sin Título [Guardián de los Descendientes]), (Fresco), 1951
oil on stucco
80 ¾ x 69 ¾ inches
signed and dated lower right 'LAM - 1951"

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Exhibited in Wifredo Lam: Imagining
New Worlds at the McCullen Museum of
Art, Boston College, Chestnut Hill,
Minnesota, August 30, 2014 - December
14, 2014 and at the High Museum of Art,
Atlanta, Georgia, February 14, 2014 May
24, 2015, the work is illustrated in
the accompanying catalog on page 139.

Exhibited in Wifredo Lam, Centre
Pompidou, Paris, France, September 30,
2015 to February 15, 2016, and
illustrated in the accompanying
catalog on page 139.

Exhibited in Wifredo Lam, Museo
Nacional Centro de Arte Reina Sofía,
Madrid, Spain, April 12 to August 15,
2016, and illustrated in the
corresponding catalog on page 145.

Exhibited in Wifredo Lam, Tate Modern,
London, United Kingdom, September 14,
2016 to January 8, 2017.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume I,
1923-1960, Project Director: Eskil Lam,
Acatos 1996, page 438, no. 51.05.

Illustrated in the book Wifredo Lam en
las colecciones cubanas, Centro de Arte
Contemporaneo Wifredo Lam, Jose Manuel
Noceda, Havana, Cuba, 2002, page 213.

We are grateful to Monsieur Eskil Lam
for having confirmed the authenticity
of this artwork.

Mario Carreño (1913 - 1999)
Afro-Cuban Dance
(Danza Afrocubana), 1943
Duco with cloth and rope collage on wood panel
64 7/8 x 47 7/8 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
front cover, page 58 and 59.

Provenance:
Perls Galleries, New York (1944);
Acquired from the above,
thence by descent from the above;
Private Collection, Coral Gables, FL;
Private Collection, Aventura, FL.

Exhibited in Carreño, Lyceum, Havana,
Cuba, Nov. 9-16, 1943, no. 8.

Exhibited in Mario Carreño, Perls Galleries,
New York, New York, Mar. – Apr. 1944, and
listed in the exhibition brochure, no. 14.

Exhibited in Modern Cuban Painters at the Museum
of Modern Art (MoMA), New York, April 1944, curated
by Alfred Barr, and listed in “Modern Cuban Painters”,
Museum of Modern Art Bulletin, Vol. XI, No. 5, p. 8,
Apr. 1944.

Exhibited in Sotheby’s, Latin American Art,
May 30-31, 2007, New York, NY, lot no. 8.

Exhibited in Afro-Cuban Dance - A Re-Discovered
Masterwork by Mario Carreño, Cernuda Arte,
Coral Gables, FL, July 2007, and illustrated
on the cover of the invitation.

Exhibited in Cuban Art & Identity: 1900-1950,
Vero Beach Museum of Art, Vero Beach, Florida,
curated by Juan A. Martínez, PhD,
Oct.19, 2013 – Feb. 2, 2014, illustrated
in the museum catalog, page 23,
and listed on page 54, no. 9.

Also Exhibited at the Following Museums:
Munson Williams Proctor Art Institute, Utica, New York,
Oct. 1 – Oct. 30, 1944.
Art Club of Chicago, Chicago, Illinois, Dec. 1 – Dec.29, 1944.
National Gallery of Art, Washington, D.C., Feb. 1 – Mar. 1, 1945.
St. Paul Gallery & School of Art, St. Paul, Minnesota,
Mar. 15 – Apr. 1, 1945.
University Gallery, University of Minnesota, Minneapolis,
Minnesota, May 27 – Jun. 24, 1945.
Portland Art Museum, Portland, Oregon, Jul. 19 – Aug.16, 1945.
Seattle Art Museum, Seattle, Washington, Aug. 30 – Sep. 27, 1945.
San Francisco Museum of Art, San Francisco, California,
Oct. 11 – Nov. 8, 1945.
J.B. Speed Art Museum, Louisville, Kentucky,
Nov. 22 – Dec. 20, 1945.
Alexandria Art League, Alexandria, Louisiana, Jan.3 – Jan. 24, 1946.
Person Hall Art Gallery, University of North Carolina, Chapel Hill,
North Carolina, Feb.7 – Mar. 7, 1946.
Rollins College, Winter Park, Florida, Mar. 21 – Apr. 19, 1946.

Literature:
José Gómez Sicre, Cuadernos de Plástica Cubana I, Carreño,
Ediciones Galería del Prado, Havana, 1943, illustrated in color.
José Gómez Sicre, Cuban Painting of Today, María Luisa Gómez
Mena, Havana, 1944, p. 9.
Edward Alden Jewell, “Cuba’s Pacemakers,” New York Times,
March 26, 1944, discussed.
“Cuban Rhythm,” Dayton, Ohio News Week, April 3, 1944, discussed.
“El Arte Cubano,” Carteles, April 30, 1944, installation view.
Alfred Hamilton Barr, “Pintura Cubana en Nueva York,” Norte,
Vol. 4, No. 9, July 1944, discussed.
José Gómez Sicre, “Pintores Cubanos Modernos,” La Revista Belga,
July, 1944, illustrated.
Harry Salpeter, “Carreño the Cubanist,” Esquire, September 1944,
discussed.
José Gómez Sicre, Art of Cuba in Exile, Editora Munder, Miami,
1987, p. 53, installation view.
Lowery S. Sims, et al, Wifredo Lam and his Contemporaries
1938-1952 (exhibition catalog), The Studio Museum in Harlem,
New York, Harry N. Abrams, 1992, p. 64, illustrated.
Maria Lluïsa & Antonio Zaya, Cuba Siglo XX: modernidad y
sincretismo (exhibition catalog), Las Palmas de Gran Canaria,
Centro Atlántico de Arte Moderno; Palma, Fundación “La Caixa;”
Barcelona, Centre d’Art Santa Mònica, April-December 1996,
p. 38, illustrated.
Jacqueline Barnitz, Twentieth-Century Art of Latin America,
University of Texas Press, Austin, 2001, p. 124, no. 4.8,
illustrated in color.
Professor Alejandro Anreus, Ph.D., Modern Art in 1940s
Cuba: Havana's Artists, Critics, and Exhibitions, University
of Florida Press, 2025, page 151.

Amelia Peláez (1896 – 1968)
Reclining Woman
(Mujer Reclinada), 1961
mixed media on heavy paper
laid down on museum quality board
29 x 40 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
front cover, page 23.

Provenance:
Private Collection, New Jersey.

Exhibited in 100 Years of Creation
by Twenty Women Artists (1922 – 2022),
Cernuda Arte, Coral Gables,
Florida, July – December, 2022,
and illustrated virtually on
cernudaarte.com

Exhibited in Art Miami Fair,
Miami, FL, Nov. 29 - Dec. 4, 2022.

Exhibited in The Lost Generation:
Women Ceramicists and the Cuban
Avant-Garde, McMullen Museum of Art,
Boston College, Boston, MA,
Jan. to Jun., 2024, curated by
Dr. Elizabeth Thompson Goizueta.

Also exhibited, same exhibition,
at Frost Art Museum, Florida
International University, Miami, FL,
Jun. 29 to Sep. 29, 2024, and
illustrated in the corresponding
exhibition catalog, page 223.

This artwork is accompanied by a
Photo-Certificate of Authenticity
signed by Ramón Vázquez Díaz.

Wifredo Lam (1902 - 1982)
The Reality of the Birds
(La Realidad de los Pájaros), 1970
oil on canvas
29 ¾ x 36 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Sixteen,
page 44.

Provenance:
Galerie Jan Krugier, Geneva,
Switzerland; Cernuda Arte,
Coral Gables, FL;
Private Collection, Key Biscayne, FL.

Exhibited in Wifredo Lam, Galerie
Jan Krugier, Geneva, Switzerland,
1970. Listed as no. 28 and
illustrated on page 39 of the
corresponding catalog.

Exhibited in Wifredo Lam, Galleria
Arte Borgogna, Milan, Italy, 1970.

Exhibited in Wifredo Lam, Gimpel Fils
Gallery, London, England, 1970-1971.
Also in New York, in Gimpel Gallery
and in Zurich, in Gimpel and Hanover
Gallery.

Exhibited in Der Geist des
Surrealismus, Albin Brunovski,
Gemälde, Druckgraphik, Wifredo Lam,
Oelbilder, Baukunst Galerie, Germany,
1971-1972.

Illustrated in Lam, A. Jouffroy,
Paris, France, Éditions Georges Fall,
Bibli-Opus, 1972, page 56.

Illustrated in Wifredo Lam, Max-Pol
Fouchet, First Edition, 1976, page
134, no. 162, and in Wifredo Lam,
Max-Pol Fouchet, Second Edition,
1989, page 138, no. 162.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume
II, 1961-1982, Project Director:
Eskil Lam, Acatos 2002, page 340,
no. 70.77.

This artwork is accompanied by a
Photo-Certificate of authenticity
signed by Madame Lou Laurin Lam,
dated September 24, 2009, no. 09.16.

Mario Carreño (1913 - 1999)
Tropical Tree
(Árbol Tropical), 1984
oil on canvas
58 ½ x 47 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 63.

Exhibited in Carreño, Acanthus Gallery,
Coral Gables, FL, April – May 1986.

Exhibited in Latin American Art Auction,
Miami, Florida, January 7, 1994, and
illustrated in the corresponding
exhibition catalog, lot 80.

Exhibited in Christie's Latin American
Art, New York, May 31-June 1, 2007, and
illustrated in the corresponding auction
catalog, lot 2.

Exhibited in Spotlight on Mario Carreño,
Cernuda Arte, Coral Gables, FL,
May – Aug. 2020, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2022.

Illustrated in the book, Mario Carreño,
Cronología del Recuerdo, Editorial
Antártica, 1991, page 71.

Amelia Peláez (1896 – 1968)
Flower Vase on a Lace Tablecloth
(Jarrón de Flores sobre Mantel de Encaje), 1960
mixed media on heavy paper
laid down on board
31 x 25 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
front cover, page 27.

Exhibited at EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago, Illinois,
Sep. 27 – 30, 2018.

Exhibited in 100 Years of Creation
by Twenty Women Artists (1922 – 2022),
Cernuda Arte, Coral Gables,
Florida, July – December, 2022,
and illustrated virtually on
cernudaarte.com

Exhibited in The Lost Generation:
Women Ceramicists and the Cuban
Avant-Garde, McMullen Museum of Art,
Boston College, Boston, MA,
Jan. to Jun., 2024, curated by
Dr. Elizabeth Thompson Goizueta.

Also exhibited, same exhibition,
at Frost Art Museum, Florida
International University, Miami, FL,
Jun. 29 to Sep. 29, 2024, and
illustrated in the corresponding
exhibition catalog, page 223.

This artwork is accompanied by a
Photo-Certificate of Authenticity
signed by Ramón Vázquez Díaz.

Mariano Rodríguez (1912 – 1990)
Landscape of Casablanca
(Paisaje de Casablanca), 1946
oil on canvas
28 x 36 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
front cover, page 58 .

This painting was exhibited in
Exposición de Pintura Cubana Moderna,
Palacio de Bellas Artes, Mexico City,
Mexico, June 1946.

Exhibited in Selección de Obras de
la Exposición de Pintura del Palacio
de Bellas Artes de México, III Salón
Vicente Escobar, Havana, Cuba, October
22-30, 1946.

Exhibited in Mariano, Exposición
Retrospectiva. Paisaje y Figura, 1942-
1955, Lyceum, Havana, Cuba, October 20 -
November 2, 1955, and listed in the
exhibition catalog, no. 5.

Exhibited in VII Bienal Internacional
de Sao Paolo, Museu de Arte Moderna,
Sao Paulo, Brazil, Oct. - Dec. 1963.

Exhibited in Mariano Exposición
Retrospectiva, Museo Nacional de
Bellas Artes, Havana, Cuba, May 1975,
and illustrated in the exhibition catalog,
page 40.

Exhibited in Mariano: Uno y Múltiple,
Santa Cruz de Tenerife, Canary Islands,
Spain, October 18 - November 11, 1988.

Exhibited in Mariano, Obras Escogidas,
Museo Nacional de Bellas Artes, Havana,
Cuba, July 1991, and illustrated in color
in the exhibition catalog, page 49.

Exhibited in Todos los Colores de
Mariano, Museo Dolores Olmedo, Mexico
City, Mexico, 2000, and illustrated in
color in the exhibition catalog, page 31.

Exhibited in Mariano, Salle d’Exposition
du Quai Antoine 1er, Monte-Carlo, Monaco,
2004, illustrated and listed in the
exhibition catalog, no. 48.

Exhibited in Mariano, Sala de
Exposiciones de Santo Domingo,
Salamanca, Spain, and illustrated
in color in the exhibition catalog,
page 42.

Exhibited in Mariano: Variations on a
Theme, McMullen Museum of Art, Boston
College, Boston, Elizabeth T. Goizueta,
curator. September – December, 2021,
and illustrated in the accompanying
exhibition book, page 90.

This painting is illustrated in
Los Pintores Cubanos, Mariano,
José Rodríguez Feo, Bohemia,
June 15, 1962, page 33.

Illustrated in Mariano, Tema,
Discurso y Humanidad, Dannys Montes
de Oca, Spain, 2004, page 111.

Illustrated in Mariano, Catálogo
Razonado, Volumen I, published
by Ediciones Vanguardia Cubana,
page 205, no. 46.01.

Roberto Estopiñán (1921 – 2016)
Nude Woman
(Mujer Desnuda), ca. 1951
mahogany wood sculpture
18 x 7 ½ x 7 ¼ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fourteen,
page 76.

Provenance:
José Gómez Sicre Collection,
Washington, D.C.;
Private Collection, Caracas,
Venezuela.

Exhibited at the 2nd Biennial
São Paolo, Brazil, 1952.

Exhibited in The Sensual and the
Erotic in Cuban Art (1900 to 2020),
Cernuda Arte, Coral Gables, Florida,
November 2021, and illustrated
digitally on cernudaarte.com,
exhibitions.

Illustrated in Noticias de Arte,
October – November 1953.

Amelia Peláez (1896 – 1968)
The Tree
(El Árbol), ca 1925
oil on canvas board
12 ½ x 8 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 36.

Exhibited in Amelia Peláez,
Retrospectiva, 1929-1943,
Institución Hispano-Cubana
de Cultura, Havana, Cuba,
July- Aug., 1943, curated
by José Gómez Sicre.

Exhibited in Amelia Peláez,
Exposición Retrospectiva,
National Museum of Fine Arts,
Habana, Cuba, Nov. 1968, and
listed as no. 6 in the
exhibition catalog.

Exhibited in Subasta Habana,
Havana, Cuba, Nov. 2006, and
illustrated in the corresponding
auction catalog, number 22.

Exhibited in 100 Years of Creations
by 20 Women Artists (1922 to 2022),
Cernuda Arte, Coral Gables, Florida,
July – December, 2022, and illustrated
digitally on cernudaarte.com,
exhibitions

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Ramón Vázquez Díaz,
dated Feb. 6, 2007.

Carlos Enríquez (1900 - 1957)
Calibán
[Carlos Enríquez's Dog] ca 1953
oil on canvas laid down on board
7 1/2 x 5 3/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Sixteen,
page 20.

Provenance:
Claudio Ferioli, Reggio Emilia, Italy.

Exhibited in Carlos Enríquez:
The Painter of Cuban Ballads,
Cernuda Arte, Coral Gables, FL,
April – May 2010, digitally on
cernudaarte.com, exhibitions.

Exhibited in Amelia’s Friends
and Colleagues: 14 Master Painters
of the Vanguardia Movement,
Cernuda Arte, Coral Gables, FL,
July – Nov. 2022, and illustrated
digitally on cernudaarte.com,
exhibitions.

Illustrated in the newspaper Alerta,
May 16, 1957, as part of an article
titled Adiós a Carlos Enríquez.

Illustrated in the book Carlos Enríquez:
The Painter of Cuban Ballads, Professor
Juan A. Martínez, Ph.D., Cernuda Arte,
Coral Gables, FL, 2010, page 227.

Víctor Manuel García (1897 – 1969)
Peasant Bride
(Novia Guajira), ca 1948
oil on canvas
30 x 22 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eight,
page 31.

Exhibited in Happy Birthday,
Víctor Manuel (1897-1969),
Cernuda Arte, Coral Gables, FL,
October - December 2009,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in Wifredo Lam and
The Cuban Avant-Garde: Fifty Years
of Art Cernuda Arte, Coral Gables, FL,
April - August 2013, and illustrated
digitally on cernudaarte.com,
exhibitions.

Víctor Manuel García (1897–1969)
Landscape
(Paisaje), 1945
oil on canvas
31 x 25 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Sixteen,
Back Cover.

Provenance:
Private Collection, Santo Domingo,
Dominican Republic.

Exhibited at Sotheby’s,
New York, May 28, 1998,
and illustrated in the
corresponding exhibition
catalog, lot 242.

Exhibited in Víctor Manuel
(1897-1969): A Focus Exhibition,
Cernuda Arte, Coral Gables, FL,
January - March 2021, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2021.

Illustrated in the book
Pintores Cubanos, Oscar Hurtado,
Edmundo Desnoes, Ediciones R,
La Habana, Cuba, 1962, page 57.

Carlos Enríquez (1900 – 1957)
Portrait of Fernande Lescot
(Retrato de Fernande Lescot), 1945
oil on canvas
32 x 24 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 20.

Provenance:
The daughter of the sitter,
Colette Lescot Zacharias,
by inheritance.

Exhibited in Carlos Enríquez (1900-1957)
A Focus Exhibition, Cernuda Arte,
Coral Gables, FL, Jan. – Mar. 2021,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in First Generation Cuban
Modernists, The VANGUARDIA Artists,
Cernuda Arte, Coral Gables, FL,
Nov. 2021 – Jun. 2022, and
illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2024.

Illustrated in the book Carlos Enríquez:
The Painter of Cuban Ballads, Professor
Juan A. Martínez, Ph.D., Cernuda Arte,
Coral Gables, FL, 2010, page 197.

Carlos Enríquez (1900 - 1957)
Red Horse
(Caballo Rojo), 1954
oil on canvas
29 1/2 x 23 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 19.

Provenance:
Private Collection, Pinecrest, FL.

Exhibited in Warming Up Engines,
inaugural exhibition, Cernuda Arte,
Coral Gables, FL, August, 2000.

Exhibited in Carlos Enríquez:
The Painter of Cuban Ballads,
Cernuda Arte, Coral Gables,
April – May 2010, digitally on
cernudaarte.com, exhibitions.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2023.

Illustrated in the book Cuban Art:
Remembering Cuba Through its Art,
Private Collections in Exile, Volume 1,
Arte al Día Internacional, 2004, page 132.

Illustrated in the book Carlos Enríquez:
The Painter of Cuban Ballads, Professor
Juan A. Martínez, Ph.D., Cernuda Arte,
Coral Gables, FL, 2010, page 235.

Cundo Bermúdez (1914 - 2008)
Portrait of Julio L. Berestein
(Retrato de Julio L. Berestein), ca 1942
oil on board laid down on canvas
24 ½ x 17 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 54.

Exhibited in Cundo Bermúdez:
Oils, Watercolors, Sculptures,
and Lithos, Cernuda Arte,
Coral Gables, FL, May, 2021,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in Amelia’s Friends
and Colleagues: 14 Master Painters
of the Vanguardia Movement,
Cernuda Arte, Coral Gables, FL,
July – November 2022, and
illustrated digitally on
cernudaarte.com, exhibitions.

Illustrated in the book, Cundo
Bermúdez, Cuban American
Endowment for the Arts, Miami, FL,
2000, page 83, no. 42.10.

This painting is accompanied by a
Certificate of Authenticity signed
by artist Cundo Bermúdez, dated
January 14, 1994.

Carlos Enríquez (1900 - 1957)
Nude
(Desnuda), 1949
ink on heavy paper laid down on board
20 7/8 x 16 1/2 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 18.

Provenance:
Collection of Madame Odette Lavergne,
Cannes, France;
Collection of Howard Farber, New York, NY.

Exhibited in Art Moderne and Contemporain,
Besch Commissaire, Hotel Martinez,
Cannes, France, Nov. 2009, and illustrated
in the auction catalog, page 63.

Exhibited in The Sensual and the Erotic
in Cuban Art (1900 to 2020), Cernuda Arte,
Coral Gables, Florida, November 2021,
and illustrated digitally on cernudaarte.com,
exhibitions.

Illustrated in the book Carlos Enríquez:
The Painter of Cuban Ballads, by Professor
Juan A. Martínez, Ph.D., Cernuda Arte,
Coral Gables, FL, 2010, page 211.

The sitter for this painting was
Germaine Lahens, third wife of
Carlos Enríquez.

Wifredo Lam (1902 - 1982)
Untitled [Arcane Dreams]
(Sin Título [Sueños Arcanos]), ca 1955
oil on canvas
58 7/8 x 94 1/4 inches
Signed and dated on the mid left.

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fourteen,
page 35.

Provenance:
Dr. René Díaz de Villegas y D’Estrampes
and Lydia Casas de Díaz de Villegas, Havana,
Cuba, who acquired it from the artist;
Private Collection, Zaragoza, Spain.

Exhibited in Wifredo Lam, University of
Havana, Pabellón de Ciencias Sociales,
Havana, Cuba, March 22 – April 22, 1955.

Illustrated in the magazine, Espacio,
Año IV - No. 17, January - April 1955,
University of Havana, n.n.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume I,
1923-1960, Project Director: Eskil Lam,
Acatos 1996, page 462, no. 55.36.

Illustrated in Wifredo Lam, Éditions
Centre Pompidou, Paris, France, 2015,
page 213, no. 40.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Monsieur Eskil Lam, dated
Paris, August 31, 2015, no. 15.09.

Wifredo Lam (1902 - 1982)
Untitled [Femme Cheval with Flowers]
(Sin Título [Mujer Caballo con Flores]), 1978
mixed media on heavy paper laid down on board
16 1/2 x 11 3/4 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Private Collection, Switzerland.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach, FL,
March, 2025.

Wifredo Lam (1902 - 1982)
The Two Brothers
(Los Dos Hermanos), 1972
oil on canvas
19 1/2 x 15 3/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 28.

Provenance:
Private Collection Europe.

Exhibited in Sotheby’s, Hong Kong, Oct. 1st,
2018, and illustrated in the corresponding
auction catalog, lot number 773.

This painting is accompanied by a
Photo Certificate of Authenticity,
signed by Eskil Lam, son of the artist,
dated Mar. 10, 2016.

Víctor Manuel García (1897 – 1969)
Stroll in the Park
(Paseo por el Parque), ca. 1954
oil on canvas
20 ¼ x 16 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 42.

Exhibited in the 6th Latin
American Art Auction, Miami,
Florida, January 10, 1999,
and illustrated as number 1
in the corresponding catalog.

Exhibited in Dallas Art Fair,
Dallas, Texas, April, 2016.

Exhibited in Víctor Manuel
(1897-1969): A Focus Exhibition,
Cernuda Arte, Coral Gables,
Florida, Jan. – Mar. 2021,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2024.

Oscar García Rivera (1914 – 1971)
Rumba in the Carnival
(Rumba en el Carnaval), ca 1940s
oil on canvas board
18 x 27 ¾ inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN
ARTWORKS, Volume Twenty-Two,
Cernuda Arte, Coral Gables, FL,
December 2026.

Provenance:
Collection Fernando Guerrao,
Murcia, Spain.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2025.

Wifredo Lam (1902 - 1982)
Untitled [Encounter at Dawn]
(Sin Título [Encuentro al Amanecer]), 1978
mixed media and pastel laid down on board
11 3/4 x 16 1/2 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN
ARTWORKS, Volume Twenty-Two,
Cernuda Arte, Coral Gables, FL,
December 2026.

Provenance:
Erker Galerie, St. Gallen, Switzerland.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Eskil Lam, numbered 24-32.

Antonio Gattorno (1904 - 1980)
Classicism versus Buffoonery
(Clasicismo versus Bufonería), 1943
oil on canvas
41 x 32 ⅛ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Sixteen,
page 34.

Provenance:
Private Collection, Levittown,
Pennsylvania (acquired directly
from the above ca. 1944).

Exhibited at the Passedoit Gallery,
New York, 1944. A facsimile of this
exhibition catalog accompanies
the artwork.

Exhibited in 60 Year Retrospective,
University Of Massachusetts, Dartmouth,
Massachusetts, 1978, illustrated and
listed as number 21 in the exhibition
brochure. A facsimile of this exhibition
catalog accompanies the artwork.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2018.

Exhibited in Antonio Gattorno
(1904 - 1980) Romantic Surrealism:
Six works from the 1940's and
1950's, Cernuda Arte, Coral
Gables, Florida, Jun. 2021 – Oct.
2021, and illustrated digitally
on cernudaarte.com, exhibitions.

Exhibited in A Surrealist Century
/ Un Siglo Surrealista, Cernuda
Arte, Coral Gables, Florida,
Aug. – Nov. 2024, and illustrated
digitally on cernudaarte.com,
exhibitions.

This work is accompanied by a
Certificate of Authenticity signed
by Terri Cabral, President of The
Antonio Gattorno Foundation dated
February 10, 2018.

Wifredo Lam (1902 – 1982)
Fury
(Furia), 1946
ink on paper laid down on board
12 ½ x 9 ½ inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Private Collection of Helena Benitez
(wife of Wifredo Lam), who bequeathed
it to a doctor in New York State as
part of her will;
By inheritance, from the doctor,
to a private collector in New York.

This work appears illustrated in
Wifredo and Helena: My Life with
Wifredo Lam, 1939-1950, Helena Benítez,
Acatos, 2000, page 161.

This work is accompanied by a copy
of a letter, written by Helena Benítez,
authorizing the transfer of the artwork
to the previous owner.

This work is also accompanied by a copy
of a letter, written by the previous
owner, authorizing the transfer of the
artwork to Cernuda Arte.

Amelia Peláez (1896 - 1968)
Woman with Fish
(Mujer con Pez), 1948
oil on canvas
52 x 40 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
front cover, and also on page 26.

Provenance:
Collection of Dulce María Loynaz del Castillo, poet;
Private Collection, Dominican Republic.

Exhibited in Miami Currents: Linking Collection
and Community, Miami Art Museum of Dade County (MAM),
Miami, Florida, October 30, 2002 – March 2, 2003.

Exhibited in Amelia Peláez: The Craft of Modernity,
Pérez Art Museum Miami, Miami, Florida,
December 4, 2013 – February 23, 2014.

Exhibited in Lydia Cabrera and Édouard Glissant:
Trembling Thinking, Americas Society, New York, NY,
October 9, 2018 - January 12, 2019.

Exhibited in Where the Oceans Meet,
Museum of Art and Design, Miami Dade College’s
Freedom Tower, May 26, 2019 – January 12, 2020.

Exhibited in 100 Years of Creation by
Twenty Women Artists (1922 – 2022), Cernuda Arte,
Coral Gables, Florida, July – December, 2022,
and illustrated digitally on cernudaarte.com,
exhibitions.

Exhibited in Art Miami, Florida,
November 29 – December 4, 2022.

Exhibited in The Lost Generation:
Women Ceramicists and the Cuban Avant-Garde,
McMullen Museum of Art, Boston College,
Boston, MA, Jan. to Jun., 2024, curated
by Dr. Elizabeth Thompson Goizueta.

Second venue, at Frost Art Museum,
Florida International University, Miami, FL,
Jun. 29 to Sep. 29, 2024, and illustrated
in the corresponding exhibition catalog,
page 140 and back cover.

Illustrated in Cuban Art & Identity: 1900-1950,
Dr. Juan A. Martínez, Vero Beach Museum of Art,
Vero Beach, Florida, 2013, page 39.

Illustrated in the book Amelia Peláez:
The Craft of Modernity, René Morales and
Ingrid S. Elliott, Pérez Art Museum Miami,
Miami, FL, 2013, pages 92 and 93.

Illustrated in the scholarly publication
ARAS Connections, Amelia: Images of Mystery,
the Transformation of Shadow in Women,
Joan Golden-Alexis, Archive for Research
in Archetypal Symbolism, Issue 3,
New York, NY, 2018, pages 18 and 24,
with critical text on page 24 and 25.

Illustrated in “Lydia Cabrera and
Édouard Glissant: Trembling Thinking,”
Elvis Fuentes, ArtNexus Magazine, no. 111,
Bogota, Colombia, Dec. – Feb. 2019.

Cundo Bermúdez (1914 - 2008)
Portrait of Marta
(Retrato de Marta), 1947
oil on canvas
26 x 21 ¼ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Twenty-One,
page 64.

Provenance:
Marta Sardiñas de Fernández
de Castro, Havana, Cuba, who
acquired it directly from
the artist.

Exhibited in Art Miami Fair,
Miami, FL, December, 2017.

Exhibited in Cundo Bermúdez: Oils,
Watercolors, Sculptures, and Lithos,
Cernuda Arte, Coral Gables, FL,
May, 2021, and illustrated digitally
on cernudaarte.com, exhibitions.

Illustrated in Important Cuban
Artworks, Volume Six, Cernuda Arte,
December 2006, cover page.

Illustrated in the book Pintores
Cubanos, Ediciones R, Havana, 1962,
page 125.

Illustrated in the Enciclopedia de
Cuba, Enciclopedia y Clásicos, San
Juan. First Edition, 1974; Second
Edition, 1977.

This painting is accompanied by a
Photo-Certificate of Authenticity,
signed by Cundo Bermúdez,
dated October 1, 2007.

Cundo Bermúdez (1914 - 2008)
Portrait of a Lady [Mrs. Lidia Plá de Osuna],
(Retrato de una Dama [Lidia Pla de Osuna] ), 1964
oil on canvas
30 ¼ x 25 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Sixteen, page 45.

Provenance:
Dr. Ramón Osuna acquired it from the artist;
Private Collection, Coconut Grove, Florida.

This painting was exhibited in
Cundo Bermúdez: An Homage, Cuban
Museum of Arts and Culture, Miami,
Florida, April 1987.

Exhibited in A Group Show of
Cuban Art Masters, Cernuda Arte,
Coral Gables, FL, May – July, 2018,
and illustrated digitally on
cernudaarte.com, exhibitions.

Illustrated in Siempre Fiel a la
Forma Humana, Luisa Esquiroz,
El Nuevo Herald newspaper, front
page of Galería section, May 3rd, 1987.

Illustrated in the book Cundo
Bermúdez, Leslie Judd Ahlander,
Edward J. Sullivan, Ana María
Bannatyne-Alvarez, Carol Damian and
others, Cuban American Endowment for
the Arts., 2000, page 54, No. 44.1.

Cundo Bermúdez (1914 - 2008)
Red Monk
(Monje Rojo), 1948
gouache on paper
35 ½ x 25 ¼ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eighteen,
page 53.

Provenance:
Armando Segri Gallery, New York;
Francisco Olartecoechea Collection,
New York.

Exhibited in A Celebration of
Cuban Art, Cathedral St. John
the Divine, New York, Feb. 1973.

Exhibited in Selections of Cuban
Art from the Olartecoechea
Collection at the Bacardi Art
Gallery, Miami, Florida, and the
Cuban Museum of Arts and Culture,
Miami, FL, April 30 – May 19, 1982,
and illustrated on the front cover
of the accompanying catalog.

Exhibited in Revisitas Cubanas,
The Cuban Museum of Arts and
Culture, Miami, FL, October, 1984.

Exhibited in Sotheby's Latin
American Art Auction, May 18, 1993,
and illustrated in the corresponding
auction catalog, lot 161.

Exhibited in Cuban Art & Identity:
1900-1950, Vero Beach Museum of Art,
Vero Beach, Florida, Oct.19, 2013 –
Feb. 2, 2014, curated by Dr.
Juan A. Martínez, and illustrated
in the accompanying catalog, page 22.

Exhibited in Art Miami Fair, Miami,
Florida, December, 2021.

Illustrated in the book Cundo Bermúdez,
Cuban-American Endowment
for the Arts, Inc., V. Báez (editor),
Miami, FL, 2000, page 94, no. 88.1.

Wifredo Lam (1902 - 1982)
Woman
(Mujer), 1938
oil on heavy paper laid down on canvas
28 x 25 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 28.

Provenance:
Private Collection, Geneva, Switzerland;
Private Collection, Mexico City, Mexico.

Exhibited inDallas Art Fair,
Dallas, Texas, April, 2019.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier,
Chicago, Illinois, April, 2022.

Exhibited in Amelia’s Friends and
Colleagues: 14 Master Painters of the
Vanguardia Movement, Cernuda Arte,
Coral Gables, FL,July - November 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume I,
1923-1960, Acatos, Project Director:
Eskil Lam, page 257, no. 38.38.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Monsieur Eskil Lam,
Paris, January 22, 2013.

Wifredo Lam (1902 - 1982)
Portrait
(Retrato), 1969
oil on canvas
25 3/4 x 21 1/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 25.

Provenance:
Private Collection, Paris, France;
Galeria Fabien Boulakia, Paris, France;
Private Collection, Switzerland.

This painting was exhibited in
Wifredo Lam, L'Oiseau Du Possible
(1930-1975), Galerie Boulakia, Paris, France,
2004, and illustrated in the exhibition
catalog, pages 98-99.

Exhibited in Baroque de la Superposition,
Musée des Beaux-Arts André Malraux,
Le Havre, France, 1977, and illustrated
in the exhibition catalog on page 24,
and listed on page 35, no. 76.

Illustrated in Lam, M. Leiris, Fratelle
Fabbri, Milan, Italy & Harry N. Abrams Inc.
Publisher, New York, 1970,
no. 170 and no. 174.

Illustrated in Wifredo Lam,
Max-Pol Fouchet, First Edition, 1976,
page 241, no. 523, and in Wifredo Lam,
Max-Pol Fouchet, Second Edition, 1989,
page 261, no. 555.

Illustrated in Wifredo Lam,
Lucien Curzi, Edizioni Bora,
Bologna, Italy, 1978, page 40, no. 47.

Illustrated twice in Wifredo Lam:
Catalogue Raisonné of the Painted Work,
Volume II, 1961-1982, Project Director:
Eskil Lam, Acatos 2002, on page 82, no. 3
and again on page 319, no. 69.46.

This painting is accompanied
by a Certificate of Authenticity
signed and dated by Madame
Lou Laurin-Lam, Paris, Feb. 21,
2011, no. 11-05.

Wifredo Lam (1902 - 1982)
Untitled [Femme Cheval]
(Sin Título [Mujer Caballo]), 1950
ink on paper
6 x 4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Seventeen,
page 25.

Exhibited in Wifredo Lam and The Cuban
Avant-Garde: Fifty Years of Art,
Cernuda Arte, Coral Gables, Florida,
April - August 2013.

Exhibited in BLACK ART MATTERS:
13 Modern and Contemporary
Afro-Cuban Masters, Cernuda Arte,
Coral Gables, Florida, June – Dec. 2020,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2023.

This painting is accompanied by a
Certificate of Authenticity issued by
Galerie Lelong, Paris, France, dated
Sep. 2012 and signed by Daniel Lelong,
principal.

Wifredo Lam (1902 - 1982)
Untitled [Figure on the Balcony]
(Sin Título [Figura en el Balcón]), ca. 1942
mixed media on heavy paper
laid down on board
38 ¾ x 31 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fourteen,
page 30.

Provenance:
Private Collection, Havana, Cuba;
Galleria Ferrari Collection,
Treviglio, Italy.

Exhibited in Wifredo Lam ou l'Éloge du
Métissage, Villa Medicis, Rome, Italy, 1992,
and at the Palazzo della Permanente, Milan,
Italy, 1993.

Exhibited in Wifredo Lam, l'Oiseau
du Possible, Oeuvres de 1930 à 1978,
Galerie Boulakia, Paris, France,
May-July 2004, and illustrated in the
exhibition catalog, pages 40-41.

Exhibited in Three Centuries of Cuban
Art, Cernuda Arte, Coral Gables, FL,
June – Oct. 2017, and illustrated
digitally on cernudaarte.com,
exhibitions.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume I,
1923-1960, Project Director: Eskil Lam,
Acatos 1996, page 308, no. 42.66.

Wifredo Lam (1902 - 1982)
Untitled [Shower of Color]
(Sin Título [Lluvia de Color]), 1977
one-of-a-kind terracotta plate,
hand painted by the artist
16 ¼ inches in diameter

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 32.

Signed by the artist, lower right;
signed “Ceramiche S. Giorgio,
Albisola” on the reverse.

Provenance:
Ceramiche S. Giorgio, Albisola, Italy,
who acquired it directly from the artist;
Il Ponte, Arte Moderna e
Contemporanea, Milano, Italy;
Cernuda Arte, Coral Gables, FL.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, September, 2019.

Exhibited in NSU Art Museum,
Remember to React: 60 Years of
Collecting, Museum Director Bonnie
Clearwater, Fort Lauderdale, FL, Sep.
2018 - Oct. 2019.

Exhibited in BLACK ART MATTERS:
13 Modern and Contemporary
Afro-Cuban Masters, Cernuda Arte,
Coral Gables, FL, June - Dec. 2020,
and illustrated digitally on
cernudaarte.com, exhibitions.

This artwork is accompanied by a
Photo-Certificate of Authenticity,
signed by Eskil Lam, son of the
artist, dated Nov. 19, 2015.

Wifredo Lam (1902 - 1982)
(Sin Título [Figura y Pájaro])
(Sin Título [Lluvia de Color]), 1977
one-of-a-kind terracotta plate,
hand painted by the artist
16 inches in diameter
signed lower-right, dated lower-right.

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eighteen,
page 41.

Exhibited at the Danmark Keramikmuseum,
Museum of International Ceramic Art,
Denmark, 2007, and illustrated in the
corresponding catalog, page 96.

Exhibited in WIFREDO LAM (1902 - 1982)
The Mature Period: Twenty-One Paintings,
Ceramics, and Sculptures from 1955 to
1970s, Cernuda Arte, Coral Gables, FL,
August, 2021, and illustrated digitally
on cernudaarte.com, exhibitions.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, April, 2022.

Wifredo Lam (1902 - 1982)
Untitled [Portrait of a Lady]
(Sin Título [Retrato de Señora]) , 1932
oil on canvas
39 ½ x 31 ¾ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume olume Twenty-One,
page 20.

Provenance:
Manuel Reguera Saumell Collection,
Havana, Cuba and Barcelona, Spain.

Exhibited in A Surrealist Century /
Un Siglo Surrealista, Cernuda Arte,
Coral Gables, FL, Aug. 2024 – Jan.
2025, and illustrated digitally on
cernudaarte.com, exhibitions.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume I,
1923-1960, Acatos, Project Director:
Eskil Lam, page 233, no. 32.02.

This work is accompanied by a
Photo-Certificate issued by
Lou Laurin-Lam, wife of the artist,
n° 94-41, Paris, April 28, 1994.

Wifredo Lam (1902 - 1982)
Untitled [Lady with Hat]
(Sin Título [Dama con Sombrero]), 1978
mixed media and pastel laid down on board
11 3/4 x 16 1/2 inches
signed, inscribed and dated lower left
W. Lam, St. Gallen 20.10.78.

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 31.

Provenance:
Erker Galerie, St. Gallen, Switzerland.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Eskil Lam, numbered 24-29.

Wifredo Lam (1902 - 1982)
Untitled [Lady with Eleguas]
(Sin Título [Dama y Eleguas]), 1978
mixed media and pastel laid down on board
11 3/4 x 16 1/2 inches

Provenance:
Erker Galerie, St. Gallen, Switzerland.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Eskil Lam, numbered 24-28.

Wifredo Lam (1902 – 1982)
Untitled [The Couple and Elegua]
(Sin Título [La Pareja y el Elegua]), 1973
oil on canvas
14 x 17 ¾ inches
signed and dated on reverse

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Galleria d’Arte Cafiso, Milan, Italy;
Private collection, San Marino;
Christie's, New York, May 27, 2015,
lot 29.

Illustrated in Wifredo Lam:
Catalogue Raisonné of the Painted
Work, Volume II, 1961-1982, Project
Director: Eskil Lam, Acatos 2002,
on page 421, no. 73.176.

Wifredo Lam (1902 – 1982)
Untitled [Femme Cheval in Green Background]
(Sin Título [Mujer Caballo en Fondo Verde]), 1972
oil on canvas
9 ¾ x 13 ¾ inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Fratelli Orler Gallery,
Favaro Veneto (VE);
Private Collection, Milan, Italy.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume II,
1961-1982, Project Director: Eskil Lam,
Acatos 2002, on page 380, no. 72.123.

This artwork is accompanied by a
Photo-Certificate of Authenticity
signed by the artist.

Wifredo Lam (1902 - 1982)
Homenaje a Ana María Peicetto,
Albisola Mare, Italia
(Homage to Ana María Peicetto,
Albisola Mare, Italy), 1964
ink and oil on heavy paper
laid down on canvas
13 ½ x 19 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 52.

This painting was part of the
exhibition, Wifredo Lam, Un Percorso,
Galeria Grupo Credito, Valtellinese,
Milano, Italy.
It was also exhibited at the Palazzo
Sertoli, Milano, Italy, Nov. 15, 2002
to Jan. 23, 2003, and illustrated in
the exhibition catalog
on page 125. 24

Exhibited in AMELIA’S FRIENDS AND
COLLEAGUES: 14 Master Painters of the
Vanguardia Movement, Cernuda Arte,
Coral Gables, Fl, July – Nov. 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

The work is accompanied by a
Photo-Certificate of Authenticity
signed by Madame Lou Laurin-Lam,
on June 9, 1999.

Mario Carreño (1913 - 1999)
Young Lady with Guitar
(Muchacha con Guitarra), 1944
mixed media on cardboard
9 x 6 3/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Six,
page 35.

Exhibited in Three Centuries of Cuban
Art, Cernuda Arte, Coral Gables, FL,
June – October, 2017, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited in Amelia’s Friends
and Colleagues: 14 Master Painters
of the Vanguardia Movement,
Cernuda Arte, Coral Gables, FL,
July – Nov. 2022, and illustrated
digitally on cernudaarte.com,
exhibitions.

Wifredo Lam (1902 - 1982)
Osun
(Osún), 1977
bronze sculpture 2/8
39 ¼ x 19 x 9 inches

Provenance:
Public auction, Saint-Germain
-en-Laye, June 23, 1992.

Illustrated LAM, retrospective at
the Musée d'Art Moderne de la
ville de Paris, 1983, identical
model reproduced under n°151.

Illustrated [different number] in
Wifredo Lam: Catalogue Raisonné of
the Painted Work, Volume II, 1961-
1982, Project Director: Eskil Lam,
Acatos 2002, page 225, no. 125.

We thank Mr. Eskil LAM for kindly
confirming the authenticity of
this work and the above
information.