Cernuda Arte

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MODERN ART: The Vanguardia artists, 2nd Floor, 3155 Building.

Exhibition Photos

René Portocarrero (1912 – 1985)
Cathedral in Red
(Catedral en Rojo), 1958
oil on canvas
18 ⅛ x 13 ⅛ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 58.

Provenance:
Private Collection, Caracas, Venezuela.

Exhibited in Art Wynwood Fair,
Miami, Florida, February, 2024.

René Portocarrero (1912 – 1985)
Flowers
(Flores), 1969
oil on canvas
16 ¾ x 12 ⅞ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 59.

Provenance:
Private Collection, Zaragoza, Spain.

Exhibited in Art Wynwood Fair,
Miami, FL, February, 2020.

Exhibited in RENÉ PORTOCARRERO
(1912 - 1985) Fifteen Creations From
The 1940's To 1970's, Cernuda Arte,
Coral Gables, Dec. 2020 - July 2021,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2023.

This painting is accompanied by
a Photo-Certificate of Authenticity
signed by José Veigas Zamora and
Ramón Vázquez Díaz, dated March 8,
2011.

Mario Carreño (1913 – 1999)
Viñales Landscape
(Paisaje de Viñales), 1941
mixed media on canvas
30 ¼ x 24 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 61.

Exhibited in Christie’s New York
Latin American Sale, Important
Collection, June 1, 2000, lot no. 70,
and illustrated twice in the
corresponding catalog, inside
cover and page 27.

Exhibited in Cuban Art in the 20th
Century: Cultural Identity and the
International Avant-Garde, Florida State
University Museum of Fine Arts,
Tallahassee, FL, Feb. 12, 2016 - Mar. 27,
2016, curated by Segundo J. Fernandez,
PhD, and illustrated in the accompanying
catalog, pages 85.

An exhibition which traveled to the
Coral Gables Museum, Coral Gables, FL,
Jan. 22, 2017 – Apr. 23, 2017.

Exhibited in A Group Show of Cuban Art
Masters, Cernuda Arte, Coral Gables, FL,
May – July 2018, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2025.

René Portocarrero (1912 – 1985)
Interior with Women
(Interior con Mujeres), 1947
pastel on heavy paper laid down on museum board
24 1/4 x 18 1/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 54.

Provenance:
Stockholm, Sweden.

Exhibited in Kubanska målare,
Liljevalchs Konsthall, Stockholm
October 29 – November 27, 1949,
and appears illustrated in the
corresponding catalog, page 20,
no. 72.

Exhibited in Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2024.

“In 1947, Portocarrero begins to work
on a group of pastels that occupy him
all of that year and are prolonged
sporadically until 1949... in this
collection of pastels it is possible
to find still life’s with flowers,
images from catholic iconography,
interiors with elaborate screen
panels, groups of dancers, harlequins,
and also, the exceptional version of
a native satyr... Brilliant colors
contained by black lines establish a
distorted accent that configures the
grotesque and agitated character of
these works, reflecting moments of
dramatic expressionism.”

Graziella Pogolotti and Ramón Vázquez,
René Portocarrero, Editorial Henschel,
Berlin, 1987.

René Portocarrero (1912 – 1985)
Interior with Personnages
(Interior del Cerro con Personajes), 1943
gouache on paper laid on board
19 ¾ x 14 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Eduardo de Acevedo, Havana & New York
(acquired as a gift from the artist);

René Portocarrero (1912 – 1985)
Ciudad
(City), 1969
mixed media on cardboard
laid down on canvas
32 x 36 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eight,
page 47.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2010.

Illustrated in Todo Sobre Portocarrero,
Ramón Vázquez Díaz, Axel Li, José Veigas,
Fundación Arte Cubano, 2014, page 255.

René Portocarrero (1912 – 1985)
Cathedral in Sienna
(Catedral en Siena), 1961
oil on canvas
31 ⅛ x 23 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Thirteen,
page 63.

Exhibited in René Portocarrero,
Exposición Retrospectiva, National
Museum of Fine Arts, Havana, Cuba,
July 19, 1967, and listed in the
accompanying catalog, no.174.

A partial exhibition label for this
show can be found on the reverse of
the painting.

Exhibited in Amelia’s Friends
and Colleagues: 14 Master Painters
of the Vanguardia Movement,
Cernuda Arte, Coral Gables, FL,
July – Nov. 2022, and illustrated
digitally on cernudaarte.com,
exhibitions.

Illustrated in the book The Lost
Generation: Women Ceramicists and the
Cuban Avant-Garde | La Generación
Perdida: Mujeres Ceramistas y La
Vanguardia Cubana, curated by Dr.
Elizabeth Thompson Goizueta, ed,
McMullen Museum of Art, Boston
College, Boston, 2023, page 189,
no. 137.

This painting is also accompanied
by a Photo-certificate of Authenticity
signed by José Veigas Zamora and Ramón
Vázquez Díaz, dated Nov. 11, 2014.

René Portocarrero (1912 – 1985)
Ornamented Figure
(Figura Ornamentada), 1963
collage and ink on paper laid
down on board
29 ¾ x 21 ⅞ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eleven,
page 47.

Provenance:
Giuseppe Santoro Collection.
Giuseppe Santoro was an Italian
Diplomat in Cuba.

Exhibited in the retrospective
René Portocarrero, Exposición
Retrospectiva, National Museum
of Fine Arts, Havana, Cuba,
August 1967, and is illustrated
& listed in the corresponding
exhibition catalog, no. 290.

Illustrated in Islas, Revista de
la Universidad de Las Villas,
September – October 1966,
page 163.

Illustrated in the book René
Portocarrero, Graziella Pogolotti
and Ramón Vázquez Díaz, Editorial
Letras Cubanas, Havana, Cuba,
1987, n.n.

René Portocarrero (1912 – 1985)
Masked Figures
(from the Carnival series)
(Figuras Enmascaradas,
de la Serie Carnavales), 1970
mixed media on heavy paper
laid down on board
19 ¾ x 25 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fifteen,
page 63.

Provenance:
Collection Bern, Switzerland.

Exhibited in René Portocarrero
(1912 - 1985) Fifteen Creations from
the 1940s to 1970s, Cernuda Arte,
Coral Gables, December 2020 - July
2021, and illustrated virtually on
cernudaarte.com

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, September, 2022.

René Portocarrero (1912 – 1985)
Havana City
(Ciudad de La Habana), 1961
oil on canvas
18 1/8 x 14 1/16 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 56.

Provenance:
Private Collection, Madrid, Spain.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2023.

We are grateful to Fundación Arte Cubano
for having confirmed the authenticity
of their artwork.

René Portocarrero (1912 – 1985)
Flowers
(Flores), 1970
oil on canvas
20 ⅛ x 16 ⅛ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 53.

Provenance:
Private Collection, Paris, France.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2022.

“The eloquence of the flower does not
reach us by its form or its fragrance,
but when we are aware of its identity
... A painting is like a child or like
a flower. But if we only know the child
is named Juan, and that the flower is
a rose or a hibiscus, then we know
nothing of the child or the flower.
And the same of a painting, if we only
pay attention to its representation.”

René Portocarrero, Anotaciones
en Orden a la Pintura, Revista Islas,
No. 22, 1966.

Gina Pellón (1926 – 2014)
Lady in her Chamber
(Dama en su Habitación), 1978
mixed media on canvas
50 ¾ x 38 ¼ inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Acquired directly from the artist’s Estate.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2025.

Wifredo Lam (1902 – 1982)
Untitled [Composition]
(Sin Título [Composición]), 1959
mixed media on heavy paper laid
down on board
19 ¼ x 25 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Private Collection, Paris, France.

This work is accompanied by a
copy of a certificate from Lou
Laurin Lam, dated December 15,
1987.

We are grateful to Monsieur
Eskil Lam for having confirmed
the authenticity of this artwork.

Agustín Fernández (1928 – 2006)
Untitled [Shield]
(Sin Título [Escudo]), 1975
oil on canvas
30 inches round, diameter

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Private Collection, Carrollton, TX.

Agustín Fernández (1928 – 2006)
Armor
(Coraza), 1975
oil on canvas
33 inches round, diameter

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 81.

Exhibited in The Sensual and the
Erotic in Cuban Art (1900 to 2020),
Cernuda Arte, Coral Gables, FL,
November 2021, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited in Agustín Fernández
(1928 – 2006): Choices.,
Cernuda Arte, Coral Gables, Fl,
Aug. – Sep. 2025, and illustrated
digitally on cernudaarte.com,
exhibitions.

Fidelio Ponce De León (1895 – 1949)
Devout Woman
(La Beata), 1943
oil on canvas
25 x 26 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 44.

Provenance:
Sra. Margot del Monte Collection.

Exhibited in Exposición Fidelio Ponce
de León, 1895-1949, Museo Nacional
de Bellas Artes, Havana, Cuba, 1958,
and appears listed as no. 77 in the
corresponding catalog.

Exhibited at Christie's, New York, NY,
May 19, 1987, lot 136 and illustrated in
the auction catalog.

Exhibited in A Selection of Modern
(Vanguardia) Cuban Masters Championed
By Dr. Guy Pérez-Cisneros, Cernuda Arte,
Coral Gables, Aug. – Oct.2015, and
illustrated digitally on cernudaarte.com,
exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2023.

René Portocarrero (1912 – 1985)
The Happy Family
(La Familia Feliz), 1944
oil on wood
34 1/2 x 29 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 51.

Provenance:
Robert Coghlan, Sag Harbor, New York;
Sotheby’s, New York, Latin American
Painting Sale, 7 May 1980;
Blanc Family Collection, Coral Gables, FL;
Private Collection, Pinecrest, FL.

Exhibited in Wifredo Lam and His
Contemporaries 1938 – 1952,
Studio Museum, Harlem, New York,
Dec. 1992 - Apr. 1993, and
illustrated in the accompanying
exhibition catalog, p. 166, no. 103.

Exhibited in Fuego en el Batey,
Cernuda Arte, Coral Gables, FL,
July - Aug. 2009, and illustrated
virtually on cernudaarte.com,
exhibitions.

Exhibited in Cuban Art and Identity:
1900-1950, Vero Beach Museum of Art,
Vero Beach, FL, curated by Professor
Juan A. Martínez, Oct. 2013 - Feb. 2014,
and illustrated in the corresponding
museum book, page 47, no. 49.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2023.

Illustrated in the book PORTOCARRERO,
Ramón Vázquez Díaz, Fundación Arte Cubano,
Artes Gráficas Palermo, Madrid, Spain, 2015,
page 132.

René Portocarrero (1912 – 1985)
Figure
(Figura), 1964
oil on canvas
33 ½ x 23 ¼ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 51.

Provenance:
Morgenstern Art Gallery, Miami, FL.

Exhibited in René Portocarrero,
Museo de Arte Moderno, May 1965,
Bosque de Chapultepec, Mexico,
and appears listed and illustrated
in the corresponding exhibition
catalog, no. 10.

Exhibited in René Portocarrero,
Exposición Retrospectiva, Museo
Nacional de Bellas Artes,
Havana, Cuba, July, 1967,
and listed in the corresponding
museum catalog, number 296.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2024.

René Portocarrero (1912 – 1985)
Seven Carnival Figures
(Siete Figuras de Carnaval), 1970
mixed media on heavy paper
laid down on board
19 ¾ x 25 ¾ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 57.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, April, 2025.

Exhibited at Art Palm Beach +
Contemporary Art Fair, Palm Beach,
Florida, January, 2026.

This painting is accompanied by a
Photo Certificate of Authenticity
signed by Giulio V. Blanc, dated
November 13, 1993.

René Portocarrero (1912 – 1985)
Family at the Carnival
(Familia en el Carnaval), 1970
mixed media on heavy paper
laid down on board
19 ¾ x 25 ¾ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 58.

Provenance:
Private Collection, Alden, Germany.

Exhibited in RENÉ PORTOCARRERO
(1912 - 1985) Fifteen Creations From
The 1940's To 1970's, Cernuda Arte,
Coral Gables, Dec. 2020 – July 2021,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited at Art Palm Beach +
Contemporary Art Fair, Palm Beach,
Florida, January, 2026.

Wifredo Lam (1902 - 1982)
Figures
(Figuras), 1973
oil on canvas
31 1/2 x 39 1/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 27.

Provenance:
Private Collection, Milan, Italy.

Exhibited in the two-museum show,
Wifredo Lam ou L’Éloge du Métissage,
Rome, Villa Medici, Nov.1992 - Jan. 1993;
which later traveled to the Palazzo della
Permanente, Milan, Italy, Feb. - Mar. 1993,
and illustrated in the corresponding
catalog, page 163.

Exhibited in the two-museum show,
Wifredo Lam. Cuba Italia. Un Percorso,
Milan, Refettorio delle Stelline and
Sondrio, Palazzo Sertoli and Museum of
History and also at Art Palazzo Sassi de’
Lavizzari, Nov. 15, 2002 - Jan. 25, 2003,
and illustrated in the corresponding
catalog page 109, no. 63.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2024.

Illustrated in Wifredo Lam, 1st edition,
Max-Pol Fouchet, Poligrafa-Cercle d’Art,
Barcelona-Paris, 1976, as no. 673.
Also illustrated in Wifredo Lam, Max-Pol
Fouchet, 2nd Ed., Editiones Poligrafa,
Barcelona, 1989, as no. 705.

Illustrated in Wifredo Lam: Catalogue
Raisonné of the Painted Work, Volume II,
1961-1982, Project Director: Eskil Lam,
Acatos, 2002, page 438, no. 73.250.

This painting is accompanied by a
Photo Certificate of Authenticity
signed by Eskil Lam, son of the artist,
Paris, May 27, 2024.

Agustín Cárdenas (1927 – 2001)
Farewell to the Night
(Adiós a la Noche), 1989
bronze sculpture,
Artist's proof 2 of 4
6 ¾ x 14 ½ x 7 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

This sculpture is accompanied by a
Photo Certificate of Authenticity
signed by Livia Cárdenas and Cesar Segnini,
director of the Galería Durbán Segnini,
dated Dec. 28, 1997.

Agustín Cárdenas (1927 – 2001)
The Family
(La Familia), ca. 1984
bronze sculpture, No. 2 of 8
12 ½ x 7 x 7 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twelve,
page 96.

Provenance:
Private Collection, Paris, France;
Art Curial, Paris, France.

Exhibited in Art Wynwood Fair,
Miami, Florida, Feb. 2020.

Exhibited in The Sensual and the
Erotic in Cuban Art (1900 to 2020),
Cernuda Arte, Coral Gables, FL, Nov.
2021, and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, April, 2023.

Agustín Cárdenas (1927 – 2001)
Lovely Young Woman
(Bella Joven Mujer), 1989
bronze sculpture,
Artist's proof 2 of 4
6 ¾ x 8 ¼ x 5 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

This sculpture is accompanied by a
Photo Certificate of Authenticity
signed by Livia Cárdenas and
Cesar Segnini, director of
the Galería Durbán Segnini,
dated Dec. 28, 1997.

Fidelio Ponce De León (1895 – 1949)
The Procession
(La Procesión), ca. 1944
oil on canvas
27 x 35 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 44.

Provenance:
Margot del Monte Collection,
Havana, Cuba.

Exhibited in Exposición de Óleos de
Fidelio Ponce de León, University of
Havana, Cuba, August 1948, and listed
in the corresponding catalog, no. 31.

Exhibited in Latin American Art,
Sotheby’s, New York, New York, Nov.
25-26, 1986, and illustrated in the
exhibition catalog, no. 69.

“One of Ponce’s only attempts at
panoramic compositions is Procesión
(Procession), 1940’s. This impressive
painting shows a devout procession from
a certain distance, in a desolate and
expansive landscape. Closer to the
viewer, we see the backs of a group of
female spectators kneeling and looking
towards the long and seemingly slow
caravan of hardly identifiable figures,
who are carrying a devotional statue
and other religious objects.”

Juan A. Martínez,
from the forthcoming book
Fidelio Ponce de León: A Cuban Original,
Manuscript, page 68

René Portocarrero (1912 – 1985)
Viñales Landscape
(Paisaje de Viñales), 1944
oil on cardboard
24 3/4 x 23 1/2 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 50.

Provenance:
Ramón Osuna, Collection,
Havana, Cuba;
Henry Gutiérrez Collection,
San Juan, Puerto Rico.

Exhibited in René Portocarrero,
Exposición Retrospectiva, Museo
Nacional de Bellas Artes, Havana,
Cuba, July, 1967, and listed in the
corresponding museum catalog,
number 41.

Illustrated in Pintores Cubanos,
Oscar González Hurtado and
Edmundo Desnoes,Ediciones R,
Havana, Cuba, 1962, page 105.

Illustrated in La Enciclopedia de Cuba,
(all four editions) Arquitectura y
Artes Plásticas, volume seven,
Editorial Playor, Madrid, Spain,
1977, page 163.

Amelia Peláez (1896 - 1968)
Still Life with Fruits
(Naturaleza Muerta con Frutas), 1935
oil on canvas
27 3/4 x 32 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 22.

Exhibited in Amelia Peláez, A
Retrospective, National Museum of
Fine Arts, Havana, Cuba, Nov. 1968,
and listed number 60 in the exhibition
catalog.

Exhibited in Amelia Peláez, The Craft
of Modernity, Perez Art Museum, Miami,
December 2013 and illustrated in the
accompanying exhibition book,
pages 44 & 45.

Exhibited in The Lost Generation: Women
Ceramicists and the Cuban Avant-Garde,
McMullen Museum of Art, Boston College,
Boston, MA, Jan. to Jun., 2024, curated
by Dr. Elizabeth Thompson Goizueta.

Second venue, at Frost Art Museum,
Florida International University,
Miami, FL, Jun. 29 to Sep. 29, 2024,
and illustrated in the corresponding
exhibition catalog, page 133.

Illustrated in the book Amelia Peláez,
by Alejandro Alonso, Editorial Letras
Cubanas, Havana, Cuba, 1988,
pages 20 and 21.

Illustrated in the book Amelia Peláez,
Cerámica, by María Elena Jubrías,
Ediciones Vanguardia Cubana,
Fundación Arte Cubano, Escandón
Editores, 2008, Sevilla, Spain,
page 18.

This painting is accompanied
by a Certificate of Authenticity
dated Jan. 15, 2001, signed by
Ramón Vázquez Díaz.

Mariano Rodríguez (1912 – 1990)
Still Life
(Bodegón), ca. 1940-41
oil on canvas
21 x 25 3/4 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Private Collection, Monaco.

Illustrated in Mariano, Catálogo
Razonado, Pintura, dibujo y cerámica,
1950-1966, Volumen II, Vanguardia Cubana
editions, 2008, page 66, numbered 40.27.

Illustrated in Mariano, Tema, Discurso
y Humanidad, Dannys Montes de Oca,
Escandón Impresores, Sevilla, Spain,
2004, pages 126 and 127.

This painting is accompanied by a
Photo-Certificate of Authenticity,
signed by Alejandro and Dolores
Rodríguez, son and daughter of
the artist, dated Oct. 11, 2000.

Wifredo Lam (1902 - 1982)
Femme Cheval and Bird
(Mujer con Caballo y Pájaro), 1974
pastel on paper laid down on board
30 x 22 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eleven,
page 53.

Exhibited in A Surrealist Century /
Un Siglo Surrealista, Cernuda Arte,
Coral Gables, FL, Aug. – Nov. 2024,
and illustrated digitally on
cernudaarte.com, exhibitions.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Madame Lou Laurin Lam,
dated October 20, 2011, no. 11-25.

René Portocarrero (1912 – 1985)
Cathedral in Blue
(Catedral en Azul), 1975
mixed media on heavy paper
laid down on canvas
30 x 21 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fourteen,
page 58.

Provenance:
Private Collection, Pembroke Pines, FL;
Private Collection, Le Vaud, Switzerland.

Exhibited in The Rebels: Those Who Dared Defy,
Cernuda Arte, Coral Gables, Florida,
Oct. 2016 - Feb. 2017, and illustrated
digitally on cernudaarte.com, exhibitions.

Exhibited in Art Wynwood Fair,
Miami, Florida, February, 2023.

Illustrated in the book, Todo Sobre
Portocarrero, Ramón Vázquez Díaz,
Axel Li and José Veigas, Ediciones
Vanguardia Cubana, 2014, page 246.

Wifredo Lam (1902 – 1982)
Composition
(Composición), 1957
mixed media on heavy paper
laid down on canvas
27 ½ x 39 ¾ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 33.

Provenance:
Falchi Arte Moderna, Milano, Italy.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, April, 2023.

Exhibited Important Modern Masters,
Cernuda Arte, Coral Gables, Florida,
April - September 2023,

This painting is accompanied by a
Photo-Certificate of Authenticity,
signed by Eskil Lam, numbered
22-04, and dated April 8, 2022.

Domingo Ravenet (1905 – 1969)
Woman, Carnival Figure
(Mujer, Figura de Carnaval), 1966
oil on canvas
36 ½ x 30 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eighteen,
page 26.

Exhibited in Cuban Art in the 20th
Century: Cultural Identity and the
International Avant-Garde, Florida
State University Museum of Fine Arts,
Tallahassee, FL, Feb. 12, 2016 - Mar. 27,
2016, curated by Segundo J. Fernandez,
PhD, and illustrated in the accompanying
catalog, pages 88.

Exhibited in Cuban Art in the 20th
Century: Cultural Identity and the
International Avant-Garde, Coral Gables
Museum, Coral Gables, FL, Jan. 22, 2017 -
Apr. 23, 2017.

Exhibited in The Sensual and the Erotic
in Cuban Art (1900 to 2020), Cernuda Arte,
Coral Gables, Florida, November 2021, and
illustrated digitally on cernudaarte.com,
exhibitions.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2022.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Dr. Mariana Ravenet,
daughter of the artist.

Cundo Bermúdez (1914 – 2008)
Interior Scene with Ocean View
[from the "Gusanita" series]
(Interior con Vista al Mar
[de la serie "Gusanitas"]), 1969
oil on canvas
31 ¾ x 22 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Sixteen,
page 47.

Provenance:
Francisco Sánchez collection, Miami,
Florida, who acquired it directly
from the artist.

Exhibited in Cundo Bermúdez, Under A
Brilliant Sun, The Freedom Tower at
Miami Dade College, Sep. – Nov. 2007,
and it is illustrated in the first
edition of the exhibition catalog,
page 26.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, January, 2019.

Exhibited in Cundo Bermúdez: Oils,
Watercolors, Sculptures, and Lithos,
Cernuda Arte, Coral Gables, FL, May,
2021, and illustrated virtually on
cernudaarte.com

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Cundo Bermúdez, dated
June 28, 2007.

Cundo Bermúdez (1914 – 2008)
Trio in C Minor
(Trio en Do Menor), 1968
oil on canvas
42 x 70 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 55.

Provenance:
Pepe and Hilda López Collection,
Martha Gutiérrez Fine Arts, Miami, FL.

Exhibited in Homage to Cundo Bermúdez,
Cuban Museum of Arts and Culture,
Miami, Florida, May – June, 1987.
Illustrated in the corresponding
exhibition catalog, page 18.

Mariano Rodríguez (1912 – 1990)
Rooster
(Gallo), 1941
watercolor on paper
13 1/2 x 10 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Private Collection, Monaco.

Illustrated in Mariano, Catálogo
Razonado, Pintura y Dibujo, 1936 –
1949, Volume 1, Segunda Edición,
José Veigas, page 90, number 41.80.

Illustrated in the book Mariano,
Tema, Discurso y Humanidad,
Alejandro Rodríguez, General
Coordination, Danny Montes de Oca,
Texts, Escandón Impresores, Sevilla,
Spain, 2004, page 204.

This painting is accompanied by a
Photo-Certificate of Authenticity,
signed by Alejandro and Dolores
Rodríguez, son and daughter of
the artist, dated Sep. 6, 2001.

Wifredo Lam (1902 - 1982)
Untitled [Femme Cheval Eleguas and Bird],
(Sin Título [Mujer Caballo, Eleguas y Pájaro]), 1973
oil on canvas
23 1/2 x 31 1/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 29.

Provenance:
Galleria del Naviglio, Milan, Italy.

Exhibited in A Surrealist Century /
Un Siglo Surrealista, Cernuda Arte,
Coral Gables, FL, Aug. 2024 – Jan. 2025,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, April, 2025.

This painting is accompanied by a
Photo-Certificate of Authenticity,
signed by Eskil Lam, numbered
24-07, and dated April 20, 2024.

Mario Carreño (1913 - 1999)
Maritime Horse
(Caballo Marino), 1943
Duco on canvas laid down on Masonite
24 x 20 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 61.

Provenance:
Perls Galleries, New York, NY;
Farleigh Dickinson University,
New Jersey.

Exhibited in Mario Carreño,
The Lyceum, Havana, November, 1943,
and listed in the corresponding
catalog, no. 12, as Caballo Marino.

Exhibited in Sotheby’s, Latin American
Art, New York, Nov. 23, 1992, lot 49,
and illustrated in the corresponding
auction catalog.

Exhibited in A Surrealist Century /
Un Siglo Surrealista, Cernuda Arte,
Coral Gables, FL, Aug. 2024 – Jan. 2025,
and illustrated digitally on
cernudaarte.com, exhibitions.

Amelia Peláez (1896 - 1968)
Still Life
(Naturaleza Muerta), 1954
mixed media on board
laid down on canvas
30 x 40 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 41.

Provenance:
PepsiCo Corporate Collection,
New York, NY;
Agustín Otero Collection,
Leonardville, MD.

Exhibited at the Miami Metropolitan
Museum, Coral Gables, FL, May 1977.

Exhibited in Christie’s, Latin American Art
Auction, New York, NY, November, 1984, and
illustrated in the corresponding auction
catalog, lot number 307.

Exhibited in Amelia Peláez, A Retrospective,
1896 – 1968, Cuban Museum of Arts and
Culture, Miami, FL, July 15 - Aug. 15 1988,
and listed in the corresponding exhibition
catalog, page 108, number 37.

Exhibited in Amelia Peláez, A Retrospective,
1896 - 1968, Museum of Modern Art of
Latin America, Sep. 14 - Oct. 29, 1988.

Illustrated in the book The Lost Generation:
Women Ceramicists and the Cuban Avant-Garde
| La Generación Perdida: Mujeres Ceramistas
y La Vanguardia Cubana, curated by Dr.
Elizabeth Thompson Goizueta, ed, McMullen
Museum of Art, Boston College, Boston, 2023,
page 52, no. 10.

Fidelio Ponce De León (1895 – 1949)
Flower Vase
(Florero), ca. 1933
oil on canvas
26 x 29 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 45.

Provenance:
Joseph Cantor, who acquired
it from the artist’s widow in
Havana, in 1951;
Sotheby’s Latin American Art,
New York, Nov. 29, 1984, Lot 14;
Private Collection, New York.

Exhibited in Exposición Ponce,
Ministry of Education, Parque
Central, Havana, October 1949;
listed in the exhibition catalog
as Flowers, number 22.

Exhibited in A Treasure of
Modern and Contemporary Cuban Art,
Cernuda Arte, Coral Gables, Florida,
Aug. – Dec. 2020, and illustrated
digitally on cernudaarte.com,
exhibitions.

This painting will be included
and illustrated in the forthcoming
book, Fidelio Ponce de León,
A Cuban Original, by Professor
Juan A. Martínez.

Fidelio Ponce De León (1895 – 1949)
The River
(El Río), ca. 1940
oil on canvas
16 x 20 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eighteen,
page 12.

Provenance:
María Del Carmen Armenteros Zorrilla,
and by descent, Emeterio Zorrilla.

Exhibited in Fidelio Ponce, 1895 - 1949,
Museo Nacional de Bellas Artes, Havana,
February 1958, and listed as number 71
in the corresponding museum catalog.

Exhibited in Fidelio Ponce and His
Times, Cuban Museum of Arts and
Culture, Miami, FL, Oct. - Nov. 1992,
and listed as number 23 in the
corresponding museum catalog.

Exhibited in Amelia’s Friends and
Colleagues: 14 Master Painters of
the Vanguardia Movement, Cernuda Arte,
Coral Gables, FL, July – Nov. 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

Fidelio Ponce De León (1895-1949)
Portrait of a Woman
(Retrato de Mujer), ca. 1940
oil on canvas
23 x 16 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 45.

Provenance:
Prat Puig Collection,
Santiago de Cuba.

Exhibited in Arte Cubano, Subasta
Habana, Havana, Cuba, November 2012,
and illustrated in the corresponding
auction catalog, number 42, page 57.

Exhibited at Palm Beach Modern and
Contemporary Art Fair, Palm Beach,
Florida, March, 2022.

Exhibited in AMELIA’S FRIENDS AND
COLLEAGUES: 14 Master Painters of
the Vanguardia Movement, Cernuda
Arte, Coral Gables, July - Nov. 2022.

This painting is accompanied by a
Photo-Certificate of Authenticity
issued by Museo Nacional de Bellas
Artes, Havana, Cuba, and signed by
Roberto Cobas Amate, Specialist,
January 9, 2012.

René Portocarrero (1912 – 1985)
Cathedral in Gold Background
(Catedral en Fondo Dorado), 1959
mixed media on board laid
down on canvas
20 x 13 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Thirteen,
page 62.

Provenance:
Felipe Cossío del Pomar Collection,
Madrid, Spain;
Carlos Alberto Montaner Collection,
Miami, Florida.

Mariano Rodríguez (1912 – 1990)
Fruits and Reality
(Frutas y Realidad), ca. 1969
oil on canvas
25 x 30 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Seventeen,
page 160.

Exhibited in A Selection of Works
by Mariano Rodríguez, Cernuda Arte,
Coral Gables, FL, May – August 2020,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, September, 2022.

This painting will be illustrated in
the upcoming book, Mariano: Catálogo
Razonado, Pintura y Dibujo 1967-1990,
Volumen 3, Project Director José Veigas
Zamora, Ediciones Vanguardia Cubana,
Sevilla, Spain, currently in production.

This painting is accompanied by a
Photo-Certificate of Authenticity,
signed by Dolores and Alejandro Rodríguez,
dated Sep. 5, 2019, numbered 686019.

Fidelio Ponce De León (1895 – 1949)
Woman and Her Reflection
(Mujer y Su Reflejo), ca. 1944
oil on canvas
24 x 19 1/2 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 45.

Provenance:
Private Collection, Madrid, Spain.

Exhibited in Images of Women in
Cuban Art, Cernuda Arte, Coral Gables, FL,
Nov. 2007 – Jan. 2008, and illustrated
digitally on cernudaarte.com, exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2023.

Fidelio Ponce De León (1895 – 1949)
Dos Mujeres
(Two Women), 1933
oil on canvas
16 x 16 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eleven,
page 19.

Exhibited in Important Modern
Masters, Cernuda Arte, Coral
Gables, FL, Apr. – Sep. 2023,
and illustrated digitally on
cernudaarte.com, exhibitions.

Felipe Orlando (1911 – 2001)
The Sisters
(Las Hermanas), ca. 1955
oil on canvas
21 1/2 x 47 1/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Seventeen,
page 63.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2019.

Exhibited in FELIPE ORLANDO (1911-1995)
The Forgotten Vanguardia - 4 Paintings
from the 1950's and 1960's, Cernuda Arte,
Coral Gables, Florida, Apr. – Oct. 2021,
and illustrated digitally on cernudaarte.com,
exhibitions.

Mario Carreño (1913 - 1999)
Women and Horse
(Mujeres y Caballo), 1945
mixed media on board
13 x 16 3/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 52.

Provenance:
Private Collection, Mexico City,
Mexico;
Private Collection, Miami, Florida.

Exhibited in Mario Carreño, Recent
Paintings, Perls Galleries, New York,
New York, November 1945, no. 18.

Exhibited in Christie’s Latin American
Auction, New York, New York, Nov. 20,
2012, lot no. 95, and illustrated in
the corresponding auction catalog.

Exhibited in Amelia’s Friends and
Colleagues: 14 Master Painters of
the Vanguardia Movement, Cernuda Arte,
Coral Gables, July – Nov. 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

Oscar García Rivera (1914 – 1971)
Street Vendors in Old Havana
(Vendedores Ambulantes por
La Habana Vieja), ca. 1940s
oil on canvas board
15 ½ x 20 inches

To be illustrated in the upcoming
catalog IMPORTANT CUBAN ARTWORKS,
Volume Twenty-Two, Cernuda Arte,
Coral Gables, Florida, December 2026.

Provenance:
Collection Fernando Guerrao,
Murcia, Spain.

Wifredo Lam (1902 - 1982)
Untitled [Figures]
(Sin Título [Figuras]), 1976
mixed media and pastel laid down on board
22 x 30 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 32.

Provenance:
Erker Galerie, St. Gallen, Switzerland.

Exhibited in A Surrealist Century /
Un Siglo Surrealista, Cernuda Arte,
Coral Gables, FL, Aug. 2024 – Jan. 2025,
and illustrated digitally on cernudaarte.com,
exhibitions.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2024.

This painting is accompanied by a
Photo-Certificate of Authenticity
signed by Eskil Lam, numbered 24-33.

Luis Martínez Pedro (1910 – 1989)
The Drinker
(El Bebedor), 1935
graphite on paper
18 x 15 1/2 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 63.

Exhibited in Cuban Art, Remembering
Cuba Through its Art, Cernuda Arte,
Coral Gables, FL, April – May 2005,
and illustrated digitally on
cernudaarte.com, exhibitions.

Illustrated in the book Cuban Art,
Remembering Cuba Through its Art,
Private Collections in Exile, 2004,
published by Arte al Día International,
from the collection of Felipe del Valle
and Sergio Delgado, page 167.

Fidelio Ponce De León (1895-1949)
Homage to Víctor Manuel
(Homenaje a Víctor Manuel), 1935
graphite on paper
10 ¾ x 8 ¼ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty,
page 46

Illustrated in the book Fidelio
Ponce, Mito y Tragedia, Juan Sánchez,
Editorial Letras Cubanas, 2007.

René Portocarrero (1912 – 1985)
Seven Carnival Figures
(Siete Figuras de Carnaval), 1970
mixed media on heavy paper
laid down on board
19 ¾ x 25 ¾ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twenty-One,
page 57.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, April, 2025.

Exhibited at Art Palm Beach +
Contemporary Art Fair, Palm Beach,
Florida, January, 2026.

This painting is accompanied by a
Photo Certificate of Authenticity
signed by Giulio V. Blanc, dated
November 13, 1993.

Wifredo Lam (1902 – 1982)
Totem
(Totem), 1965
pastel on heavy paper laid down on board
27 ½ x 19 ½ inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twelve,
page 51.

This artwork is dedicated on the reverse
to ‘Giordano, Wi Lam, 1975’, and again
signed by the artist.

Exhibited at Mary-Anne Martin Fine Art,
New York, NY, number LAMWDR 1965001,
as per the exhibition sticker on the
back of the painting.

This artwork is accompanied by
a Photo-Certificate of Authenticity,
signed and dated by Madame Lou Laurin
Lam, Paris, November 26, 2001, no. 01-41.

“Thanks to Lam, the preposterous, rugged
and uninspired forms that blocked the
road are blown up by the great suns of
dynamite. Thanks to Lam, the primal
spirit - and by that, I mean the
sentiment, the dream, the heredity - is
projected and illuminated... Nourished
with sea salt, sun, rain, marvelous and
sinister moons, Wifredo Lam is the one
who calls the modern world back to the
original terror and fervor.”

AIMÉ CÉSAIRE

Víctor Manuel García (1897 – 1969)
City Park
(Parque en La Ciudad), ca. 1940
oil on canvas
28 ¼ x 19 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 41.

Provenance:
Private Collection, Madrid, Spain.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2017.

Exhibited in Modern & Contemporary
Art: A Group Show, Cernuda Arte,
Coral Gables, FL, May - August 2019,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in The First Generation
ofthe Vanguardia Artists, Cernuda
Arte, Coral Gables, Florida, November,
2021,and illustrated digitally on
cernudaarte.com, exhibitions.

We thank Ramón Vásquez Díaz for
his kind assistance in cataloging
this artwork.

Mariano Rodríguez (1912 – 1990)
Three Woman in Interior with Flower Vase
(Tres Mujeres en Interior con Florero), ca. 1943
mixed media on heavy paper laid down on board
15 x 21 3/4 inches

Exhibited in Mariano, Variations on a
Theme, McMullen Museum of Art, Boston
College, Boston, MA, Sep. – Dec. 2021,
Elizabeth Thompson Goizueta, Ph.D.,
curator, and illustrated in the
corresponding exhibition catalog,
page 53.

Illustrated in Mariano, Catálogo Razonado,
Pintura y Dibujo, 1936 – 1949, Volume 1,
Segunda Edición, José Veigas, page 139,
number 43.47.

René Portocarrero (1912 – 1985)
Interior with Flower Vases
(Interior con Floreros), 1942
mixed media on heavy paper laid down on board
13 3/4 x 9 5/8 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Thirteen,
page 54.

Provenance:
William Bowdler Collection;
Acquired directly from the artist.

Exhibited in RENÉ PORTOCARRERO
(1912 - 1985) Fifteen Creations
from the 1940's to 1970's,
Cernuda Arte, Coral Gables, FL,
Dec. 2020 – July 2021, and
illustrated digitally on
cernudaarte.com, exhibitions.

Mario Carreño (1913 – 1999)
Woman in the Garden
(Mujer en El Jardín), 1946
mixed media on heavy paper
laid down on board
11 ½ x 9 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fourteen,
page 548.

Provenance:
The Anselmo and Meredith Rae Reyes
Collection, Virginia.

Exhibited in EXPO Chicago Art Fair,
Festival Hall, Navy Pier, Chicago,
Illinois, September, 2016.

Exhibited in AMELIA’S FRIENDS AND
COLLEAGUES: 14 Master Painters of
the Vanguardia Movement, Cernuda Arte,
Coral Gables, July – November 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

Eduardo Abela (1889 – 1965)
Nude
(Desnudo), ca. 1928
oil on paper laid down on board
20 1/2 x 15 3/4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Nineteen,
page 168.

Provenance:
Maritza Alonso, sister-in-law of the
artist; Hosanna Abela, by inheritance.

Exhibited in Eduardo Abela,
A One-Person Show, Cernuda Arte,
Coral Gables, FL, Aug. - Oct. 2015,
and illustrated digitally on
cernudaarte.com, exhibitions.

This painting is illustrated in the
book, Eduardo Abela – Cerca del Cerco,
José Seoane Gallo, Editorial Letras
Cubanas, 1986, page 492.

Illustrated in the book, Eduardo Abela,
de lo Real a lo Imaginario, Obras
Escogidas, Yolanda Wood and Roberto
Cobas, Ediciones Vanguardia Cubana,
2010, page 43.

Nude (Desnudo) was painted shortly
after Abela's arrival to Paris in 1927.
It is believed that this painting was
one of the six works on paper that were
included as part of the artist's famous
solo exhibition at Galerie Zak, Paris,
December, 1928.

Eduardo Abela (1889 – 1965)
The Fool
(El Bobo), ca. 1932
ink on heavy paper laid down on board
11 1/8 x 8 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twelve,
page 63.

Provenance:
Hosanna Abela;
Private Collection, Madrid, Spain.

Exhibited in Eduardo Abela,
A One-Person Show, Cernuda Arte,
Coral Gables, FL, Aug. - Oct. 2015,
and illustrated digitally on
cernudaarte.com, exhibitions.

Eduardo Abela (1889 – 1965)
The Fool
(El Bobo), 1953
ink on heavy paper laid down on cardboard
8 3/4 x 6 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Twelve,
page 63.

Provenance:
Hosanna Abela;
Private Collection, Miami, Florida

Exhibited in Eduardo Abela,
A One-Person Show, Cernuda Arte,
Coral Gables, Florida, Aug. - Oct. 2015,
and illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in AMELIA’S FRIENDS AND
COLLEAGUES: 14 Master Painters of the
Vanguardia Movement, Cernuda Arte,
Coral Gables, Fl, July - Nov. 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

Eduardo Abela (1889 – 1965)
Blushing Young Lady
(Muchacha Sonrojada), ca. 1957
oil on wood
7 1/4 x 9 7/8 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Eighteen,
page 24.

Provenance:
Private Collection, Miami Beach, Florida.

Exhibited in Eduardo Abela, A One-Person
Show, Cernuda Arte, Coral Gables, FL,
Aug. – Oct. 2015, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited in Eduardo Abela (1889 – 1965)
A World of Dreams... A Dream of Worlds
– 8 Paintings, 1940's to 1960's,
Cernuda Arte, Coral Gables, FL,
Dec. 2020 – Jun. 2021, and illustrated
digitally on cernudaarte.com,
exhibitions.

Exhibited in AMELIA’S FRIENDS AND
COLLEAGUES: 14 Master Painters of the
Vanguardia Movement, Cernuda Arte,
Coral Gables, Fl, July – Nov. 2022,
and illustrated digitally on
cernudaarte.com, exhibitions.

Antonio Gattorno (1904 - 1980)
The Search
(La Búsqueda), 1949
mixed media on heavy paper
laid down on cardboard
7 x 4 1/2 inches

Exhibited in Antonio Gattorno (1904 - 1980)
Romantic Surrealism: Six works from
the 1940's and 1950's, Cernuda Arte,
Coral Gables, FL, Jun. – Oct. 2021,
and illustrated digitally on cernudaarte.com,
exhibitions.

Wifredo Lam (1902–1982)
Living Beacon
(Guía Viviente), 1977
bronze sculpture, 19 of 50
11 ¼ x 5 x 4 inches

Illustrated in IMPORTANT CUBAN
ARTWORKS, Volume Fifteen,
page 31.

This sculpture (different number)
was exhibited in Wifredo Lam: The
Changing Image—Centennial Exhibition,
Yokohama Museum of Art, Yokohama,
Japan, October 26, 2002–January 13,
2003, and is illustrated and listed
as number 113 in the accompanying
catalog.

Exhibited in Art Miami Fair,
Miami, Florida, December, 2017.

Exhibited in WIFREDO LAM (1902 - 1982)
The Mature Period: Twenty-One
Paintings, Ceramics, and Sculptures
from 1955 to 1970's, Cernuda Arte,
Coral Gables, FL, August 2021, and
illustrated digitally on
cernudaarte.com, exhibitions.

Exhibited in Art Wynwood Fair,
Miami, FL, February, 2023.

This sculpture (different number) is
illustrated in Journal Artcurial, no.
14, October 1979, Paris, France.

Gina Pellón (1926 – 2014)
When the Birds Sleep
(Cuando Los Pájaros Duermen), ca. 1984
ink on paper
12 ¾ x 9 ½ inches

Provenance:
Acquired directly from the artist.

Gina Pellón (1926 – 2014)
Faces, 3 of 4
(Rostros, 3 de 4), ca. 1984
ink on paper
12 ¾ x 9 ¾ inches

Provenance:
Acquired directly from the artist.